賽德克·巴萊 | Warriors of the Rainbow: Seediq Bale

Warriors of the Rainbow

Set in 1930’s Formosa – now Taiwan – Warriors of the Rainbow: Seediq Bale tells the true story of the Wushe Incident in which aboriginal Seediq tribe warrior Mouna Rudo led his people to rebel against the Japanese occupation. Rudo’s men of 300 fought with ancient gun, spears and minimal weaponry and seeking to reclaim their land, their dignity and their honor, they took on the Japanese army of 3000 for two weeks.

Directed by Te-Sheng Wei | Starring : Ching-Tai Lin, Umin Boya, Masanobu Andô, Vivian Hsu, Mei-Ling Lo | Presented at Venice Film Festival, Toronto Film Festival, Pusan Film Festival, Vancouver Film Festival, Dubai Film Festival

当爱来的时候 | When Love Comes

When Love Comes

Chang Tso-Chi’s wonderful new film – his most achieved since The Best of Times – is about the members of a family. They come from Kinmen Island, a dot in the sea just off the coast of mainland China which for many years bore the brunt of China’s enmity towards Taiwan, but have settled in the Taipei suburbs to run a modest restaurant. The family has secrets which don’t come out until one member dies (without giving too much away, we can say they have to do with maternity), but there are no great melodramatic revelations. Women dominate the family; the men are a seemingly henpecked husband, nicknamed Dark Face, an autistic uncle who hates the number ‘3’ and has a real talent for ‘naïve’ drawing, and a new grandson, born in unusual circumstances in the opening scene. The women range from a bossy matriarch to a teenager struggling with the realisation that she made the wrong choice of boyfriend. Chang stirs them all together in episodes which have the authentic rhythms of family life and none of the contrivances of soap opera. He observes them with the kind of comic warmth last seen in the films of Edward Yang.

Directed by Tso-chi Chang | Starring : Yijie Li, Yushun Lin, Zihua He, Xuefeng Lu, Meng-jie Gao | Presented at Pusan Film Festival, London Film Festival, Rotterdam Film Festival

第四张画 | The Fourth Portrait

Fourth Portrait

Ten year-old Xiang faces a lonely future after his father dies. Just when he thinks he’s going to spend his life in the orphanage, his estranged mother shows up. And his life changes forever… A loveless mother, a hateful stepfather, a chilly home. Where’s Xiang heading to? He finds comfort in drawing and his work reveals his longing for care and affection. Life is full of hope again when he meets the old school janitor who doesn’t show his kindness easily and a portly man who has crazy ideas and is haunted with nightmares of his brother. A scary truth is about to be unmasked. Will Xiang be able to depict his own image in the fourth portrait?

Directed by Mong-Hong Chung | Starring : Bi Xiao-Hai, Shih-chieh Chin, Lei Hao, Leon Dai, Terri Kwan | Presented at Locarno Film Festival, Toronto Film Festival, Tokyo Film Festival, Mar del Plata Film Festival, Nantes Film Festival, Cinemanila Film Festival, Melbourne Film Festival, Gindou Film Festival, Wisconsin Film Festival

第三十六个故事 | Taipei Exchanges

Taipei Exchange

This second feature by Hsiao Ya-Chuan, with leading Taiwanese director Hou Hsiao-Hsien as executive producer, is a stylish and enjoyable tale of love, friendship, coffee and cake. When Doris fulfills her dream of opening a café, it quickly becomes overrun with junk offered as gifts. Younger sister Josie thinks up an idea of turning it into a swap shop. As hopes and dreams intersect over espresso and mouth-watering cakes, Doris’ Café becomes a place where people come to exchange their junk and life stories for an object of their desire.

Directed by Ya-chuan Hsiao | Starring : Gwei Lun-Mei, Zaizai Lin, Han Chang, Kôsuke Atari, Jiunn-jye Lee | Presented at Tokyo Film Festival, Cinemanila Film Festival

如梦 | Like a Dream

Like a Dream

A Chinese man living in New York suffers recurring dreams in which he meets an elusive, sorrowful woman. While on business in Shanghai he sees her in a photograph and goes in search of her – but instead finds her doppelgänger, a loud, exuberant factory worker. As they grow close, Max struggles to accept the compromised reality of his dream woman. In this cross-continental romance, Hong Kong–Australian director Clara Law returns to the themes of cultural displacement and identity that often permeate her films. Features an original score by Australian pianist and composer Paul Grabowsky.

Directed by Clara Law | Starring : Daniel Wu, Quan Yuan, A. Kyo Moon | Presented at Hong Kong Film Festival, Melbourne Film Festival

台北飘雪 | Snowfall in Taipei

Snowfall in Taipei2

A romantic story about love lost and found in the peaceful backstreets to the glamorous entertainment scenes of Taipei. Seamus is a young man living in an old Taipei neighborhood. One day, a pop singer May is announced missing in Taipei, and subsequently appears in Seamus’ town. With a voice problem and desperate to hide herself, she seeks help from Seamus, who offers her a place to stay, a job in a local diner, and takes her to a Chinese doctor for treatment. When Seamus finds himself in love with May, he finds her heart, however, belongs to somewhere else. He finally understands; one disappears in order to be found.

Directed by Jianqi Huo | Starring : Bo-lin Chen, Yao Tong, Tony Yang, Tzu-yi Mo, Janel Tsai | Presented at Tokyo Film Festival

泪王子 | Prince of Tears

Prince of Tears

Largely based on Yonfan’s childhood memories, Prince of Tears is akin to a sumptuous fairy tale. Alternately magnified through the eyes of innocent children and darkened by the disturbed dreams of frightened, guilty adults, the realities of a little-known era are explored through Yonfan’s powerful vision. As in the best of fables, here too we have a handsome prince and a beautiful princess, a charming fairy and a mean ogre. Elegantly shot, the film weaves the characters and their stories together in a mysterious and lyrical fashion. Yonfan’s pristine touch as production designer seamlessly matches the vibrant light and colour of Chin Ting-chang’s cinematography. As a result, the film’s stunning look provides a stark contrast to the terror within the environment. As both an exquisite rhapsody of emotions and an intriguing historical account, Yonfan’s work is utterly unique. It charms, evokes and informs, perfectly capturing the confusion of adolescence, when the world is full of beauty one moment and immersed in darkness the next.

Directed by Yonfan | Starring : Hsiao-chuan Chang, Terri Kwan, Wing Fan, Kenneth Tsang, Jack Kao | Presented at Venice Film Festival, Toronto Film Festival, Pusan Film Festival, Dubai Film Festival, Palm Springs Film Festival, Seattle Film Festival, Moscow Film Festival

脸 | Face

Face

A Taiwanese filmmaker makes a film based on the myth of Salomé at the Louvre. Even though he speaks neither French nor English, he insists on giving the part of King Herod to the French actor Jean-Pierre Léaud. To give the film a chance at the box-office, the production company gives the role of Salomé to a world famous model. But problems arise as soon as filming begins… Amidst all this confusion, the director suddenly learns of his mother’s death. The producer flies to Taipei, to attend the funeral. The director falls into a deep sleep where his mother’s spirit does not seem to want to leave her old apartment. The producer has no choice but to wait, alone and lost in a strange city. As after a very long voyage, filming will resume with all who were lost in the underground of the Louvre.

Directed by Ming-liang Tsai | Starring : Kang-sheng Lee, Fanny Ardant, Yi-Ching Lu, Jean-Pierre Léaud, Laetitia Casta | Presented at Cannes Film Festival, Toronto Film Festival, Vancouver Film Festival, Pusan Film Festival, Chicago Film Festival, Rotterdam Film Festival, Göteborg Film Festival, Buenos Aires Film Festival, Transilvania Film Festival

停车 | Parking

Parking

On Mother’s Day in Taipei, Chen Mo makes a date for dinner with his wife, hoping to bring their estranged relationship back together. While buying a cake on his way home, a car unexpectedly double parks next to his car, preventing his exit. For the entire night, Chen Mo searches the floors of a nearby apartment building for the owner of the illegally parked car, and encounters a succession of strange events and eccentric characters: an old couple living with their precocious granddaughter who have lost their only son, a one-armed barbershop owner cooking fish head soup, a mainland Chinese prostitute trying to escape her pimp’s cruel clutches, and a Hong Kong tailor embroiled in debt and captured by underground loan sharks. After many hardships, Chen Mo finally gets his car out of the parking space, and, with new friends riding beside him, advances toward a new horizon in life.

Directed by Mong-Hong Chung | Starring : Chen Chang, Gwei Lun-Mei, Leon Dai, Chapman To, Jack Kao | Presented at Cannes Film Festival, Ghent Film Festival, Thessaloniki Film Festival, Stockholm Film Festival, Oslo Film Festival, Taipei Film Festival, Wisconsin Film Festival

一个好爸爸 | Run Papa Run

Run Papa Run1

Run Papa Run is a bit of a different take on the usual Hong Kong gangster movie shenanigans. In the film, Louis Koo plays Lee, a young man who finds father figures in the Triads his mother takes care of in her underground clinic. Despite his mother’s objections, Lee joins the local gang, and soon becomes one of the most powerful gangsters in Hong Kong. However, things are turned upside down for Lee soon after her meets a pretty lawyer named Mabel. After getting Mabel pregnant and marrying her in a shotgun wedding, Lee finds himself wanting to be a “good” Triad for the sake of his daughter, Heiyi. Of course, it isn’t so easy for a hardened gangster to be a nice guy, and Lee must try to balance the needs of both of his “families”.

Directed by Sylvia Chang | Starring : Louis Koo, Rene Liu, Nora Miao, Siu Chung Mok, Suet Lam | Presented at Hong Kong Film Festival

漂浪青春 | Drifting Flowers

Drifting Flowers

The eponymous drifting flowers in Zero Chou’s film are three Taiwanese women living in different parts of the island state: a child, a young girl and an old woman. All of them are seeking their true identity in the river of life and their stories are artistically interwoven in a poetic narrative. As time ebbs and flows, as love comes and goes, their journey towards finding themselves never ends.First, eight-year-old Meigo discovers the bitter taste of first love when she accidentally sees her blind sister Jing kissing Chalkie, the tomboyish accordion player in their band. The little girl’s jealousy is so strong that the three are torn apart. In another time and another place, Lily struggles with her Alzheimer’s and her fragile memory of her youth. When her old friend Yen pays her a visit he brings an additional tragedy – afflicted with Aids, he has lost the will to live. And yet, between Lily’s hallucinations and Yen’s malaise, the two form an unexpected bond and rediscover the meaning of love and life. Finally, there is Chalkie, years before she left her hometown and joined the band. Back then, when she was still at school, the confused teenager bound up her growing breasts, despite her traditional family calling her a “boy-girl”. But then, an impromptu performance changes her life.

Directed by Zero Chou | Starring : Yi-Ching Lu, Serena Fang, Chao Yi-lan, Lai-Man Chui, Chih-Ying Pai | Presented at Berlin Film Festival, Hong Kong Film Festival

帮帮我,爱神 | Help Me Eros

Help Me Eros

Ah Jie lost everything in the stock market due to a severe economic crisis. He now spends his days in his sealed apartment, smoking joints and looking after the marijuana plants that he secretly grows in his wardrobe. In desperation, he calls a suicide helpline and gets to know Chyi, whose sweet and gentle voice causes him to fall in love with his fantasized image of her. He tries to ask her out but is repeatedly rejected. He begins projecting his fantasy of Chyi on Shin, the new girl working at the betel nut stall downstairs. Shin is always sexily dressed in order to lure male customers. He becomes closer to her and soon the two of them sink into a world of erotic and psychedelic pleasures. At the same time, Ah Jie begins to stalk Chyi.

Directed by Kang-sheng Lee | Starring : Kang-sheng Lee, Ivy Yi, Jane Liao, Dennis Nieh | Presented at Venice Film Festival, Toronto Film Festival, Reykjavik Film Festival, Vancouver Film Festival, Sao Paulo Film Festival, Gijón Film Festival, Rotterdam Film Festival, Buenos Aires Film Festival, Gindou Film Festival

色,戒 | Lust, Caution

Lust Caution

Shanghai, 1942. The World War II Japanese occupation of this Chinese city continues in force. Mrs. Mak, a woman of sophistication and means, walks into a café, places a call, and then sits and waits. She remembers how her story began several years earlier, in 1938 China. She is not in fact Mrs. Mak, but shy Wong Chia Chi. With WWII underway, Wong has been left behind by her father, who has escaped to England. As a freshman at university, she meets fellow student Kuang Yu Min. Kuang has started a drama society to shore up patriotism. As the theater troupe’s new leading lady, Wong realizes that she has found her calling, able to move and inspire audiences and Kuang. He convenes a core group of students to carry out a radical and ambitious plan to assassinate a top Japanese collaborator, Mr. Yee. Each student has a part to play; Wong will be Mrs. Mak, who will gain Yees’ trust by befriending his wife and then draw the man into an affair. Wong transforms herself utterly inside and out, and the scenario proceeds as scripted until an unexpectedly fatal twist spurs her to flee. Shanghai, 1941. With no end in sight for the occupation, Wong having emigrated from Hong Kong goes through the motions of her existence. Much to her surprise, Kuang re-enters her life. Now part of the organized resistance, he enlists her to again become Mrs. Mak in a revival of the plot to kill Yee, who as head of the collaborationist secret service has become even more a key part of the puppet government. As Wong reprises her earlier role, and is drawn ever closer to her dangerous prey, she finds her very identity being pushed to the limit…

Directed by Ang Lee | Starring : Tony Leung Chiu Wai, Wei Tang, Joan Chen, Leehom Wang, Chung-Hua Tou | Presented at Venice Film Festival, Toronto Film Festival, Calgary Film Festival, Rio de Janeiro Film Festival, Vancouver Film Festival, Edmonton Film Festival, London Film Festival, Vienna Film Festival, Sao Paulo Film Festival, Valladolid Film Festival, Oslo Film Festival, Göteborg Film Festival

刺青 | Spider Lilies

Spider Lilies

When Jade, a web-cam girl visits Takeko’s tattoo studio she becomes entranced with the image of the spider lily and with Takeko as well. In order to get closer to the object of her desire, Jade asks Takeko to give her the same lily tattoo, challenging Takeko’s monastic existence and opening up memories which threaten to tear the two women apart.

Directed by Zero Chou | Starring : Rainie Yang, Isabella Leong, John Shen, Jay Shih, Ping-han Hsieh| Presented at Berlin Film Festival, Bangkok Film Festival

黑眼圈 | I Don’t Want to Sleep Alone

I Don't Want to Sleep Alone

Forest fires burn in Sumatra; a smoke covers Kuala Lumpur. Grifters beat an immigrant day laborer and leave him on the streets. Rawang, a young man, finds him, carries him home, cares for him, and sleeps next to him. In a loft above lives a waitress. She sometimes provides care and attention. More violence seems a constant possibility. They find another man abandoned on the street, paralyzed. They carry him. While no one speaks to each other, sounds dominate: coughing, cooking, coupling, opening bags; music and news reports on a radio, the rattle and buzz of a restaurant. It’s dark in the city at night. We see down hallways, through doors, down alleys. Who sleeps with whom?

Directed by Ming-liang Tsai | Starring : Kang-sheng Lee, Shiang-chyi Chen, Norman Atun, Pearlly Chu, Azman Hassan | Presented at Venice Film Festival, Toronto Film Festival, Vancouver Film Festival, Pusan Film Festival, Sao Paulo Film Festival, London Film Festival, Thessaloniki Film Festival, Nantes Film Festival, Mar del Plata Film Festival, Hong Kong Film Festival, Rio de Janeiro Film Festival

深海 | Blue Cha Cha

Blue Cha Cha

Just coming out of the jail, depressed and close-hearted, Ah Yu met two men with different characters from each other. One is a businessman, charming and mature; the other is a young supervisor in a factory with a promising future. But these two loves are short-lived, fading away like bubbles on the beach. With a wounded soul, she went back to the cottage owned by Sister An, a friend from jail. An treats her like a sister, embracing her tortured soul. When they are unhappy, they dance on the pier. Their dancing steps swing like small boats in the harbor, driving away all the depression. Someday, a puppet show was performed on the pier. They saw a fisherman, Lao-Yao, playing a puppet. Through Lao-Yao who suffers from autism, Ah Yu found herself tangled in a feeling as deep as the ocean.

Directed by Wen-Tang Cheng | Starring : Tarcy Su, Yi-Ching Lu, Leon Dai, Wei Lee, Pong-Fong Wu | Presented at Blue Ribbon Film Festival

月光下,我記得 | The Moon Also Rises

The Moon Also Rises

In a coastal village near Taidong during the 1960’s, a single, middle-aged mother, Bao-chai, lives a quiet life with her daughter, Xi-lian, a 20-year old schoolteacher. After conservative Bao-chai finds out that Xi Lian has fallen for her cousin, she forbids them to see each other. As time passes, Xi-lian finds love again, this time with Chu-cheng, a new teacher at her school from mainland China. When Chu-Cheng is relocated, he writes love letters to Xi-lian. Unknown to Xi-lian, the letters are intercepted and read by Bao-chai, who, in reading them, has feelings awakened in her that has been buried for most of her life. Then, one day, Chu-cheng comes to visit, and something happens that will change these three quiet lives forever…

Directed by Cheng-sheng Lin | Starring : Kuei-Mei Yang, Yi-nan Shih, Chia-Yu Lin | Presented at Tokyo Film Festival

最好的时光 | Three Times

Three Times

Three stories of women and men: in 1966, “A Time for Love,” a soldier searches for a young woman he met one afternoon playing pool; “A Time for Freedom,” set in a bordello in 1911, revolves around a singer’s longing to escape her surroundings; in 2005 in Taipei, “A Time for Youth” dramatizes a triangle in which a singer has an affair with a photographer while her partner suffers. In the first two stories, letters are crucial to the outcome; in the third, it’s cell-phone calls, text messages, and a computer file. Over the years between the tales, as sexual intimacy becomes more likely and words more free, communication recedes.

Directed by Hsiao-hsien Hou | Starring : Qi Shu, Chen Chang, Shi-Zheng Chen, Fang Mei, Lawrence Ko | Presented at Cannes Film Festival, Taipei Film Festival, Telluride Film Festival, Toronto Film Festival, New York Film Festival, London Film Festival, Thessaloniki Film Festival, Rotterdam Film Festival, San Francisco Film Festival, Istanbul Film Festival, Indianapolis Film Festival, Yerevan Film Festival, Helsinki Film Festival

天边一朵云 | The Wayward Cloud

The Wayward Cloud

The most audacious film to date from visionary director Tsai Ming-liang, The Wayward Cloud is about a porn actor and the museum tour guide who enters into a strange relationship with him, unaware of his profession. Hsiao-kang is the same alienated youth whose chance encounter with Shiang-chyi provided the spark that fueled Tsai’s earlier films. Once again, these two lost souls cross paths—he now works as an actor in no-budget porn films, and she wanders around Taipei, hoarding bottles of water because of a serious drought. In fact, the government is recommending that people eat watermelons to hydrate themselves. This fruit sets in motion a perverse (and often hilarious) symbolic theme throughout much of the film. As in his earlier film The Hole, Tsai adds trashy, campy musical numbers into the narrative. These sequences play against the raw sex scenes, creating a bizarre, existential chaos. The filmmaker has created a perfectly realized alternative universe in his ongoing exploration of sex, bodies, and loneliness. His stationary camera perfectly illustrates the isolation and exploitation the characters are trapped in—yet the film is as funny as it is emotionally tortured. Tsai’s characters are indeed wayward clouds, drifting through life without purpose, in a world without water. And prepare yourself for the film’s unbelievable final scene, which manages to be both weirdly erotic and profoundly disturbing.

Directed by Ming-liang Tsai | Starring : Kang-sheng Lee, Shiang-chyi Chen, Yi-Ching Lu, Kuei-Mei Yang, Sumomo Yozakura | Presented at Berlin Film Festival, Brisbane Film Festival, Toronto Film Festival, Rio de Janeiro Film Festival, Chicago Film Festival, Sitges Film Festival, Stockholm Film Festival, Torino Film Festival, Nantes Film Festival, Alba Regia Film Festival, Helsinki Film Festival

桃色 | Colour Blossoms

Color Blossoms

A visually stunning reflection on lustful desire, Yonfan’s Colour Blossoms tells the story of Meili, a realtor, who visits a mansion after being asked to sell it. There, she meets the mysterious Madame Umeki, and finds herself caught up in irresistible physical desires that transcend time and space. Geiko Matsuzaka from Japan, Teresa Chung from Hong Kong, and Ha Risoo from Korea explore a dreamy world of sex and passion.

Directed by Yonfan | Starring : Teresa Cheung, Keiko Matsuzaka, Ri-su Ha, Carl Ng, Sho Yokouchi | Presented at Berlin Film Festival, Hong Kong Film Festival, Rio de Janeiro Film Festival, Cinemanila Film Festival, Pusan Film Festival

艳光四射歌舞团 | Splendid Float

Splendid Float

Roy is a Taoist priest but also a drag queen performer. He meets and falls for Sunny but when Sunny disappears without saying goodbye, Roy begins to suspect that something terrible has happened.

Directed by Zero Chou | Starring : Yuming Chen, Ching Chungyi, Ang Mayi, Wangming Zhang, Yuqi Lai | Presented at Vancouver Film Festival, Febio Film Festival

20 30 40

20 30 40

Three women in different stages of their lives – 20, 30, 40 – face the hardships of the female existence. Xiao Jie has just turned twenty. She is in Taipei for the first time in her life. Now that she has finally escaped her strict parents she can’t wait to make her dream of becoming a pop star come true. When she meets the rather insensitive manager, Brother Shi, she believes she has at last found someone who will help to ‘foster’ her ambitions. But her new-found independence has unexpectedly dangerous consequences for her emotions… Xiang Xiang, a thirtysomething flight attendant, is caught between two men. In the throes of a passionate affair with a married man, she also has a younger lover… Lily Zhao is a forty-year-old divorcee. She thoroughly enjoys her life as a single woman and happily agrees to one rendezvous after another. One day, Lily – who looks much younger than her age – meets an attractive single man named Jerry. The only snag is that he is currently dating a girl that is the same age as Lily’s own daughter.

Directed by Sylvia Chang | Starring : Sylvia Chang, Rene Liu, Angelica Lee, Tony Leung Ka Fai, Anthony Wong Chau-Sang | Presented at Berlin Film Festival, Portland Film Festival

不见 | The Missing

The Missing

Two stories are intercut: In one, an old woman searches frantically for her missing grandson; in the other, a teenage boy’s grandfather disappears. Lee Kang-sheng’s The Missing is a sad and haunting film which builds very slowly to an obscure symbolic ending, making you want to watch it again right away in order to view it in a different light. While not quite living up to the standard of the best work of Lee’s esteemed mentor Tsai Ming-liang, The Missing is an admirable debut. The city of Taipei becomes an alienating dystopia in this minimalist directorial debut from Taiwanese actor Lee Kang-sheng. A grandmother loses her grandson in a park and spends the remainder of the day searching for him. Meanwhile, a troubled teenager’s grandfather similarly disappears. The two searchers wander the city until, eventually, their paths cross. The Missing shared the New Currents award with the Iranian film Tiny Snowflakes at the 2003 Pusan International Film Festival.

Directed by Kang-sheng Lee | Starring : Yi-Ching Lu, Tien Miao, Chang Chea, Chun Shih, Shiang-chyi Chen | Presented at Pusan Film Festival, Tokyo Film Festival, Rotterdam Film Festival, Hong Kong Film Festival, Karlovy Vary Film Festival, Athens Film Festival, Vancouver Film Festival, Flanders Film Festival, Chicago Film Festival, Vienna Film Festival, Ljubljana Film Festival, Nantes Film Festival, Bratislava Film Festival, Febio Film Festival

不散 | Goodbye Dragon Inn

Goodbye Dragon Inn

A Japanese tourist takes refuge from a rainstorm inside a once-popular movie theater, a decrepit old barn of a cinema that is screening a martial arts classic, King Hu’s 1966 “Dragon Inn.” Even with the rain bucketing down outside, it doesn’t pull much of an audience – and some of those who have turned up are less interested in the movie than in the possibility of meeting a stranger in the dark.

Directed by Ming-liang Tsai | Starring : Kang-sheng Lee, Shiang-chyi Chen, Kiyonobu Mitamura, Tien Miao, Chao-jung Chen | Presented at Venice Film Festival, Toronto Film Festival, Vancouver Film Festival, Pusan Film Festival, Chicago Film Festival, New York Film Festival, Vienna Film Festival, Tokyo Film Festival, London Film Festival, Hawaii Film Festival, Stockholm Film Festival, Oslo Film Festival, Nantes Film Festival, Rotterdam Film Festival, Febio Film Festival, Belgrade Film Festival, Wisconsin Film Festival, Buenos Aires Film Festival, Istanbul Film Festival, Hong Kong Film Festival, Singapore Film Festival, Munich Film Festival, La Rochelle Film Festival, Maine Film Festival

鲁宾逊漂流记 | Robinson’s Crusoe

Robinson's Crusoe

The film follows Robinson, a very succesfull real estate broker, who lives in a modern hotel in Taipei. But all the success also hides a lonely man, whose relations are becoming distant, including friends and lovers; Robinson’s dream is the Crusoe, an island on the Caribbean, which he wants to try purchase.

Directed by Cheng-sheng Lin | Starring : Leon Dai, Shiang-chyi Chen, Angelica Lee, Kuei-Mei Yang, Phoenix Cheng | Presented at Cannes Film Festival, Pusan Film Festival, Sao Paulo Film Festival, Hawaii Film Festival

双瞳 | Double Vision

Double Vision

Taipei, the teeming capital of Taiwan, is a city in which the high-tech trappings of modern life compete with beliefs that reach back four millennia into Chinese history. It is a place where ghosts are considered as real as skyscrapers, and in which one troubled police officer comes up against an evil so dark that it threatens not only his life, but his very soul. Ace detective Huang Huo-tu is falling apart. As payback for blowing the whistle on corruption in the force, he’s relegated to the do-nothing job of Foreign Affairs Officer. His fellow policemen have turned on him, and his wife, Ching-fang, is filing for divorce. But, then, three grisly murders shake up the department. The victims are unrelated, but the Coroner finds a mysterious black fungus in their brains, along with evidence that they had all died in a hallucinatory state.

Directed by Kuo-fu Chen | Starring : Tony Leung Ka Fai, Rene Liu, Leon Dai, David Morse, Kuei-Mei Yang | Presented at Cannes Film Festival, Tokyo Film Festival

想飞 | Princess D

Princess D

When Joker meets Ling in a disco one night, he feels that he has found the perfect model of his dream project princess-d. Bases on the image of Ling, he plans to create a novel virtual idol on the internet. In reality, however, Ling is the opposite of the perfect image. Her father is jailed for life, her mother remains half-conscious after an attack, and her brother holds no proper job but only wants to make himself known in the gang. Together with Joker’s younger brother Kid, the trio works hard toward their goal while problems keep running out of hand…

Directed by Sylvia Chang, Alan Yuen | Starring : Sylvia Chang, Rene Liu, Angelica Lee, Anthony Wong Chau-Sang, Pat Ha | Presented at Changchun Film Festival, Oldenburg Film Festival

美丽时光 | The Best of Times

The Best of Times

Chang Tso-Chi’s film begins like a comedy about an extended family but turns into a reflection on the tragedy that befalls cousins Ah Wei and Ah Jie, a funny but troubled youth whose first job puts him in touch with a gun. Family patriarch, Ah Wei’s dad, is goaded by granny about gambling away the family’s money while Ah Jei’s father repetitively recounts his dishonorable discharge from the army decades earlier. The two men spend their evenings getting drunk, suggesting that Ah Wei and Ah Jei’s fates may have been better met young. Tragedy also befalls Ah Wei’s twin sister who suffers from leukemia, but Chang uses expressionistic, slightly comic allegory to end his film on an up note.

Directed by Tso-chi Chang | Starring : Wing Fan, Meng-jie Gao, Wan-mei Yu, Mao-ying Tien, Yu-Chih Wu | Presented at Venice Film Festival, Toronto Film Festival, Chicago Film Festival, Thessaloniki Film Festival, Palm Springs Film Festival, Rotterdam Film Festival, Singapore Film Festival

千禧曼波 | Millennium Mambo

Millenium Mambo

From one of the world’s greatest living directors and critically acclaimed as his finest film, Millennium Mambo is as stylish, hypnotic and mesmerizing as Wong Kar- Wai’s hit film, In the Mood for Live, which it clearly resembles in its evocative portrayal of an intense relationship and in its stylish direction powered by a thumping electric soundtrack. Winner of the Grand Prix Prize at the Cannes Film Festival, Hou Hsiao-Hsien’s Millennium Mambo is a strikingly beautiful film set in Taipei’s hot nightclub scene. The remarkable Shu Qi stars as Vicky, a lost soul who hangs out partying with her friends, smoking nonstop, and dancing and flirting. The youthful Vicky is torn between two men, Hao-Hao and Jack. She lives with Hao-Hao (Tuan Chun-hao), but he doesn’t seem to excite her anymore, so she starts seeing an older gangster, Jack (Jack Kao), although the depth of the relationship is left purposely ambiguous. Some degree of affinity between them begins to take shape: it may lead to a still closer relationship or a permanent friendship. Although Vicky wants to be a free spirit, she is battling demons that cast dark shadows over her somewhat meaningless existence. One of the world’s greatest filmmakers, Hou Hsiao-Hsien has made an innovative and daring film that is nothing short of mesmerising.

Directed by Hsiao-hsien Hou | Starring : Qi Shu, Jack Kao, Doze Niu, Chun-hao Tuan, Pauline Chan | Presented at Cannes Film Festival, Toronto Film Festival, Vancouver Film Festival, Ghent Film Festival, Chicago Film Festival, Flanders Film Festival, AFI Film Festival, Hawaii Film Festival, Pusan Film Festival, London Film Festival, Bangkok Film Festival

你那边几点 | What Time Is It Over There?

What Time is it There

From acclaimed director Tsai Ming-Liang comes the quirky story of Hsiao Kang who sell watches in the street of Taipei for a living. A few Days after his father’s Death, he meet Shiang-Chyi, a young woman who leave for Paris the very next day. She persuades him to sell her his own watch, which has two dials, so that she can keep taipei time as well as local time, on her upcoming trip.Troubled y the behavior of this mother who prays constantly for the return of her late husband’s spirit, Hsiao Kang Take refuge in the memory of his brief encounter with Shiang-Chyi, In an effort to bridge the miles between them, he run around setting all the watches and clock in Taipei to Paris time. Meanwhile, in Paris, Shiang-Chyi confronts events that seem to be mysteriously connected with Hsiao Kang.

Directed by Ming-liang Tsai | Starring : Kang-sheng Lee, Shiang-chyi Chen, Yi-Ching Lu, Tien Miao, Cecilia Yip | Presented at Cannes Film Festival, Karlovy Vary Film Festival, Jerusalem Film Festival, Brisbane Film Festival, Edinburgh Film Festival, Montreal Film Festival, Toronto Film Festival, New York Film Festival, Vancouver Film Festival, Chicago Film Festival, Jakarta Film Festival, Tokyo Film Festival, AFI Film Festival, Pusan Film Festival, Thessaloniki Film Festival, Bangkok Film Festival, Hong Kong Film Festival, Buenos Aires Film Festival, Singapore Film Festival, Cinemanila Film Festival, Febio Film Festival