赵氏孤儿 | Sacrifice

For more than four generations the members of the Zhao clan have held the highest positions in the land. Zhao Dun is currently chancellor and his son, Zhao Shuo, a general in the royal army. He is married to the king’s older sister, Zhuang Ji. Tu’an Gu, the Zhao’s arch-enemy, is not content to accept the clan’s power and influence; he incites a massacre which decimates the entire Zhao clan – over 300 members of this family fall victim to the carnage which leaves no-one alive. As her husband faces death, Zhuang Ji goes into labour and gives birth to the last Zhao. She dies in childbirth and the doctor, Cheng Ying, takes the baby into his care. This news reaches Tu’an Gu and, angered that his plan to wipe out the clan might be thwarted, he takes all the babies of the city hostage until the last descendant of the Zhao is found. The doctor Cheng Ying has also just become a father. When Tu’an Gu’s soldiers arrive to take away his son, his wife hides her own child and gives the soldiers the little Zhao, pretending that he is her child. Shortly afterwards they find the baby that Cheng Ying’s wife was hiding. Taking him to be the last member of the Zhao clan, Tu’an Gu has the boy killed. The townsfolk’s children that were being held hostage are given back to their families. The last Zhao now grows up as Cheng Ying’s son in the doctor’s house. Years go by. Cheng Ying decides to take his step-son with him to serve at Tu’an Gu’s court. Tu’an Gu becomes a patron of the last Zhao. But Cheng Ying has other plans in mind – plans in which his step-son will play a central role.

Directed by Kaige Chen | Starring : You Ge, Xueqi Wang, Fengyi Zhang, Xiaoming Huang, Bingbing Fan | Presented at Berlin Film Festival, Mill Valley Film Festival, Rio de Janeiro Film Festival, Abu Dhabi Film Festival, Chicago Film Festival

观音山 | Buddha Mountain

Three 20-something buddies drift like free-spirits through Chengdu, Sichuan: Nan Feng, a gorgeous and fearlessly feisty bar singer, and her two admirers, bike delivery guy Ding Bo and roly-poly Fei Zao. When Nan Feng accidentally assaults a well-connected bar patron, the three need to find not only compensation money but also a new place to live. They find the apartment of Chang Yueqin, a retired but agelessly elegant Beijing opera performer. Life styles and generations clash: Yueqin tries to impose discipline on the youths, and they in turn mock her old-fashioned harshness. When their reckless violation of her privacy exposes Yueqin’s hidden sorrows, the four learn to accommodate their differences, then how to offer emotional and ultimately spiritual support.

Directed by Yu Li | Starring : Bingbing Fan, Sylvia Chang, Bo-lin Chen, Yue Guan, Li Fang | Presented at Tokyo Film Festival, Vancouver Film Festival, Chicago Film Festival, Thessaloniki Film Festival, Cleveland Film Festival

脸 | Face

A Taiwanese filmmaker makes a film based on the myth of Salomé at the Louvre. Even though he speaks neither French nor English, he insists on giving the part of King Herod to the French actor Jean-Pierre Léaud. To give the film a chance at the box-office, the production company gives the role of Salomé to a world famous model. But problems arise as soon as filming begins… Amidst all this confusion, the director suddenly learns of his mother’s death. The producer flies to Taipei, to attend the funeral. The director falls into a deep sleep where his mother’s spirit does not seem to want to leave her old apartment. The producer has no choice but to wait, alone and lost in a strange city. As after a very long voyage, filming will resume with all who were lost in the underground of the Louvre.

Directed by Ming-liang Tsai | Starring : Kang-sheng Lee, Fanny Ardant, Yi-Ching Lu, Jean-Pierre Léaud, Laetitia Casta | Presented at Cannes Film Festival, Toronto Film Festival, Vancouver Film Festival, Pusan Film Festival, Chicago Film Festival, Rotterdam Film Festival, Göteborg Film Festival, Buenos Aires Film Festival, Transilvania Film Festival

荡寇 | Plastic City

Liberdade, São Paulo– a multi-ethnic neighborhood with the largest Japanese immigrant community in the world. Here, traditional Japanese achitecture clashes with the gritty urban landscapes, while people of all races come here to do business – legal or illegal. This is where the story of Plastic City begins… Yuda, a feared Chinese outlaw, and his adopted son Kirin, an impulsive young dreamer, together rule the pirated goods racket in the ultra-liberal Brazilian metropolis. The magnate and his heir control all of from rival gangs to street hawkers, corrupt politicians to erotic dancers. But an empire that takes years to build can also crumble to the ground with one fatal mistake… A conspiracy between politicians and the mafia begins to threaten Yuda’s power. Little by little, he loses control of his business and is ultimately arrested. Kirin struggles to re-conquer his father’s honor, fighting this city’s wars singlehandedly. But Yuda, tired of the bloodshed and feeling the weight of his years, abandons his son, falsifies his own death and returns to the jungle in a last attempt to put an end to his criminal life. Escaping from a complex maze of violence, Kirin sets out to find his father. In the mysterious jungle, father and son both have to wipe the slate of their past clean. Only in the end will Kirin discover the ultimate answer to the search for his own destiny.

Directed by Nelson Yu Lik-wai | Starring : Jô Odagiri, Anthony Wong Chau-Sang, Yi Huang, Chao-jung Chen, Tainá Müller | Presented at Venice Film Festival, Toronto Film Festival, Vancouver Film Festival, AFI Film Festival, Stockholm Film Festival, Febio Film Festival, Chicago Film Festival, Sao Paulo Film Festival

二十四城记 | 24 City

A masterful film from Jia Zhang-ke, the renowned director chronicles the dramatic closing of a once-prosperous state-owned aeronautics factory in Chengdu, a city in Southwest China, and its conversion into a sprawling luxury apartment complex. Bursting with poetry, pop songs and striking visual detail, the film weaves together unforgettable stories from three generations of workers – some real, some played by actors – into a vivid portrait of the human struggle behind China’s economic miracle.

Directed by Zhang Ke Jia | Starring : Tao Zhao, Joan Chen, Jianbin Chen, Liping Lü | Presented at Cannes Film Festival, Toronto Film Festival, New York Film Festival, Sao Paulo Film Festival, Chicago Film Festival, London Film Festival, Mar del Plata Film Festival, Torino Film Festival, Rotterdam Film Festival, Glasgow Film Festival, Cleveland Film Festival, Wisconsin Film Festival, Hong Kong Film Festival, Rio de Janeiro Film Festival, St. Louis Film Festival

双食记 | Deadly Delicious

A mystery about a gourmet in love with two different women who winds up poisoned. Francis Ng plays a confident playboy who is keeping two mistresses. His dual-affair is going great until he suddenly starts to lose his hair, and his bedroom abilities. Are his two women teaming up to destroy him?

Directed by Tianyu Zhao | Starring : Francis Ng, Nan Yu, Yiyan Jiang, Yuchen Zhu, Jiaqing Wei | Presented at Chicago Film Festival

文雀 | Sparrow

From the acclaimed director of The Mission, Election, and Exiled, Johnnie To. “Sparrow’ is a common word used in Hong Kong street slang for pickpocket. The term refers to the special dexterity needed to pluck people’s wallets from their pockets… and possibly also to the necessity of having to flutter away quickly should one be discovered. Kei is one such ‘sparrow’ – and a very professional one at that. He and his three partners earn a good living from digging deep into the pockets of oblivious passers-by moving along the crowded urban canyons of Hong Kong. As far as Kei’s concerned, it’s all he needs to live a carefree life. Whenever he is not going about his business he loves to ride about the city on his bicycle photographing street scenes with his Rolleiflex camera. One day the gorgeous Chun Lei comes into his sights. Kei is fascinated. But behind Chun Lei’s good looks lurks a mysterious past. Kei falls in love with her – and he is not the only one. After having managed to turn the heads of his three colleagues, she reveals her true intentions: the sparrows must steal something of great importance to her.

Directed by Johnnie To | Starring : Simon Yam, Kelly Lin, Ka Tung Lam, Hoi-Pang Lo, Suet Lam | Presented at Berlin Film Festival, Fantasia Film Festival, Cinemanila Film Festival, Chicago Film Festival, Cleveland Film Festival, Wisconsin Film Festival, Mill Valley Film Festival

红色康拜因 | The Red Awn

Whenever the wheat becomes golden, thousands of floaters will leave their homes and migrate from one place to another to make a living by working in the wheat fields. A 50-year-old father leaves his wife and son in their hometown and, in order to make money, goes to the city for five years. The 17–year-old son grows up in the countryside alone. At summer’s end, the father returns and decides to drive the red combine during the harvest with his son. On their way, an irresponsible father and a resentful son try to rebuild their bond, to face their destiny.

Directed by Shangjun Cai | Starring : Lu Huang, Yulai Lu, Jianbin Chen, Shi Junhui, Hong Wang | Presented at Pusan Film Festival, Thessaloniki Film Festival, Seattle Film Festival, Melbourne Film Festival, Chicago Film Festival

落叶归根 | Getting Home

Zhao is an ageing worker who toils away in Shenzen in order to earn a living. When his friend and colleague Wang suddenly dies, Zhao decides to transport his body back to his native town. He purchases two tickets for the cross-country bus, and pretends that his silent travelling companion has drunk so much alcohol that he has fallen unconscious. Shortly afterwards, the bus is attacked by armed bandits. Zhao asks the bandits to kill him first, so that he can stay with his dead friend forever. Touched by this display of loyalty, the robbers decide to let the bus go. But instead of thanking Zhao, the other passengers throw him and his dead friend off the bus. Pretending that his friend is seriously ill and must be taken to hospital immediately, Zhao tries to flag down passing cars. After spending the night in a hotel, Zhao discovers that all his money has been stolen and begins to lose heart. But he refuses to be browbeaten. Whenever he needs money, he rearranges Wong so that he looks like a beggar. And whenever he is hungry, he joins a funeral party and bawls his eyes out so that he can enjoy the food served at the wake. During his odyssey across China Zhao is obliged to get along with all kinds of people. Just before he reaches his destination, the old man and his dead friend are caught in a torrential downpour, so that now Zhao finds himself engaged in a struggle against nature.

Directed by Yang Zhang | Starring : Benshan Zhao, Dandan Song, Degang Guo, Haiying Sun, Ma Wu | Presented at Berlin Film Festival, Bangkok Film Festival, Cinemanila Film Festival, Vladivostok Film Festival, Vancouver Film Festival, Chicago Film Festival, St. Louis Film Festival, Kerala Film Festival, Wisconsin Film Festival, Edmonton Film Festival

另一半 | The Other Half

Xiaofen works as a clerk in a law office in the industrial city of Zigong. Her unending daily routine is to record clients’ claims, complaints and arguments in cases ranging from divorces and spousal abuse to medical malpractice and industrial accidents. Xiaofen’s life has its own crises: her boyfriend, Deng Gang, is released from prison but quickly gives in to the gambling bug that put him there; her mother pressures her into a date with a suitor whose main interest is showing her bland business photos on his laptop computer; and she finally meets her estranged father. All these incidents build to a momentum when Deng Gang is suspected of murder and disappears, and the city is threatened by toxic pollution after an explosion in a chemical plant. In the ensuing evacuation, many people go missing. Uncertain of her future, Xiafen walks down empty streets while a public address system intones the names of the missing. The enigmatic end sequence seems to plead for a reverse of this erosion and loss of community, and suggests that some good may come from all this misfortune. With deadpan humor, deeply felt sensitivity and social commentary, director Ying Liang establishes the authorial voice promised in his short films and first feature, Taking Father Home. Here, he cleverly mixes major and minor crises, personal and political dilemmas, to create a chilling reflection on life today.

Directed by Liang Ying | Starring : Xiaofei Zeng, Gang Deng, Ke Zhao, Xigui Chen, Huibin Liu | Presented at Jeonju Film Festival, Singapore Film Festival, San Francisco Film Festival, Munich Film Festival, Chicago Film Festival, Thessaloniki Film Festival, San Sebastian Film Festival

图雅的婚事 | Tuya’s Marriage

Living conditions are deteriorating for those who lead a rural existence in north-western Mongolia. China’s industry is expanding – even into this inhospitable region – and the government is pressurising Monoglian shepherds to give up their nomadic way of life, move to the nearby towns and settle down as farmers. Beautiful and self-confident Tuya refuses to leave her pastureland. She’d rather stay here with her disabled husband, two children and one hundred sheep, and continue to pursue a life of privation in the endless expanse of the steppe. But all the hard work begins to take its toll on Tuya. Her husband Bater tries to convince her to divorce him, but Tuya refuses to comply even with his wishes. One day, she falls ill and for the first time begins to consider a divorce, because this would enable her to find someone to help her to look after Bater, the two children and their one hundred sheep. However, none of her suitors are prepared to take on Bater – until Tuya’s old classmate Baolier arrives on the scene. Having found a very nice nursing home for Bater, he persuades Tuya and the children to move to town. But, far away from the steppe and separated from his family, Bater finds it impossible to get used to life at the home. In desperation he slashes his wrists. When the news reaches Tuya, she realises that the time has come for her to act …

Directed by Quan’an Wang | Starring : Nan Yu, Ba’toer, Sen’ge, Zhaya, Bao’lier | Presented at Berlin Film Festival, Hong Kong Film Festival, Tribeca Film Festival, Karlovy Vary Film Festival, Chicago Film Festival, Rio de Janeiro Film Festival, London Film Festival, Portland Film Festival, Florida Film Festival, Wisconsin Film Festival, Maui Film Festival

颐和园 | Summer Palace

From the director of Purple Butterfly and Suzhou River comes Lou Ye’s sprawling epic Summer Palace . Yu Hong (Lei Hao) is a rebellious young woman from a small Chinese town transplanted to a politically charged Beijing University in the late 1980s. The country’s social turmoil is witnessed through its disaffected youth, whose newfound sexuality and activism culminate in violent suppression. Spanning nearly 20 years of modern Chinese history, Summer Palace projects the country’s struggle for definition through the eyes and heart of a young woman illequipped to handle it. While drifting between the arms of two men, her love fervent for both, Yu Hong’s existential crisis mirrors that of her nation. Will the chaos of society lead her to its same tragic fate?

Directed by Ye Lou | Starring : Hao Lei, Lin Cui, Yihong Duan, Xiaodong Guo, Xueyun Bai | Presented at Cannes Film Festival, Edinburgh Film Festival, Toronto Film Festival, Chicago Film Festival, Mill Valley Film Festival, Pusan Film Festival, Oslo Film Festival, Miyazaki Film Festival

背鸭子的男孩 | Taking Father Home

Traveling with no money and only two ducks as collateral, Xu Yun walks into an urban jungle of gangsters and thieves, throwing his life into danger. He earns the sympathy and support of streetwise hustler Scar and a cynical policeman. Both help Xu Yun find clues to the whereabouts of his father, but their efforts are dashed by a 24-hour flood warning forcing the sudden evacuation of the entire city. Will Xu Yun find his father in time, and if so, will he bring his father back home? Winner of several international festival awards, Taking Father Home is the debut feature of radical independent filmmaker Ying Liang, who borrowed equipment and recruited friends and family to realize his fierce vision of an emotionaly scarred society. The film presents “a side of China that is rarely, if ever, seen on film.

Directed by Liang Ying | Starring : Yun Xu, Xiaopei Liu, Jie Wang, Cijun Song | Presented at Rotterdam Film Festival, Fribourg Film Festival, Hong Kong Film Festival, Singapore Film Festival, San Francisco Film Festival, Chicago Film Festival, London Film Festival, Cleveland Film Festival

看上去很美 | Little Red Flowers

Qiang is a four-year-old little rebel, possessed of a pair of luminous eyes and a precociously indomitable will. His father deposits him at a well-appointed residential kindergarten in post-1949 Beijing, since his parents are often away. Life at the kindergarten appears rich and colourful, made up of a variety of cheerfully sunny rituals and games meant to train these children to be good members of society. But it’s not so easy for Qiang to adapt to this kind of carefully organized, minutely scrutinized collective life. A fierce individualist in miniature, he tries but fails to conform to the model his teachers enforce. Yet he still craves the reward that the other students win: the little red flowers awarded each day as tokens for good behaviour. But Qiang doesn’t win any flowers: he can’t yet dress himself, and doesn’t play together with the other kids. He even dares to talk back to the strict Teacher Li and Principal Kong when they try to impose some discipline on him. Gradually, his charisma and bravado start to win over his classmates: their stealthy little rebellions gain steam when he succeeds in convincing everyone that Teacher Li is a child-eating monster in disguise. When their attempt to capture her is thwarted, Qiang’s resistance develops a more disturbing dimension, and he is forcibly ostracized from his companions. Will he succumb to the adult-enforced conformity around him, or will he insist on growing up his own way, by his own rules?

Directed by Yuan Zhang | Starring : Bowen Dong, Yuanyuan Ning, Zhao Rui, Xiaofeng Li, Chen Manyuan | Presented at Sundance Film Festival, Berlin Film Festival, Bangkok Film Festival, Hong Kong Film Festival, Chicago Film Festival, Marrakech Film Festival, Espoo Film Festival

向日葵 | Sunflower

The tumultuous relationship between a father returning home after years in a labor camp and the nine-year-old son who doesn’t quite know what to make of this new man in his life lies at the heart of director Zhang Yang’s heartfelt drama addressing the nature of change and the importance of family in Chinese culture. Chairman Mao has died and the Gang of Four have fallen, leaving former painter Gengnian to return home to his wife, Xiuqing, and the pair’s nine-year-old son Xiangyang. His hands permanently damaged by the ravages of hard labor, Gengnian cannot return to painting, though his young son has shown an abundance of artistic promise. Troubled by the sudden presence of a father he has never known and rebelling against the path laid before him, Xiangyang ignites a firecracker in his hand in hopes that it may derail his artistic career. In the years that follow, Xiangyang’s reputation as a talented artist grows while his relationship with his father remains forever troubled.

Directed by Yang Zhang | Starring : Joan Chen, Haiying Sun, Zhang Fan, Zifeng Liu, Jing Liang | Presented at Toronto Film Festival, San Sebastian Film Festival, Chicago Film Festival, Bangkok Film Festival, Hong Kong Film Festival, Tokyo Film Festival

长恨歌 | Everlasting Regret

Adapted from Wang Anyi’s award-winning novel, the film follows the life of a legendary Shanghai beauty, Wang Qiyao, whose fading glamour is mirrored by the prosperous growth of the city of Shanghai. The film co-stars Tony Leung Ka Fai, Hu Jun, Daniel Wu, and Huang Jue as men who fall for Wang Qiyao. Yet those she loves just leave her one after another when she grows old, and eventually she herself has to face what fate has prepared for her. The metropolitan city is perhaps the only thing that can survive all the drastic changes and remain forever young… Everlasting Regret resembles Stanley Kwan’s Center Stage thematically for both detail the rise and fall of a Shanghainese woman, but Everlasting Regret ambitiously covers a longer period from 1940s to 1980s, almost half a century. The nostalgic mood of the film reminds of Kwan’s best-known piece Rouge. Art Director William Chang, famous for creating a nostalgic atmosphere in Wong Kar Wai’s In the Mood for Love and 2046, successfully reconstructs the lifestyle of old Shanghai.

Directed by Stanley Kwan | Starring : Sammi Cheng, Tony Leung Ka Fai, Daniel Wu, Jun Hu, Jue Huang | Presented at Venice Film Festival, Toronto Film Festival, Chicago Film Festival, Tokyo Film Festival, Cinemanila Film Festival

天边一朵云 | The Wayward Cloud

The most audacious film to date from visionary director Tsai Ming-liang, The Wayward Cloud is about a porn actor and the museum tour guide who enters into a strange relationship with him, unaware of his profession. Hsiao-kang is the same alienated youth whose chance encounter with Shiang-chyi provided the spark that fueled Tsai’s earlier films. Once again, these two lost souls cross paths—he now works as an actor in no-budget porn films, and she wanders around Taipei, hoarding bottles of water because of a serious drought. In fact, the government is recommending that people eat watermelons to hydrate themselves. This fruit sets in motion a perverse (and often hilarious) symbolic theme throughout much of the film. As in his earlier film The Hole, Tsai adds trashy, campy musical numbers into the narrative. These sequences play against the raw sex scenes, creating a bizarre, existential chaos. The filmmaker has created a perfectly realized alternative universe in his ongoing exploration of sex, bodies, and loneliness. His stationary camera perfectly illustrates the isolation and exploitation the characters are trapped in—yet the film is as funny as it is emotionally tortured. Tsai’s characters are indeed wayward clouds, drifting through life without purpose, in a world without water. And prepare yourself for the film’s unbelievable final scene, which manages to be both weirdly erotic and profoundly disturbing.

Directed by Ming-liang Tsai | Starring : Kang-sheng Lee, Shiang-chyi Chen, Yi-Ching Lu, Kuei-Mei Yang, Sumomo Yozakura | Presented at Berlin Film Festival, Brisbane Film Festival, Toronto Film Festival, Rio de Janeiro Film Festival, Chicago Film Festival, Sitges Film Festival, Stockholm Film Festival, Torino Film Festival, Nantes Film Festival, Alba Regia Film Festival, Helsinki Film Festival

茉莉花开 | Jasmine Women

Jasmine Women is adapted from the novel Women’s Life by the famous writer Su Tong, whose literary works have been turned into many films, among them Zhang Yimou’s Raise the Red Lantern. Jasmine Women follows a family whose female members from three different generations all experience frustration in marriage, as if the family is cursed. In the 1930s, Mo, brought up by her single mother, develops a romance with the studio manager and is dumped after she gets pregnant. She blames her daughter Li for all her miseries. In the 1960s, Li can no longer put up with her mother Mo and marries a construction worker. Being impotent, Li adopts a child from the orphan named Hua. In the 1980s, Li suspects that her husband has an incestuous affair with Hua. Her husband commits suicide and Li becomes schizophrenic. Hua’s marriage is no better than her mother’s or grandmother’s – her husband finds a mistress and she decides to divorce him although she has already conceived his child…

Directed by Yong Hou | Starring : Ziyi Zhang, Joan Chen, Wen Jiang, Ye Liu, Yi Lu | Presented at Shanghai Film Festival, Tokyo Film Festival, Iceland Film Festival, Chicago Film Festival, Thessaloniki Film Festival

不见 | The Missing

Two stories are intercut: In one, an old woman searches frantically for her missing grandson; in the other, a teenage boy’s grandfather disappears. Lee Kang-sheng’s The Missing is a sad and haunting film which builds very slowly to an obscure symbolic ending, making you want to watch it again right away in order to view it in a different light. While not quite living up to the standard of the best work of Lee’s esteemed mentor Tsai Ming-liang, The Missing is an admirable debut. The city of Taipei becomes an alienating dystopia in this minimalist directorial debut from Taiwanese actor Lee Kang-sheng. A grandmother loses her grandson in a park and spends the remainder of the day searching for him. Meanwhile, a troubled teenager’s grandfather similarly disappears. The two searchers wander the city until, eventually, their paths cross. The Missing shared the New Currents award with the Iranian film Tiny Snowflakes at the 2003 Pusan International Film Festival.

Directed by Kang-sheng Lee | Starring : Yi-Ching Lu, Tien Miao, Chang Chea, Chun Shih, Shiang-chyi Chen | Presented at Pusan Film Festival, Tokyo Film Festival, Rotterdam Film Festival, Hong Kong Film Festival, Karlovy Vary Film Festival, Athens Film Festival, Vancouver Film Festival, Flanders Film Festival, Chicago Film Festival, Vienna Film Festival, Ljubljana Film Festival, Nantes Film Festival, Bratislava Film Festival, Febio Film Festival

不散 | Goodbye Dragon Inn

A Japanese tourist takes refuge from a rainstorm inside a once-popular movie theater, a decrepit old barn of a cinema that is screening a martial arts classic, King Hu’s 1966 “Dragon Inn.” Even with the rain bucketing down outside, it doesn’t pull much of an audience – and some of those who have turned up are less interested in the movie than in the possibility of meeting a stranger in the dark.

Directed by Ming-liang Tsai | Starring : Kang-sheng Lee, Shiang-chyi Chen, Kiyonobu Mitamura, Tien Miao, Chao-jung Chen | Presented at Venice Film Festival, Toronto Film Festival, Vancouver Film Festival, Pusan Film Festival, Chicago Film Festival, New York Film Festival, Vienna Film Festival, Tokyo Film Festival, London Film Festival, Hawaii Film Festival, Stockholm Film Festival, Oslo Film Festival, Nantes Film Festival, Rotterdam Film Festival, Febio Film Festival, Belgrade Film Festival, Wisconsin Film Festival, Buenos Aires Film Festival, Istanbul Film Festival, Hong Kong Film Festival, Singapore Film Festival, Munich Film Festival, La Rochelle Film Festival, Maine Film Festival

明日天涯 | All Tomorrow’s Parties

In a post-apocalyptic 21st century, Continental Asia lives under the rule of the political and religious sect Gui Dao, which blends Maoist rhetorics with Buddhist iconography… Zhuai and his younger brother Mian are arrested and deported to a camp called Prosperity for re-education. Survival in the camp means hunger, bureaucratic rules, degradation and humiliation. After the catastrophic fall of the sect, the guards of the camp escape, leaving the inmates “free”. Zhuai and Mian wander around before leaving the camp together with beautiful Xuelan and her baby. They find themselves in the desert wastelands of their post-war post-industrial world. They try to rediscover everyday life in a shabby apartment of an abandoned mining town. Are their dreams only of a virtual future?

Directed by Nelson Yu Lik-wai | Starring : Wei Wei Zhao, Yi’nan Diao, Yong-won Cho, Ren Na  | Presented at Cannes Film Festival, Vancouver Film Festival, Sitges Film Festival, Entrevues Film Festival, Rotterdam Film Festival, Buenos Aires Film Festival, Hong Kong Film Festival, Warsaw Film Festival, Chicago Film Festival

小城之春 | Springtime in a Small Town

Liyan and Yuwen live in post-war torpor, childless but with Liyan’s school-aged sister. He coughs, imagining he has tuberculosis; Yuwen embroiders; they sleep in separate rooms. A surprise visit from Liyan’s boyhood friend Zhang, a big city physician, wakes up the household. To Zhang’s amazement, he discovers his friend’s wife is his own youthful sweetheart. Possibilities abound: an affair, an arranged marriage of Zhang and Little Sister, now 16, or simply ending ennui and embracing vitality.

Directed by Zhuangzhuang Tian | Starring : Jingfan Hu, Jun Wu, Bai Qing Xin, Xiao Keng Ye, Si Si Lu | Presented at Venice Film Festival, Toronto Film Festival, New York Film Festival, Chicago Film Festival, Vancouver Film Festival, Tromso Film Festival, Rotterdam Film Festival, Buenos Aires Film Festival, Istanbul Film Festival, Hawaii Film Festival

任逍遥 | Unknown Pleasures

Unknown Pleasures, sequel to the widely praised Platform, again focuses on a generation of Chinese kids. In fragmentary observations, Jia sketches a picture of the lethargy of today’s youth, a generation that has grown up with technological gadgets, advertising and Internet. Jia refers to moments in the eventful year 2001, when an unemployed man blew up a whole building and the Olympic Summer Games of 2008 were granted to Beijing. In as far as the scenes were not improvised, the script of the film was inspired by work of the philosopher Zhuangzi, a Taoist who argues in favour of enjoying the (unknown) pleasures of life. The two unemployed kids Xiao Ji and Bin Bin have plenty of time for pleasures like hanging out and falling in love. In the case of Xiao Ji the subject of his affections is Qiao Qiao, a dancer and model for an advertising campaign for a major Mongolian brand of drink. The fact that Qiao Qiao has a dangerous friend does not make much impression on Xiao Ji: he takes his inspiration from American crime films and most wants to die young. Bin Bin does not have much faith in the future either. His girlfriend is going to Beijing to study. She wants to become a businesswoman, while Bin Bin’s ambitions do not extend any further than karaoke and cartoons.

Directed by Zhang Ke Jia | Starring : Tao Zhao, Wei Wei Zhao, Qiong Wu, Hongwei Wang, Zhubin Li | Presented at Cannes Film Festival, Toronto Film Festival, New York Film Festival, Chicago Film Festival, Thessaloniki Film Festival, Rotterdam Film Festival, Belgrade Film Festival, Istanbul Film Festival, Singapore Film Festival, San Sebastian Film Festival

巴尔扎克与小裁缝 | Balzac and the Little Chinese Seamstress

In 1971 China, in the lingering grip of the cultural revolution, two university students, Luo and Ma, are sent to a mountain mining village as part of their reeducation duty to purge them of their classical western oriented education. Amid the backbreaking work and stifling ignorance of the community, the two boys find that music, and the presence of the beautiful local young women are the only pleasant things in their miserable life. However, none compare to the young seamstress granddaughter of the local tailor. Stealing a departing student’s secret cache of forbidden books of classic western literature such as the works of Honore de Balzac, they set about to woo her and teach her things she had never imagined. In doing so, they start a journey that would profoundly change her perspective on her world and teach the boys about the power of literature and their own ability to change their world in truly revolutionary ways.

Directed by Sijie Dai | Starring : Xun Zhou, Ye Liu, Kun Chen, Zhijun Cong, Hongwei Wang | Presented at Cannes Film Festival, Montréal Film Festival, Marrakech Film Festival, Chicago Film Festival, Ghent Film Festival, AFI Film Festival, Palm Springs Film Festival, Göteborg Film Festival, Istanbul Film Festival, Moscow Film Festival, Auckland Film Festival, Copenhagen Film Festival, Milwaukee Film Festival

陈默和美婷 | Chen Mo and Meiting

The story is set in Beijing. It is about the relationship between a young man and a city girl, neither of whom has had a proper family life. The young man, Chen Mo, was brought up by his elder brother as his parents died young. The girl, Meiting, lived with her uncle and aunt, but left because she was ill-treated. Chen is kind to her, but she can’t stand living in a small room and runs away to become a whore. Chen loses his savings looking for her and dies after an accidental stabbing.

Directed by Hao Lui | Starring : Huanan Du, Lingbo Wang | Presented at Berlin Film Festival, Karlovy Vary Film Festival, Chicago Film Festival, Bratislava Film Festival

美丽时光 | The Best of Times

Chang Tso-Chi’s film begins like a comedy about an extended family but turns into a reflection on the tragedy that befalls cousins Ah Wei and Ah Jie, a funny but troubled youth whose first job puts him in touch with a gun. Family patriarch, Ah Wei’s dad, is goaded by granny about gambling away the family’s money while Ah Jei’s father repetitively recounts his dishonorable discharge from the army decades earlier. The two men spend their evenings getting drunk, suggesting that Ah Wei and Ah Jei’s fates may have been better met young. Tragedy also befalls Ah Wei’s twin sister who suffers from leukemia, but Chang uses expressionistic, slightly comic allegory to end his film on an up note.

Directed by Tso-chi Chang | Starring : Wing Fan, Meng-jie Gao, Wan-mei Yu, Mao-ying Tien, Yu-Chih Wu | Presented at Venice Film Festival, Toronto Film Festival, Chicago Film Festival, Thessaloniki Film Festival, Palm Springs Film Festival, Rotterdam Film Festival, Singapore Film Festival

千禧曼波 | Millennium Mambo

From one of the world’s greatest living directors and critically acclaimed as his finest film, Millennium Mambo is as stylish, hypnotic and mesmerizing as Wong Kar- Wai’s hit film, In the Mood for Live, which it clearly resembles in its evocative portrayal of an intense relationship and in its stylish direction powered by a thumping electric soundtrack. Winner of the Grand Prix Prize at the Cannes Film Festival, Hou Hsiao-Hsien’s Millennium Mambo is a strikingly beautiful film set in Taipei’s hot nightclub scene. The remarkable Shu Qi stars as Vicky, a lost soul who hangs out partying with her friends, smoking nonstop, and dancing and flirting. The youthful Vicky is torn between two men, Hao-Hao and Jack. She lives with Hao-Hao (Tuan Chun-hao), but he doesn’t seem to excite her anymore, so she starts seeing an older gangster, Jack (Jack Kao), although the depth of the relationship is left purposely ambiguous. Some degree of affinity between them begins to take shape: it may lead to a still closer relationship or a permanent friendship. Although Vicky wants to be a free spirit, she is battling demons that cast dark shadows over her somewhat meaningless existence. One of the world’s greatest filmmakers, Hou Hsiao-Hsien has made an innovative and daring film that is nothing short of mesmerising.

Directed by Hsiao-hsien Hou | Starring : Qi Shu, Jack Kao, Doze Niu, Chun-hao Tuan, Pauline Chan | Presented at Cannes Film Festival, Toronto Film Festival, Vancouver Film Festival, Ghent Film Festival, Chicago Film Festival, Flanders Film Festival, AFI Film Festival, Hawaii Film Festival, Pusan Film Festival, London Film Festival, Bangkok Film Festival

安阳婴儿 | The Orphan of Anyang

A prostitute from the Northeast, desperate and unable to make ends meet, abandons her baby. An unemployed factory worker decides to take the child for the 200 yuan a month in child support promised by its mother. His early attempts at child-rearing are somewhat painful to watch, but also charming and amusing. Eventually, he and the mother become friendly and it seems that the child will be raised in a sweetly unorthodox family. However, when the woman’s pimp, a local gangster, not only finds out that he may have fathered the child, but also that he is dying of cancer, he decides that he must adopt the baby – and is willing to resort to violence if necessary.

Directed by Chao Wang | Starring : Tianhao Liu, Fuwen Miao, Guilin Sun, Sengyi Yue, Jie Zhu | Presented at Cannes Film Festival, Montréal Film Festival, Telluride Film Festival, Toronto Film Festival, Vancouver Film Festival, Chicago Film Festival, Valladolid Film Festival, Amiens Film Festival, Entrevues Film Festival, Tromso Film Festival, Rotterdam Film Festival, Kerala Film Festival, Buenos Aires Film Festival, Jeonju Film Festival, Karlovy Vary Film Festival, Athens Film Festival, Warsaw Film Festival

你那边几点 | What Time Is It Over There?

From acclaimed director Tsai Ming-Liang comes the quirky story of Hsiao Kang who sell watches in the street of Taipei for a living. A few Days after his father’s Death, he meet Shiang-Chyi, a young woman who leave for Paris the very next day. She persuades him to sell her his own watch, which has two dials, so that she can keep taipei time as well as local time, on her upcoming trip.Troubled y the behavior of this mother who prays constantly for the return of her late husband’s spirit, Hsiao Kang Take refuge in the memory of his brief encounter with Shiang-Chyi, In an effort to bridge the miles between them, he run around setting all the watches and clock in Taipei to Paris time. Meanwhile, in Paris, Shiang-Chyi confronts events that seem to be mysteriously connected with Hsiao Kang.

Directed by Ming-liang Tsai | Starring : Kang-sheng Lee, Shiang-chyi Chen, Yi-Ching Lu, Tien Miao, Cecilia Yip | Presented at Cannes Film Festival, Karlovy Vary Film Festival, Jerusalem Film Festival, Brisbane Film Festival, Edinburgh Film Festival, Montreal Film Festival, Toronto Film Festival, New York Film Festival, Vancouver Film Festival, Chicago Film Festival, Jakarta Film Festival, Tokyo Film Festival, AFI Film Festival, Pusan Film Festival, Thessaloniki Film Festival, Bangkok Film Festival, Hong Kong Film Festival, Buenos Aires Film Festival, Singapore Film Festival, Cinemanila Film Festival, Febio Film Festival

命带追逐 | Mirror Image

Pawnshop manager Lin Tung-Ching’s life has become too unpredictable since the lifeline of his left hand was damaged in a motorcycle accident. His girlfriend Eiko is desperate to find a way to help Tung-Ching retrieve his lifeline. She suggests they take customers palm prints, so she can practice her palm-reading. Even though Eiko is helping him, Lin feels attracted to a another girl, one who came to collect her pawned watch. He manages to meet her without Eiko knowing.

Directed by Ya-chuan Hsiao | Starring : Hsiao-fan Fan, Jiunn-jye Lee, Era Wang, Dei-yuan Chu, Li-wei Yang | Presented at Hong Kong Film Festival, Cannes Film Festival, Toronto Film Festival, Marrakech Film Festival, Chicago Film Festival, Vancouver Film Festival, London Film Festival, Thessaloniki Film Festival, Torino Film Festival, Buenos Aires Film Festival, Jeonju Film Festival