南京！南京！ | City of Life and Death

Nanjing, 1937. The third film from award-winning Sixth Generation director Lu Chuan, City of Life and Death is a devastating account of the massacre that occurred during the Sino-Japanese War when Japanese troops took the city of Nanjing in December 1937, a tragedy remembered as the Rape of Nanking. Shot completely in black and white, this powerful war drama unflinchingly captures the shocking violence and brutality of the Nanjing massacre, from the mass executions of POWs to the raping and slaughtering of civilians, while providing a deeply human portrait of both the victims and the perpetrators. Rendered in many shades of gray, City of Life and Death touches on the different people whose lives are destroyed by the war: the Chinese soldiers who gave their lives, the foreign missionaries who sheltered refugees, the comfort women, the Chinese civilians, and the Japanese soldiers. In a surprising move for a Mainland Chinese film about the Rape of Nanking, City of Life and Death is told primarily from the perspective of a Japanese soldier, who witnesses, commits, and abhors the atrocities of his army. By choosing to humanize rather than demonize, Lu Chuan offers an all the more devastating memory of the Nanjing massacre, and the people who lived and died in the City of Life and Death.

Directed by Chuan Lu | Starring : Ye Liu, Yuanyuan Gao, Hideo Nakaizumi, Wei Fan, Lan Qin | Presented at Edinburgh Film Festival, Toronto Film Festival, San Sebastian Film Festival, Athens Film Festival, Oslo Film Festival, Hamptons Film Festival, Pusan Film Festival, Warsaw Film Festival, London Film Festival, AFI Film Festival, Mar del Plata Film Festival, Palm Springs Film Festival, Rotterdam Film Festival, Seattle Film Festival, Melbourne Film Festival, Helsinki Film Festival

荡寇 | Plastic City

Liberdade, São Paulo– a multi-ethnic neighborhood with the largest Japanese immigrant community in the world. Here, traditional Japanese achitecture clashes with the gritty urban landscapes, while people of all races come here to do business – legal or illegal. This is where the story of Plastic City begins… Yuda, a feared Chinese outlaw, and his adopted son Kirin, an impulsive young dreamer, together rule the pirated goods racket in the ultra-liberal Brazilian metropolis. The magnate and his heir control all of from rival gangs to street hawkers, corrupt politicians to erotic dancers. But an empire that takes years to build can also crumble to the ground with one fatal mistake… A conspiracy between politicians and the mafia begins to threaten Yuda’s power. Little by little, he loses control of his business and is ultimately arrested. Kirin struggles to re-conquer his father’s honor, fighting this city’s wars singlehandedly. But Yuda, tired of the bloodshed and feeling the weight of his years, abandons his son, falsifies his own death and returns to the jungle in a last attempt to put an end to his criminal life. Escaping from a complex maze of violence, Kirin sets out to find his father. In the mysterious jungle, father and son both have to wipe the slate of their past clean. Only in the end will Kirin discover the ultimate answer to the search for his own destiny.

Directed by Nelson Yu Lik-wai | Starring : Jô Odagiri, Anthony Wong Chau-Sang, Yi Huang, Chao-jung Chen, Tainá Müller | Presented at Venice Film Festival, Toronto Film Festival, Vancouver Film Festival, AFI Film Festival, Stockholm Film Festival, Febio Film Festival, Chicago Film Festival, Sao Paulo Film Festival

十面埋伏 | House of Flying Daggers

Towards the end of the Tang dynasty, the Emperor’s rule is waning and corruption is rife, and many groups are formed in society to challenge the authorities. Out of all the groups, the most powerful is The House Of Flying Daggers. The government decides to send Feng Tian County’s top captains Leo and Jin to capture the new leader within 10 days. Leo suspects that Mei, the beautiful new dancer at the Peony Pavilion, is the daughter of the old leader, and Leo decides to send Jin disguised as a warrior called Wind to rescue Mei, and to ensnare her trust so she’ll lead them to the secret headquarters of The House Of Flying Daggers. But as Jin and Mei spend more time together, they begin to develop feelings and desire for each other. However danger is lurking from all corners, and can Jin and Mei really love each other when there are secrets being hidden from both sides?

Directed by Yimou Zhang | Starring : Ziyi Zhang, Takeshi Kaneshiro, Andy Lau, Dandan Song, Jun Guo | Presented at Cannes Film Festival, Telluride Film Festival, Copenhagen Film Festival, Toronto Film Festival, San Sebastian Film Festival, New York Film Festival, Bergen Film Festival, Vienna Film Festival, London Film Festival, AFI Film Festival, Thessaloniki Film Festival, Dublin Film Festival, Iceland Film Festival, Cairo Film Festival, Istanbul Film Festival

巴尔扎克与小裁缝 | Balzac and the Little Chinese Seamstress

In 1971 China, in the lingering grip of the cultural revolution, two university students, Luo and Ma, are sent to a mountain mining village as part of their reeducation duty to purge them of their classical western oriented education. Amid the backbreaking work and stifling ignorance of the community, the two boys find that music, and the presence of the beautiful local young women are the only pleasant things in their miserable life. However, none compare to the young seamstress granddaughter of the local tailor. Stealing a departing student’s secret cache of forbidden books of classic western literature such as the works of Honore de Balzac, they set about to woo her and teach her things she had never imagined. In doing so, they start a journey that would profoundly change her perspective on her world and teach the boys about the power of literature and their own ability to change their world in truly revolutionary ways.

Directed by Sijie Dai | Starring : Xun Zhou, Ye Liu, Kun Chen, Zhijun Cong, Hongwei Wang | Presented at Cannes Film Festival, Montréal Film Festival, Marrakech Film Festival, Chicago Film Festival, Ghent Film Festival, AFI Film Festival, Palm Springs Film Festival, Göteborg Film Festival, Istanbul Film Festival, Moscow Film Festival, Auckland Film Festival, Copenhagen Film Festival, Milwaukee Film Festival

千禧曼波 | Millennium Mambo

From one of the world’s greatest living directors and critically acclaimed as his finest film, Millennium Mambo is as stylish, hypnotic and mesmerizing as Wong Kar- Wai’s hit film, In the Mood for Live, which it clearly resembles in its evocative portrayal of an intense relationship and in its stylish direction powered by a thumping electric soundtrack. Winner of the Grand Prix Prize at the Cannes Film Festival, Hou Hsiao-Hsien’s Millennium Mambo is a strikingly beautiful film set in Taipei’s hot nightclub scene. The remarkable Shu Qi stars as Vicky, a lost soul who hangs out partying with her friends, smoking nonstop, and dancing and flirting. The youthful Vicky is torn between two men, Hao-Hao and Jack. She lives with Hao-Hao (Tuan Chun-hao), but he doesn’t seem to excite her anymore, so she starts seeing an older gangster, Jack (Jack Kao), although the depth of the relationship is left purposely ambiguous. Some degree of affinity between them begins to take shape: it may lead to a still closer relationship or a permanent friendship. Although Vicky wants to be a free spirit, she is battling demons that cast dark shadows over her somewhat meaningless existence. One of the world’s greatest filmmakers, Hou Hsiao-Hsien has made an innovative and daring film that is nothing short of mesmerising.

Directed by Hsiao-hsien Hou | Starring : Qi Shu, Jack Kao, Doze Niu, Chun-hao Tuan, Pauline Chan | Presented at Cannes Film Festival, Toronto Film Festival, Vancouver Film Festival, Ghent Film Festival, Chicago Film Festival, Flanders Film Festival, AFI Film Festival, Hawaii Film Festival, Pusan Film Festival, London Film Festival, Bangkok Film Festival

你那边几点 | What Time Is It Over There?

From acclaimed director Tsai Ming-Liang comes the quirky story of Hsiao Kang who sell watches in the street of Taipei for a living. A few Days after his father’s Death, he meet Shiang-Chyi, a young woman who leave for Paris the very next day. She persuades him to sell her his own watch, which has two dials, so that she can keep taipei time as well as local time, on her upcoming trip.Troubled y the behavior of this mother who prays constantly for the return of her late husband’s spirit, Hsiao Kang Take refuge in the memory of his brief encounter with Shiang-Chyi, In an effort to bridge the miles between them, he run around setting all the watches and clock in Taipei to Paris time. Meanwhile, in Paris, Shiang-Chyi confronts events that seem to be mysteriously connected with Hsiao Kang.

Directed by Ming-liang Tsai | Starring : Kang-sheng Lee, Shiang-chyi Chen, Yi-Ching Lu, Tien Miao, Cecilia Yip | Presented at Cannes Film Festival, Karlovy Vary Film Festival, Jerusalem Film Festival, Brisbane Film Festival, Edinburgh Film Festival, Montreal Film Festival, Toronto Film Festival, New York Film Festival, Vancouver Film Festival, Chicago Film Festival, Jakarta Film Festival, Tokyo Film Festival, AFI Film Festival, Pusan Film Festival, Thessaloniki Film Festival, Bangkok Film Festival, Hong Kong Film Festival, Buenos Aires Film Festival, Singapore Film Festival, Cinemanila Film Festival, Febio Film Festival

卧虎藏龙 | Crouching Tiger, Hidden Dragon

The fate of two women, both capable fighters, intertwine during the Ching Dynasty. One of them tries passionately to break free from the constraint society has placed upon her, even if it means giving up her aristocratic privileges for a life of crime and passion. The other, in her lifelong pursuit of justice and honor, only too late discovers the consequences of unfulfilled love. Their two destinies will lead them to a violent and astonishing showdown, in which each will make a surprising, climactic choice.

Directed by Ang Lee | Starring : Yun-Fat Chow, Michelle Yeoh, Ziyi Zhang, Chen Chang, Pei-pei Cheng | Presented at Cannes Film Festival, Telluride Film Festival, Toronto Film Festival, San Sebastian Film Festival, Reykjavik Film Festival, London Film Festival, New York Film Festival, Austin Film Festival, Flanders Film Festival, Vienna Film Festival, Bergen Film Festival, Tokyo Film Festival, Hawaii Film Festival, Rotterdam Film Festival, AFI Film Festival, Istanbul Film Festival

细路祥 | Little Cheung

A nine-year old boy confronts the heady complexities of the adult world, its violence, guilt and loss, with comic and tragic consequences. After school, Little Cheung helps out in his father’s restaurant, working in the kitchen and delivering food to neighbourhood gambling dens, funeral parlours and brothels. He is cute, well-liked, always handsomely tipped. Little Cheung’s father hides a warm heart beneath a cold, hard shell. His mother looks after business, whilst his house-bound grandmother, silent but loving, nurses a secret sorrow. His older brother was lost to the gangland underworld years ago. Little Cheung befriends Fan, a street-smart girl his age and together they run a strange delivery business with the local mafia. Cheung splits the commission with her and steals cakes from his father’s restaurant. He is brutally punished by his father and runs away on his grandmother’s birthday. Fan reveals his hiding place, then disappears. Uneasily reunited with his family, from the balcony where Grandma always sat, he sees Fan in the street. Little Cheung runs to greet her, but their reunion is short-lived. Fan and her family are arrested and hauled into a police van. Illegal immigrants, they will be deported to Mainland China. Little Cheung is alone.

Directed by Fruit Chan | Starring : Yuet-Ming Yiu, Wai-Fan Mak, Yuet-Man Mak, Robby Cheung, Gary Lai | Presented at Locarno Film Festival, Toronto Film Festival, AFI Film Festival, London Film Festival, Gijón Film Festival, Rotterdam Film Festival, Melbourne Film Festival

荆轲刺秦王 | The Emperor and the Assassin

A lavishly produced historical drama from China, The Emperor and the Assassin tells the complex, multi-facetted story of the man who became the first Emperor of a unified China, another man who has sworn to kill him, and a woman who is loved by both men. Late in the Third Century B.C., when China was comprised of seven rival kingdoms, Ying Zheng was the leader of Qin. Ying Zheng had a dream in which he joined together the seven kingdoms into a single utopian state, and taking this as a mandate from God, he invaded the nearby state of Han as the first step toward this goal. However, not everyone in the neighboring states was happy with Ying Zheng’s crusade, which seemed to indicate a lengthy war with many casualties. Lady Zhao, Ying’s lover, devised a scheme to help Ying Zheng take over the nearby and uncooperative state of Yan; she fabricated a fake assassination plot against him, and framed the leader of Yan, once Ying Zheng’s childhood friend, as the man behind the murderous plot. However, Lady Zhao did not choose the would-be assassin wisely; while Jing Ke loved her and was willing to do her bidding, Jing Ke’s previous assassination assignment caused the unintended death of an innocent blind girl, which left him full of regret and a bit unstable. When Jing Ke learned a closely guarded secret about Ying Zheng’s past, he became blindly determined to kill the would-be emperor, whatever the cost.

Directed by Kaige Chen | Starring : Li Gong, Fengyi Zhang, Xuejian Li, Yongfei Gu, Zhiwen Wang | Presented at Cannes Film Festival, Toronto Film Festival, AFI Film Festival, Reykjavik Film Festival, Thessaloniki Film Festival

秦颂 | The Emperor’s Shadow

The Qin emperor Shih Huang Ti is on his way to conquering the 6 Kingdoms of feudal China and uniting the Middle Kingdom. He recalls childhood friend Gao Qian Li who is the undisputed maestro of the Chinese lute. The emperor asks him to compose a symphony in celebration of his victory in the bloody war to unify China. A man who refuses to bow to the force of tyranny, Gao Qian Li is unwilling to undertake the composition. Frustrated and angered by Gao’s unrelenting disobedience, yet unable and unwilling to kill him for reasons of his obvious talents and their childhood friendship, the tyrant appears to have met his match. Matters take a twisted turn as Gao falls prey to the seduction of the emperor’s crippled daughter, Princess Ping Yang violating her virginity and enraging the Emperor even further. Both Gao and the Princess use each other as pawns, to vent their anger at the cruel Emperor. At her behest, Gao finally composes the song Tribute to Qin. After the premiere performance of the song, Gao suicidally jumps into the river with his flaming lute, drowning his music forever. This is a movie of epic proportions, exploring the twisted relationship between the ruthlessly tyrannical Qin Emperor and his childhood playmate. The sets are impressively stunning as are the performances by both male leads, both emerging from the tutelage of Chinese New Wave meister, Zhang Yi Mou.

Directed by Xiaowen Zhou | Starring : You Ge, Wen Jiang, Qing Xu, Yuan Yuan, Qingxiang Wang | Presented at San Sebastian Film Festival, Vancouver Film Festival, AFI Film Festival

香魂女 | Woman Sesame Oil Maker

If money can’t buy happiness, can it at least buy control over others? Xiang is hard-working, running a small sesame oil business. Her husband is lazy and drinks; her son is blood simple. When Japanese investors provide capital to expand Xiang’s business, she has the wealth to raise her social standing and buy a wife for her son, Dunzi. When money and a forceful personality fail to bend others to her will, including daughter-in-law Huanhuan, Xiang must find another way to tranquillity.

Directed by Fei Xie | Starring : Gaowa Siqin, Yujuan Wu, Kesheng Lei, Baoguo Chen, Xiaoguang Hu | Presented at Berlin Film Festival, Chicago Film Festival, AFI Film Festival

悲情城市 | A City of Sadness

Hou’s epic film focuses on the complex history of 20th-century Taiwan during the turbulent period in Taiwanese history between the fall of the Japanese Empire in 1945 and the establishment of martial law in 1949. Hou fashioned a national saga out of the events leading to the now infamous “February 28 Incident,” a massacre of thousands of Taiwanese civilians by Nationalist soldiers in 1947. Revolving around the fates of four brothers whose lives embody the major forces at work on the island, A City of Sadness unfolds a complex and engaging narrative contrasting the oldest brother, a bar owner eager to profit from the postwar economic boom and the youngest, a deaf-mute photographer with ties to the leftist resistance to the Kuomintang. Despite its broad canvas, the film remains intimately focused on daily life, with the major historical events taking place primarily offscreen. A City of Sadness remains one of Hou’s most formally inventive films, utilizing text onscreen, voiceover and a variety of languages. Made in the wake of the lifting of martial law on the island, A City of Sadness is both an important act of remembrance and a landmark of world cinema.

Directed by Hsiao-hsien Hou | Starring : Tony Leung Chiu Wai, Jack Kao, Tianlu Li, Sung Young Chen, Shufen Xin | Presented at Venice Film Festival, Toronto Film Festival, Vancouver Film Festival, New York Film Festival, AFI Film Festival, Berlin Film Festival, San Francisco Film Festival, Hong Kong Film Festival, Buenos Aires Film Festival, Febio Film Festival, Thessaloniki Film Festival

恐怖份子 | The Terrorizers

Ostensibly inspired by a documentary on a German terrorist group, Edward Yang’s austere third feature discovers, hidden within the stillness of human emotion, a terror far more brutal than any moment of physical violence. Bookended by images of guns and corpses, the film’s true focus is on the violence enacted in everyday relationships, whether between lovers, coworkers, or strangers. The narrative weaves intricately among three scattered groups of characters: a doctor and his novelist wife, a mopey female hoodlum, and a love-struck photographer, all threaded together by one prank phone call and a sense of deceit and lingering entropy. Yang said the film was “built rather like a puzzle; the spectator can rearrange it in his head when he gets home.” It is the inescapable feeling, not the telling, of the story that matters. Indeed, the gunshots at the beginning and end seem interchangeable, almost anticlimactic, rendered quaintly obsolete by the film’s painstakingly traumatic layering of human relations and their emotional violence.

Directed by Edward Yang | Starring : Cora Miao, Bao-ming Gu, Lichun Lee, Shih-Chieh Chin, Ming Liu | Presented at Berlin Film Festival, Locarno Film Festival, Toronto Film Festival, London Film Festival, San Francisco Film Festival, AFI Film Festival

英雄本色 | A Better Tomorrow

Two friends, Ho and Mark, are triads in a counterfeiting operation who end up doing ‘one more job’ and what do you know, this one more job gets messier than they had hoped. Mark returns as a cripple and Ho ends up doing some porridge. This is further complicated as Ho’s younger brother Kit is an aspiring young police officer. As the violence escalates, the lines between lawful and otherwise start to blur if favour of heroic loyalty between brothers.

Directed by John Woo | Starring : Yun-Fat Chow, Leslie Cheung, Lung Ti, Emily Chu, Waise Lee | Presented at Berlin Film Festival, AFI Film Festival, Torino Film Festival, Helsinki Film Festival