盲探 | Blind Detective

He used to be a highly gifted police detective but was forced to retire after getting blinded on duty. Since then he earns his living by solving cold cases for the police. She is an up-and-coming hit team detective who has been feeling guilty ever since her childhood friend went missing after she refused to go out with her ten years ago. On witnessing how brilliantly he solves a case, she decides to seek his assistance to find her friend. He accepts the invitation with his own personal agenda in mind.

Directed by Johnnie To | Starring : Andy Lau, Sammi Cheng, Tao Guo, Ying-Ting Yiu, Hoi-Pang Lo | Presented at Cannes Film Festival

过界 | Bends

Bends straddles the Hong Kong-Shenzhen border and tells the story of Anna, an affluent housewife and Fai, her chauffeur, and their unexpected friendship as they each negotiate the pressures of Hong Kong life and the city’s increasingly complex relationship to mainland China. Fai is struggling to find a way to bring his pregnant wife and daughter over the Hong Kong border from Shenzhen so as to avoid the 2nd child penalty in China, even though he crosses the border easily every day working as a chauffeur for Anna. Anna, in contrast, is struggling to keep up the façade of her ostentatious lifestyle, after the disappearance of her husband, amid financial turmoil. Their two lives collide in a common space, the car.

Directed by Flora Lau | Starring : Carina Lau, Kun Chen, Yuan Tian, Lawrence Cheng, Stephanie Che | Presented at Cannes Film Festival

一代宗师 | The Grandmaster

With martial arts getting more popular in the Thirties, more people seek to learn them via the professionals at Foshan in Southern China. Some of the experienced masters like to challenge their counterparts and undergoing battles. To have their whole concentration, it is their practice to lock up the venues and no one is allowed to leave during battles. No food and no rest before reaching any results. Ip Man is a young rich man extremely talented in martial arts, but he chooses to keep a low profile. Yet this doesn’t keep him out of these troubles ahead. One day he is trapped in this battleground so he has to use every means in order to get out of there. The masters are amazed by his abilities. Master Kung and his daughter Kung Yi are amongst, and the latter is attracted to this newcomer. A high warlord is assassinated by his own guard Yi Xian Tian. All masters in Foshan vow to take Tian down no matter what.

Directed by Kar Wai Wong | Starring : Tony Leung Chiu Wai, Ziyi Zhang, Chen Chang, Benshan Zhao, Hye-kyo Song | Presented at Berlin Film Festival, Belgrade Film Festival, Hong Kong Film Festival

夺命金 | Life Without Principle

Life Without Principle tells the story of three characters: an ordinary bank teller turned financial analyst is forced to sell high risk securities to her customers in order to meet her sales target; a small-time thug delves into the futures index hoping to earn easy money to post bail for a buddy in trouble with the law; a straight-arrow Police inspector, who has always enjoyed his middle income lifestyle, is suddenly desperate for money when his wife puts a down payment on a luxury flat she can’t afford and his dying father wants him to look after a young half-sister he never knew he had.

Directed by Johnnie To | Starring : Ching Wan Lau, Richie Ren, Denise Ho, Myolie Wu, Hoi-Pang Lo | Presented at Venice Film Festival, Toronto Film Festival, San Sebastian Film Festival, Vancouver Film Festival, Pusan Film Festival, Mar del Plata Film Festival, Wisconsin Film Festival, San Francisco Film Festival, Edinburgh Film Festival, Changchun Film Festival, Locarno Film Festival

人山人海 | People Mountain People Sea

Lao Tie knows in his heart that he must help find his younger brother’s killer, despite his own problems. He has only recently returned home penniless to the remote mountain community after years away working in the city. Although the police identified the murderer as ex-con Xiao Qiang from a neighbouring village, they were not able to stop him from escaping. Lao Tie decides to hunt down his brother’s killer. He begins a journey that will unleash his long-suppressed inner pain and rage.

Directed by Shangjun Cai | Starring : Zhenjiang Bao, Hong Tao, Jianbin Chen, Xiubo Wu, Yanming Li | Presented at Venice Film Festival, Toronto Film Festival, Stockholm Film Festival, Nantes Film Festival, San Francisco Film Festival

桃姐 | A Simple Life

Based on a true story, the film centres on Ah Tao, an amah who has worked for the Leung family for four generations. She lives with and takes care of Roger, a film producer who is the only member of the Leung household still living in Hong Kong. Roger returns home one day and finds Ah Tao unconscious after a stroke. Convinced she has becoming a burden, Tao resigns and moves into a retirement home. But upon her arrival, she continues to be taken care of by Roger, who realizes just how important she is to him. He decides to do his best to watch after the person who has nurtured him all his life. But Ah Tao’s health is fast deteriorating. Hui has always excelled when telling stories of everyday life. In A Simple Life, she delivers a rich and heartwarming drama that not only deals with the many abandoned old people in Hong Kong, but also exquisitely captures the unique relationship between the amah and the family for which she cares. In an age when loyalty between employers and employees is fast disappearing, A Simple Life highlights a culture that has almost ceased to exist in Hong Kong: one in which a person devotes their life to serving a family, and in return is cherished as much as any other relative.

Directed by Ann Hui | Starring : Andy Lau, Deannie Yip, Hailu Qin, Fuli Wang, Paul Chun | Presented at Venice Film Festival, Toronto Film Festival, Vancouver Film Festival, London Film Festival, Stockholm Film Festival, Dubai Film Festival, Palm Springs Film Festival, Rotterdam Film Festival, Okinawa Film Festival, Durban Film Festival, Istanbul Film Festival, Sydney Film Festival, Munich Film Festival, Portland Film Festival

夹边沟 | The Ditch

A political ghost story that gives voice to atrocious memories, The Ditch draws equally from classical Chinese drama and Wang’s experience as a documentary filmmaker. The film’s realistic style perfectly balances the intensity of the subject matter. This is an exceptional work of ascetic cinematic poetry.

Directed by Bing Wang | Starring : Zhengwu Cheng, Niansong Jing, Ye Lu, Cenzi Xu, Haoyu Yang | Presented at Venice Film Festival, Toronto Film Festival, Abu Dhabi Film Festival, Sao Paulo Film Festival, Stockholm Film Festival, Nantes Film Festival, Alès Film Festival, San Sebastian Film Festival, Edinburgh Film Festival

狄仁杰之通天帝国 | Detective Dee: Mystery of the Phantom Flame

In 689 A.D., the Empress Wu Zetian is building a 66 m high statue of Buddha for her inauguration as the first empress of China under the objections and conspiracy of the other clans. When the engineer responsible for the construction mysteriously dies by spontaneous combustion, the superstitious workers are afraid since the man removed the good luck charms from the main pillar. There is an investigation of Pei Donglai and another investigator that also dies after withdrawing the amulets. Empress Wu assigns her loyal assistant Shangguan Jing’er to release the exiled Detective Dee from his imprisonment to investigate with Donglai and Jing’er the mystery of the deaths. They ride in a mystic and epic adventure to unravel the mystery.

Directed by Hark Tsui | Starring : Andy Lau, Carina Lau, Bingbing Li, Tony Leung Ka Fai, Chao Deng | Presented at Venice Film Festival, Toronto Film Festival, Abu Dhabi Film Festival, Glasgow Film Festival, Tribeca Film Festival, Helsinki Film Festival, Nagaoka Film Festival

得闲炒饭 | All About Love

A sharp and funny exploration of the complex world of adult relationships, All About Love takes a rare look at the lives of queer women and their specific challenges when it comes to creating a family. Known for her cleverly observed societal dramas, Ann Hui is one of Hong Kong’s most respected filmmakers. Here, she balances the serious themes of motherhood, sexuality and discrimination – topics rarely addressed in Hong Kong cinema – with wit, humour and compassion. Macy, a bisexual lawyer with a fear of commitment, is frustrated by the judgemental attitudes of lesbians, but wants to get back in the female dating game. Urged by her good friends and their life partners to settle down, Macy runs into Anita, an ex-girlfriend who is pregnant after a one-night stand with Mike. Macy, who is also unexpectedly pregnant with her neighbour Robert, rekindles her romance with Anita, but her fear of commitment threatens to derail their plans to start a family together. Anita is devastated when her co-workers ostracize her after discovering that she’ll be a single mother, and this intensifies her thoughts of giving up the baby. Chow, who returns to the big screen after a fourteen year absence, is radiant as Anita, developing irresistible chemistry with Sandra Ng, who brings her great comic and dramatic timing to her performance. While All About Love is structured as a commercial romantic comedy, its themes are radical in scope. By presenting queer relationships as the norm and deconstructing the idea of a nuclear family, Hui has expertly crafted a film that dispels stereotypes on what constitutes a family. Hong Kong, for all its modernity is, at its core, still extremely conservative and traditional in terms of gender roles and family values, with no civil rights for same-sex couples. Hui subtly challenges such ideas and reminds the audience that the most important aspects of any relationship are not gender and convention, but love and commitment.

Directed by Ann Hui | Starring : Sandra Ng Kwan Yue, Vivian Chow, William Chan Wai-Ting, Siu-Fai Cheung, Jo Kuk | Presented at Toronto Film Festival, Pusan Film Festival, Tokyo Film Festival

岁月神偷 | Echoes of the Rainbow

Told through the eyes of sticky-fingered eight-year-old boy Big Ears, Echoes of the Rainbow takes place in a close-knit grassroots community in 1960s Hong Kong. Big Ears’ mother and father run the neighborhood shoe store, and his older brother Desmond  is every family’s dream son – an outstanding athlete with grades worthy of Hong Kong’s best school. Their lives aren’t always happy, but the family sticks together through all the rough times, no matter how bad it gets.

Directed by Alex Law | Starring : Simon Yam, Sandra Ng Kwan Yue, Buzz Chung, Aarif Rahman, Paul Chun | Presented at Berlin Film Festival, Hong Kong Film Festival, Changchun Film Festival

泪王子 | Prince of Tears

Largely based on Yonfan’s childhood memories, Prince of Tears is akin to a sumptuous fairy tale. Alternately magnified through the eyes of innocent children and darkened by the disturbed dreams of frightened, guilty adults, the realities of a little-known era are explored through Yonfan’s powerful vision. As in the best of fables, here too we have a handsome prince and a beautiful princess, a charming fairy and a mean ogre. Elegantly shot, the film weaves the characters and their stories together in a mysterious and lyrical fashion. Yonfan’s pristine touch as production designer seamlessly matches the vibrant light and colour of Chin Ting-chang’s cinematography. As a result, the film’s stunning look provides a stark contrast to the terror within the environment. As both an exquisite rhapsody of emotions and an intriguing historical account, Yonfan’s work is utterly unique. It charms, evokes and informs, perfectly capturing the confusion of adolescence, when the world is full of beauty one moment and immersed in darkness the next.

Directed by Yonfan | Starring : Hsiao-chuan Chang, Terri Kwan, Wing Fan, Kenneth Tsang, Jack Kao | Presented at Venice Film Festival, Toronto Film Festival, Pusan Film Festival, Dubai Film Festival, Palm Springs Film Festival, Seattle Film Festival, Moscow Film Festival

意外 | Accident

A self-styled “accident choreographer,” Brain is a professional hitman who kills his victims by trapping them in well crafted “accidents” that look like unfortunate mishaps but are in fact perfectly staged acts of crime. Perennially plagued with guilt, he is also suspicious and morbid by nature. The recent avalanche of memories of his lost wife does not make things any easier. After one mission accidentally goes wrong, causing the life of one of his men, Brain is convinced that this accident has been choreographed: someone is out there plotting to terminate him and his team. He becomes increasingly paranoid, walking on the thin line between reality and delusion. When he discovers that a mysterious insurance agent Fong is somewhat related one of the “accidents” he has staged, Brain becomes obsessed that this man must be the mastermind behind a conspiracy to take him out. To regain his sanity and to save his life, he must strive to kill Fong before he makes his next move.

Directed by Pou-Soi Cheang | Starring : Louis Koo, Richie Ren, Michelle Ye, Shui-Fan Fung, Suet Lam | Presented at Venice Film Festival, Toronto Film Festival, Athens Film Festival, Sitges Film Festival, Pusan Film Festival, Vienna Film Festival, Mar del Plata Film Festival, Nantes Film Festival, Fantasia Film Festival, Munich Film Festival, Helsinki Film Festival

复仇 | Vengeance

What is vengeance if you can’t remember who it is you’re avenging? Isn’t memory what vengeance is all about? Vengeance is always personal, and usually results in at least a few more deaths than originally intended, many of them more than a little mordantly ironic. That’s part of what makes a revenge thriller thrilling, and Johnnie To’s terrific, slow-burn triad actioner Vengeance, adds a memory glitch to those thrills. Vengeance is a rich, fragrant reduction of To’s favorite themes (male bonding and codes of loyalty, the triad underworld, vengeance) trademarks (slow-motion clouds of blood, unforgettable set-pieces, impossibly sleek cinematography, brooding men, black humor) and actors. One splendid difference: Vengeance stars French actor and singer Johnny Hallyday (adding a nice tip of the chapeau to the French noirs of the ‘60s, when Hallyday had his rock and roll heyday). Hallyday plays François Costello, a Parisian restaurant owner who is in Macau at the request of his daughter—to avenge a savage attack on her family. Costello crosses paths with a crack team of triad hit men, whom he then hires to carry out his own revenge plan—a plan growing increasingly hazy due to his deteriorating memory. The craggy, lived-in face of Hallyday is as riveting as To’s mad scenes of mayhem, which include a fierce nighttime shootout as clouds pass over the full moon and—shootouts being To’s stock in trade—an epic battle in a junkyard that has to be seen to be believed. Vengeance, indeed, is a dish best served by Johnnie To.

Directed by Johnnie To | Starring : Johnny Hallyday, Anthony Wong Chau-Sang, Ka Tung Lam, Simon Yam, Suet Lam | Presented at Cannes Film Festival, Toronto Film Festival, Oldenburg Film Festival, San Sebastian Film Festival, Pusan Film Festival, San Francisco Film Festival, Seattle Film Festival, Milwaukee Film Festival

南京！南京！ | City of Life and Death

Nanjing, 1937. The third film from award-winning Sixth Generation director Lu Chuan, City of Life and Death is a devastating account of the massacre that occurred during the Sino-Japanese War when Japanese troops took the city of Nanjing in December 1937, a tragedy remembered as the Rape of Nanking. Shot completely in black and white, this powerful war drama unflinchingly captures the shocking violence and brutality of the Nanjing massacre, from the mass executions of POWs to the raping and slaughtering of civilians, while providing a deeply human portrait of both the victims and the perpetrators. Rendered in many shades of gray, City of Life and Death touches on the different people whose lives are destroyed by the war: the Chinese soldiers who gave their lives, the foreign missionaries who sheltered refugees, the comfort women, the Chinese civilians, and the Japanese soldiers. In a surprising move for a Mainland Chinese film about the Rape of Nanking, City of Life and Death is told primarily from the perspective of a Japanese soldier, who witnesses, commits, and abhors the atrocities of his army. By choosing to humanize rather than demonize, Lu Chuan offers an all the more devastating memory of the Nanjing massacre, and the people who lived and died in the City of Life and Death.

Directed by Chuan Lu | Starring : Ye Liu, Yuanyuan Gao, Hideo Nakaizumi, Wei Fan, Lan Qin | Presented at Edinburgh Film Festival, Toronto Film Festival, San Sebastian Film Festival, Athens Film Festival, Oslo Film Festival, Hamptons Film Festival, Pusan Film Festival, Warsaw Film Festival, London Film Festival, AFI Film Festival, Mar del Plata Film Festival, Palm Springs Film Festival, Rotterdam Film Festival, Seattle Film Festival, Melbourne Film Festival, Helsinki Film Festival

天水围的夜与雾 | Night and Fog

Ann Hui’s darkly realistic Night and Fog starts at the end of the story: a man murders his wife and, based on statements by unreliable witnesses, the film goes on to investigate how things could have got this far and what kind of man was able to kill his family; questions that almost inevitably remain unanswered. Night and Fog, named after Nuit et brouillard (1955), Alain Resnais’ documentary about concentration camps, looks at the difficult problem of domestic violence. An elderly man from Hong Kong takes a wife from outside the city and goes on to neglect and abuse the woman. Ann Hui’s cool registering camera is juxtaposed with flashbacks within flashbacks and dream sequences, just as in her earlier film, Song of the Exile.

Directed by Ann Hui | Starring : Jingchu Zhang, Simon Yam, Wai Keung Law, Amy Chum, Kenneth Cheung | Presented at Hong Kong Film Festival, Vancouver Film Festival, Pusan Film Festival, Tokyo Film Festival, Göteborg Film Festival, Rotterdam Film Festival, Transilvania Film Festival

白银帝国 | Empire of Silver

With this lush epic Palo Alto–based filmmaker Christina Yao tells a story both timely and timeless: a tale of love, succession and compromised ideals that chronicles the lives of a powerful family of Shanxi bankers during the waning years of the Qing Dynasty. Downright Shakespearean in theme, the film details a little-known piece of Chinese history while offering parallels to the current financial crisis with its shadowy world of unscrupulous market fixing and backroom deals. In the northeastern Chinese province of 19th-century Shanxi, a group of bankers amassed extensive wealth and power that allowed them considerable independence from the state. The fictional Kang family is one such clan, whose fortunes take a sudden turn for the worse when several of the family’s heirs meet tragic fates and civil unrest threatens the nation’s stability. Third Master, a hedonist and the Kang patriarch’s least favorite son, is now called upon to carry on their lineage. Torn between familial obligation and his own desire for love and happiness, he sets out to reform his father’s unethical business practices while shepherding the family through the country’s growing unrest. Full of swooping crane shots, monumental sets and massive landscapes, Yao’s debut recalls the opulent historical sagas of Chinese Fifth Generation filmmakers like Zhang Yimou as it combines a passionate tale of unrequited love and a fascinating glimpse of a rarely related episode in Chinese history.

Directed by Christina Yao | Starring : Aaron Kwok, Tielin Zhang, Lei Hao, Zhicheng Ding, Jennifer Tilly | Presented at Berlin Film Festival, Shanghai Film Festival, Hawaii Film Festival, San Francisco Film Festival, Mexico Film Festival

荡寇 | Plastic City

Liberdade, São Paulo– a multi-ethnic neighborhood with the largest Japanese immigrant community in the world. Here, traditional Japanese achitecture clashes with the gritty urban landscapes, while people of all races come here to do business – legal or illegal. This is where the story of Plastic City begins… Yuda, a feared Chinese outlaw, and his adopted son Kirin, an impulsive young dreamer, together rule the pirated goods racket in the ultra-liberal Brazilian metropolis. The magnate and his heir control all of from rival gangs to street hawkers, corrupt politicians to erotic dancers. But an empire that takes years to build can also crumble to the ground with one fatal mistake… A conspiracy between politicians and the mafia begins to threaten Yuda’s power. Little by little, he loses control of his business and is ultimately arrested. Kirin struggles to re-conquer his father’s honor, fighting this city’s wars singlehandedly. But Yuda, tired of the bloodshed and feeling the weight of his years, abandons his son, falsifies his own death and returns to the jungle in a last attempt to put an end to his criminal life. Escaping from a complex maze of violence, Kirin sets out to find his father. In the mysterious jungle, father and son both have to wipe the slate of their past clean. Only in the end will Kirin discover the ultimate answer to the search for his own destiny.

Directed by Nelson Yu Lik-wai | Starring : Jô Odagiri, Anthony Wong Chau-Sang, Yi Huang, Chao-jung Chen, Tainá Müller | Presented at Venice Film Festival, Toronto Film Festival, Vancouver Film Festival, AFI Film Festival, Stockholm Film Festival, Febio Film Festival, Chicago Film Festival, Sao Paulo Film Festival

一半海水一半火焰 | Ocean Flame

Wong Yiu was a very shameless person and a blackmailer until one day he met a waitress named Ni Chen. He thought Ni Chen was like any other girls that could be controlled by him, but her stubbornness was way beyond his imagination. As time goes by, they both lost their ways and losing themselves in the process. He was not as free as he once was. Insanity causes him to end her life. Eight years later, Wong Yiu stepped out from the jail. He carried a gun and went to look for Ni Chen’s mother at her home wishing to fulfill his own will.

Directed by Fendou Liu | Starring : Fan Liao, Monica Mok, Simon Yam, Suet Lam, Shiu Hung Hui | Presented at Cannes Film Festival, Toronto Film Festival, Stockholm Film Festival, Oslo Film Festival, Bratislava Film Festival

一个好爸爸 | Run Papa Run

Run Papa Run is a bit of a different take on the usual Hong Kong gangster movie shenanigans. In the film, Louis Koo plays Lee, a young man who finds father figures in the Triads his mother takes care of in her underground clinic. Despite his mother’s objections, Lee joins the local gang, and soon becomes one of the most powerful gangsters in Hong Kong. However, things are turned upside down for Lee soon after her meets a pretty lawyer named Mabel. After getting Mabel pregnant and marrying her in a shotgun wedding, Lee finds himself wanting to be a “good” Triad for the sake of his daughter, Heiyi. Of course, it isn’t so easy for a hardened gangster to be a nice guy, and Lee must try to balance the needs of both of his “families”.

Directed by Sylvia Chang | Starring : Louis Koo, Rene Liu, Nora Miao, Siu Chung Mok, Suet Lam | Presented at Hong Kong Film Festival

文雀 | Sparrow

From the acclaimed director of The Mission, Election, and Exiled, Johnnie To. “Sparrow’ is a common word used in Hong Kong street slang for pickpocket. The term refers to the special dexterity needed to pluck people’s wallets from their pockets… and possibly also to the necessity of having to flutter away quickly should one be discovered. Kei is one such ‘sparrow’ – and a very professional one at that. He and his three partners earn a good living from digging deep into the pockets of oblivious passers-by moving along the crowded urban canyons of Hong Kong. As far as Kei’s concerned, it’s all he needs to live a carefree life. Whenever he is not going about his business he loves to ride about the city on his bicycle photographing street scenes with his Rolleiflex camera. One day the gorgeous Chun Lei comes into his sights. Kei is fascinated. But behind Chun Lei’s good looks lurks a mysterious past. Kei falls in love with her – and he is not the only one. After having managed to turn the heads of his three colleagues, she reveals her true intentions: the sparrows must steal something of great importance to her.

Directed by Johnnie To | Starring : Simon Yam, Kelly Lin, Ka Tung Lam, Hoi-Pang Lo, Suet Lam | Presented at Berlin Film Festival, Fantasia Film Festival, Cinemanila Film Festival, Chicago Film Festival, Cleveland Film Festival, Wisconsin Film Festival, Mill Valley Film Festival

神探 | Mad Detective

2007’s largest grossing film at the Hong Kong box office – Mad Detective – is one of the freshest and most satisfying films from that country in a decade. The traditional Hong Kong police film is turned on its head: the imaginative twist being our hero – Detective Bun – who has the ability to ‘see’ people’s inner personalities or “hidden ghosts”. Breaking new ground and establishing new cinematic rules, Johnnie To’s latest giddily entertaining collaboration with Wai Ka Fai radically raises the level of storytelling in modern film. Detective Bun was recognised as a talented criminal profiler until he sliced off his right ear to offer as a gift at his chief’s farewell party. Branded as ‘mad’ and discharged from the force, he has lived in seclusion with his beloved wife May ever since. Strangely, Bun has the ability to ‘see’ a person’s inner personality, their subconscious desires, emotions, and mental state. When a missing police gun is linked to several heists and murders, hotshot Inspector Ho calls on the valuable skills of his former mentor Bun to help unlock the killer’s identity. However, Bun’s unorthodox methods point to a fellow detective and take a schizophrenic turn for the worse…

Directed by Johnnie To | Starring : Ching Wan Lau, Andy On, Ka Tung Lam, Kelly Lin, Kwok-Lun Lee | Presented at Venice Film Festival, Toronto Film Festival, Sitges Film Festival, Maine Film Festival

色，戒 | Lust, Caution

Shanghai, 1942. The World War II Japanese occupation of this Chinese city continues in force. Mrs. Mak, a woman of sophistication and means, walks into a café, places a call, and then sits and waits. She remembers how her story began several years earlier, in 1938 China. She is not in fact Mrs. Mak, but shy Wong Chia Chi. With WWII underway, Wong has been left behind by her father, who has escaped to England. As a freshman at university, she meets fellow student Kuang Yu Min. Kuang has started a drama society to shore up patriotism. As the theater troupe’s new leading lady, Wong realizes that she has found her calling, able to move and inspire audiences and Kuang. He convenes a core group of students to carry out a radical and ambitious plan to assassinate a top Japanese collaborator, Mr. Yee. Each student has a part to play; Wong will be Mrs. Mak, who will gain Yees’ trust by befriending his wife and then draw the man into an affair. Wong transforms herself utterly inside and out, and the scenario proceeds as scripted until an unexpectedly fatal twist spurs her to flee. Shanghai, 1941. With no end in sight for the occupation, Wong having emigrated from Hong Kong goes through the motions of her existence. Much to her surprise, Kuang re-enters her life. Now part of the organized resistance, he enlists her to again become Mrs. Mak in a revival of the plot to kill Yee, who as head of the collaborationist secret service has become even more a key part of the puppet government. As Wong reprises her earlier role, and is drawn ever closer to her dangerous prey, she finds her very identity being pushed to the limit…

Directed by Ang Lee | Starring : Tony Leung Chiu Wai, Wei Tang, Joan Chen, Leehom Wang, Chung-Hua Tou | Presented at Venice Film Festival, Toronto Film Festival, Calgary Film Festival, Rio de Janeiro Film Festival, Vancouver Film Festival, Edmonton Film Festival, London Film Festival, Vienna Film Festival, Sao Paulo Film Festival, Valladolid Film Festival, Oslo Film Festival, Göteborg Film Festival

出埃及记 | Exodus

After the artistic breakthrough and acclaim of Isabella, maverick director Edmond Pang Ho Cheung returns to black comedy territory with his new film Exodus. From Men Suddenly in Black, Beyond Our Ken, You shoot I shoot, Pang’s films often spin gender issues into wry commentary, and he takes this “battle of the sexes” concept to the next level with Exodus. Black comedy, suspense thriller, and male mid-life crisis drama all rolled into one, Exodus throws out a seemingly ridiculous premise – women are conspiring to kill men! – and challenges both the protagonist and the audience into amused belief. A low-ranking cop often relegated to desk duty, middle-aged Tsim Kin Yip lives a stable, mundane life with his young yoga instructor wife Ann. The monotony is broken one day when he interrogates Kwan Ping Man, a nervous, profanity-spouting man caught spying in the women’s bathroom. Kwan, who seems to have more than a few screws loose, confides to Tsim a shocking secret: a ring of women conspiring to murder men. Everyday, plans are whispered in restrooms and deaths are carefully engineered, so that men die unnoticeable from “accidents” that are anything but. Tsim initially dismisses Kwan’s conspiracy theory, but then clues crop up suggesting there is something fishy at work. Both his marriage and life could be at stake as Tsim becomes increasingly obsessed with cracking the case.

Directed by Ho-Cheung Pang | Starring : Simon Yam, Annie Liu, Nick Cheung, Irene Wan, Maggie Siu | Presented at Toronto Film Festival, San Sebastian Film Festival, Thessaloniki Film Festival, Locarno Film Festival

父子 | After This Our Exile

the hopeless pursuit of happiness, Aaron Kwok stars as Shing, a man who desperately attempts to hold onto the dwindling threads of his family. Once a man who had a dream, Shing has become a deadbeat gambler whose marriage is failing with wife Lin. Shing’s machoistic ego overrides any reasonable logic for change, which forces Lin to leave Shing repeatedly. After finally managing to escape, Shing is left with nothing but his son, Lok-Yun. Hoping in vain to pay back loansharks, Shing turns to his loving son, Lok-Yun, who has somehow retained his filial loyalty. In his most desperate hour, Shing forces his struggle of survival onto his son, Lok-Yun, through thievery and tests the strength of loyalty and the boundaries of trust in their father-son relationship. With each passing day, the bond of love is threatened with Shing’s unrepentant ways.

Directed by Patrick Tam | Starring : Aaron Kwok, Charlie Yeung, Kelly Lin, King-to Ng, Valen Hsu | Presented at Pusan Film Festival, Rome Film Festival, Tokyo Film Festival, Marrakech Film Festival, San Francisco Film Festival

明明 | Ming Ming

Ming Ming is a 21st Century martial arts princess and lady Robin Hood who steals for love. Her Prince Charming is D, a maverick fighter and irresistible rogue who posted this challenge to his swarms of female admirers – give him 5 million dollars and he’ll run away with his benefactress to Harbin. Ming Ming meets D’s another girlfriend Nana, who is a virtual look-alike of Ming Ming. Meanwhile, disappears from Shanghai without a trace. The only clue he leaves behind is a cryptic phone message.

Directed by Susie Au | Starring : Xun Zhou, Daniel Wu, Tony Yang, Kristy Yang, Bo-yuan Chan | Presented at Pusan Film Festival, Hong Kong Film Festival

放逐 | Exiled

Set in a Macau, China, that resembles more a Mexican town than anything Chinese, this film by the acclaimed director Johnnie To starts as four mysterious outlaws descend on the house of a fellow criminal Wo, who is living a quiet life with his wife and baby. Two of the hoods, Blaze and Fat, have come to kill Wo, on the orders of their Boss, while the other two, Tai and Cat, have come to save him. Both sides know each other well, having grown up together, and soon the group decides to save Wo’s life, and run from the Boss’ hired guns.

Directed by Johnnie To | Starring : Anthony Wong Chau-Sang, Francis Ng, Simon Yam, Nick Cheung, Richie Ren | Presented at Venice Film Festival, Toronto Film Festival, Sitges Film Festival, Mar del Plata Film Festival, Wisconsin Film Festival, La Rochelle Film Festival, Karlovy Vary Film Festival, New Zealand Film Festival, Pusan Film Festival

夜宴 | The Banquet

In 907 AD, the Tang Dynasty is in tatters; infighting snarls the imperial family. Crown Prince Wu Luan loves Little Wan, but his father takes her as his Empress. Wu Luan goes into exile, studying dance and music. His uncle murders his father, taking throne and Empress; uncle sends assassins to kill Wu Luan. The Crown Prince eludes death and comes to court. The Emperor arranges for Little Wan’s coronation and dispatches Wu Luan to a distant land; he then calls for a midnight banquet on the 100th day of his rule. Poison, treachery, Wu Luan’s return, and the love of the innocent Qing for Wu Luan set up the final entanglements. No Fortinbras or Horatio lay the dead to rest.

Directed by Xiaogang Feng | Starring : Ziyi Zhang, You Ge, Daniel Wu, Xun Zhou, Xiaoming Huang | Presented at Venice Film Festival, Toronto Film Festival, Bangkok Film Festival, Palm Springs Film Festival, Portland Film Festival, Seattle Film Festival, Dubai Film Festival

鬼域 | Re-Cycle

The first novel of a young woman writer, Ting-yin, pen-named Chu Xun, has become the bestseller in South East Asia. Her novel is a love story that touches the hearts of all her readers. Her manager, Abby announces her next title in her autograph party. The Recycle, it deals with the supernatural forces. Her readers eagerly await the release of her new book with high expectations of her fictional work to be true to life. The film opens with Ting-yin starting work on the Recycle. After drafting a chapter, she stops. She even deletes the file which contains the draft from her computer. Later, she begins to see weird things. Some of the phenomenon cannot be explained. Ting-yin feels that the supernatural events depicted in her fictional work begin to unfold in the real world! Ting-yin finds it increasingly hard to tell what is real and what is imaginary… But she soon learns that perhaps she should follow the mysterious hints into the other world. Isn’t it exactly the subject matter that she’s working on in the Recycle? By having the experience herself, wouldn’t it be the best way to learn of the inexplicable? One night, Ting-yin decides to follow the hints into the other world, in which she has the experience of real and pure horror!

Directed by Oxide Pang Chun, Danny Pang | Starring : Angelica Lee, Lawrence Chou, Siu-Ming Lau, Rain Li, Zeng Qi Qi | Presented at Cannes Film Festival, Helsinki Film Festival, Cleveland Film Festival

伊莎贝拉 | Isabella

On the eve of Macau’s handover to China, police officer Shing is having the worst time of his life. Suspended for suspected corruption, he tries to find solace with an elfin creature by the name of Yan, whom he just picks up. As he tries to smooth-talk her to bed, she suddenly snaps back with the biggest turn-off imaginable: that she is the daughter he never knew existed!While Shing desperately tries to hold himself together, his bachelor life inevitably falls apart as Yan insists on living under his roof. Together the two of them start roaming through exotic Macau, tracking down Yan’s missing puppy and striving to acquaint with each other. No sooner has Shing grown into his new role as a father than he finds his hands full: when Yan is not fighting with his girlfriend Kate, she is being bothered by her dorky classmate Fai.

Directed by Ho-Cheung Pang | Starring : Isabella Leong, Chapman To, Josie Ho, Kwok Cheung Tsang, Anthony Wong Chau-Sang | Presented at Berlin Film Festival, Hong Kong Film Festival, Tokyo Film Festival, Fantasia Film Festival

长恨歌 | Everlasting Regret

Adapted from Wang Anyi’s award-winning novel, the film follows the life of a legendary Shanghai beauty, Wang Qiyao, whose fading glamour is mirrored by the prosperous growth of the city of Shanghai. The film co-stars Tony Leung Ka Fai, Hu Jun, Daniel Wu, and Huang Jue as men who fall for Wang Qiyao. Yet those she loves just leave her one after another when she grows old, and eventually she herself has to face what fate has prepared for her. The metropolitan city is perhaps the only thing that can survive all the drastic changes and remain forever young… Everlasting Regret resembles Stanley Kwan’s Center Stage thematically for both detail the rise and fall of a Shanghainese woman, but Everlasting Regret ambitiously covers a longer period from 1940s to 1980s, almost half a century. The nostalgic mood of the film reminds of Kwan’s best-known piece Rouge. Art Director William Chang, famous for creating a nostalgic atmosphere in Wong Kar Wai’s In the Mood for Love and 2046, successfully reconstructs the lifestyle of old Shanghai.

Directed by Stanley Kwan | Starring : Sammi Cheng, Tony Leung Ka Fai, Daniel Wu, Jun Hu, Jue Huang | Presented at Venice Film Festival, Toronto Film Festival, Chicago Film Festival, Tokyo Film Festival, Cinemanila Film Festival