南京!南京! | City of Life and Death

City of Life and Death1

Nanjing, 1937. The third film from award-winning Sixth Generation director Lu Chuan, City of Life and Death is a devastating account of the massacre that occurred during the Sino-Japanese War when Japanese troops took the city of Nanjing in December 1937, a tragedy remembered as the Rape of Nanking. Shot completely in black and white, this powerful war drama unflinchingly captures the shocking violence and brutality of the Nanjing massacre, from the mass executions of POWs to the raping and slaughtering of civilians, while providing a deeply human portrait of both the victims and the perpetrators. Rendered in many shades of gray, City of Life and Death touches on the different people whose lives are destroyed by the war: the Chinese soldiers who gave their lives, the foreign missionaries who sheltered refugees, the comfort women, the Chinese civilians, and the Japanese soldiers. In a surprising move for a Mainland Chinese film about the Rape of Nanking, City of Life and Death is told primarily from the perspective of a Japanese soldier, who witnesses, commits, and abhors the atrocities of his army. By choosing to humanize rather than demonize, Lu Chuan offers an all the more devastating memory of the Nanjing massacre, and the people who lived and died in the City of Life and Death.

Directed by Chuan Lu | Starring : Ye Liu, Yuanyuan Gao, Hideo Nakaizumi, Wei Fan, Lan Qin | Presented at Edinburgh Film Festival, Toronto Film Festival, San Sebastian Film Festival, Athens Film Festival, Oslo Film Festival, Hamptons Film Festival, Pusan Film Festival, Warsaw Film Festival, London Film Festival, AFI Film Festival, Mar del Plata Film Festival, Palm Springs Film Festival, Rotterdam Film Festival, Seattle Film Festival, Melbourne Film Festival, Helsinki Film Festival

可可西里 | Mountain Patrol

Mountain Patrol

Kekexili is based on actual events. From Mainland China, the film tells the story of Ga Yu, a reporter from Beijing who in 1996 travels to the eponymous region on the border of Tibet, where some local men have organized a civilian patrol to fight the poachers who are decimating the region’s endangered population of Tibetan antelopes, prized for their pelts, which are then exported, to be sold as (once trendy) shahtoosh shawls. As Ga Yu arrives in a remote town, a member of the patrol has recently been coldly executed by the poachers, and the taciturn leader, Ritai, is heading out on another patrol, determined to find those responsible. Ga Yu convinces Ritai to let him tag along by suggesting that a story in a Beijing newspaper might spur the Chinese government to take more forceful action to protect the antelopes. The group leaves on their perilous, high altitude journey. From the film’s opening, with the aforementioned murder, it’s a harrowing trip. Kekexili captures the deprivation and danger of this harsh land, and the necessary ruggedness of the people who live there, with impeccable clarity. Filmmaker Lu tells his story visually, for the most part, with exemplary economy. He doesn’t spend any more time than needed on characterization. He leaves it to his audience to figure out what motivates Ritai and his team to risk their lives in order to protect the animals. Whatever it is, it’s clear that it goes beyond a mere concern for the environment. Ritai ends up completely possessed with finding the gunmen who slaughtered the most recent herd of antelope. He puts his own and many other lives at risk in this pursuit. At the film’s midpoint, Ritai and his men capture a group of poachers, including a kindly old man who tells the patrolmen that he used to be a shepherd, and was pushed into a life of criminality by hard times. The filmmaker doesn’t judge these characters, any more than he does the film’s would-be heroes. It’s clear that on a thematic level, Lu’s primary interest is human, rather than environmental.

Directed by Chuan Lu | Starring : Duobuji, Lei Chang, Liang Qi, Xueying Zhao, Zhanlin Ma | Presented at Tokyo Film Festival, Sundance Film Festival, Berlin Film Festival, Hong Kong Film Festival, Seattle Film Festival, Cinemanila Film Festival, Montréal Film Festival, Vancouver Film Festival, Warsaw Film Festival, Marrakech Film Festival, Kerala Film Festival

寻枪 | The Missing Gun

The Misssing Gun

A small-town cop wakes up one morning after a wild night of celebration to discover that his gun – a rare, state-issued firearm loaded with three bullets – is missing. While he attempts to retrace his steps from the previous night – his ex-girlfriend turns up dead, and the bullet appears to be from his gun… Now, in order to clear his name and convince the authorities that he’s not the killer, he must race against time to find the gun before the other two bullets find their next victims. An international cast of exciting and sexy superstars go full-force in Missing Gun – a cool, stylish action thriller abut love and power and one man’s attempt to honor the delicate and explosive balance between the two.

Directed by Chuan Lu | Starring : Wen Jiang, Yujuan Wu, Jing Ning, Shi Liang, Xiaoning Liu | Presented at Pusan Film Festival, Sundance Film Festival, Göteborg Film Festival, Seattle Film Festival, Moscow Film Festival, Karlovy Vary Film Festival, Cinemanila Film Festival