我还有话要说 | When Night Falls

Inspired by the notorious case of a young man’s 2008 murder of six Shanghai police officers, the remarkable new film from independent Chinese auteur Ying Liang focuses on the killer’s mother, as she both struggles to comprehend her son’s heinous act and is persecuted by a state that willfully ignores its own laws.

Directed by Liang Ying | Starring : An Nai, Kate Wen, Ming Sun | Presented at Jeonju Film Festival, Locarno Film Festival, Toronto Film Festival, Vancouver Film Festival, Warsaw Film Festival, Cinemanila Film Festival, Rotterdam Film Festival

钢的琴 | The Piano in a Factory

An offbeat ballad of friendship and devotion, The Piano in a Factory captures the tempo of changing times with quiet wisdom and a tinge of nostalgia. Steelworker Chen has a passion for music and plays the accordion in a local band with a close group of friends. When his estranged wife returns one day after years of absence, she demands a divorce and sole custody of their daughter. Chen is at a loss. He doesn’t mind divorcing a woman who has become a stranger, but he can’t bear to part with his daughter. Chen has worked hard to give her a respectable life and has taught her his love of music. When asked if she’d rather stay with her father or go with her mother, the girl gives a practical, devastating answer: she’ll go with whomever can provide her with a piano. Chen cannot afford such a luxury item, but the piano becomes his last hope to save what little is left of his family. With the help of his loyal friends and the support of his lover – the singer in his band – Chen concocts several plans to fulfill his daughter’s wish, from sneaking her into the local music school at night to drawing a fake piano. He even tries to steal the instrument from the school – anything to keep her near him. Nothing works for long, until Chen looks around his fading steel factory town and hits on the perfect solution. The Piano in a Factory is an endearing portrait of a moment when the certainty of state-run industry begins to falter. Simple in its measured and assured direction, The Piano in a Factory establishes Zhang Meng as one of the most vibrant voices in Chinese cinema today.

Directed by Zhang Meng | Starring : Qianyuan Wang, Shin-yeong Jang, Hailu Qin, Yongzhen Guo, Er-yang Luo | Presented at Toronto Film Festival, Tokyo Film Festival, Cinemanila Film Festival, Dubai Film Festival, Rotterdam Film Festival, Glasgow Film Festival, Miami Film Festival, San Francisco Film Festival, Wisconsin Film Festival, Melbourne Film Festival, Hamburg Film Festival, Thessaloniki Film Festival

第四张画 | The Fourth Portrait

Ten year-old Xiang faces a lonely future after his father dies. Just when he thinks he’s going to spend his life in the orphanage, his estranged mother shows up. And his life changes forever… A loveless mother, a hateful stepfather, a chilly home. Where’s Xiang heading to? He finds comfort in drawing and his work reveals his longing for care and affection. Life is full of hope again when he meets the old school janitor who doesn’t show his kindness easily and a portly man who has crazy ideas and is haunted with nightmares of his brother. A scary truth is about to be unmasked. Will Xiang be able to depict his own image in the fourth portrait?

Directed by Mong-Hong Chung | Starring : Bi Xiao-Hai, Shih-chieh Chin, Lei Hao, Leon Dai, Terri Kwan | Presented at Locarno Film Festival, Toronto Film Festival, Tokyo Film Festival, Mar del Plata Film Festival, Nantes Film Festival, Cinemanila Film Festival, Melbourne Film Festival, Gindou Film Festival, Wisconsin Film Festival

第三十六个故事 | Taipei Exchanges

This second feature by Hsiao Ya-Chuan, with leading Taiwanese director Hou Hsiao-Hsien as executive producer, is a stylish and enjoyable tale of love, friendship, coffee and cake. When Doris fulfills her dream of opening a café, it quickly becomes overrun with junk offered as gifts. Younger sister Josie thinks up an idea of turning it into a swap shop. As hopes and dreams intersect over espresso and mouth-watering cakes, Doris’ Café becomes a place where people come to exchange their junk and life stories for an object of their desire.

Directed by Ya-chuan Hsiao | Starring : Gwei Lun-Mei, Zaizai Lin, Han Chang, Kôsuke Atari, Jiunn-jye Lee | Presented at Tokyo Film Festival, Cinemanila Film Festival

文雀 | Sparrow

From the acclaimed director of The Mission, Election, and Exiled, Johnnie To. “Sparrow’ is a common word used in Hong Kong street slang for pickpocket. The term refers to the special dexterity needed to pluck people’s wallets from their pockets… and possibly also to the necessity of having to flutter away quickly should one be discovered. Kei is one such ‘sparrow’ – and a very professional one at that. He and his three partners earn a good living from digging deep into the pockets of oblivious passers-by moving along the crowded urban canyons of Hong Kong. As far as Kei’s concerned, it’s all he needs to live a carefree life. Whenever he is not going about his business he loves to ride about the city on his bicycle photographing street scenes with his Rolleiflex camera. One day the gorgeous Chun Lei comes into his sights. Kei is fascinated. But behind Chun Lei’s good looks lurks a mysterious past. Kei falls in love with her – and he is not the only one. After having managed to turn the heads of his three colleagues, she reveals her true intentions: the sparrows must steal something of great importance to her.

Directed by Johnnie To | Starring : Simon Yam, Kelly Lin, Ka Tung Lam, Hoi-Pang Lo, Suet Lam | Presented at Berlin Film Festival, Fantasia Film Festival, Cinemanila Film Festival, Chicago Film Festival, Cleveland Film Festival, Wisconsin Film Festival, Mill Valley Film Festival

落叶归根 | Getting Home

Zhao is an ageing worker who toils away in Shenzen in order to earn a living. When his friend and colleague Wang suddenly dies, Zhao decides to transport his body back to his native town. He purchases two tickets for the cross-country bus, and pretends that his silent travelling companion has drunk so much alcohol that he has fallen unconscious. Shortly afterwards, the bus is attacked by armed bandits. Zhao asks the bandits to kill him first, so that he can stay with his dead friend forever. Touched by this display of loyalty, the robbers decide to let the bus go. But instead of thanking Zhao, the other passengers throw him and his dead friend off the bus. Pretending that his friend is seriously ill and must be taken to hospital immediately, Zhao tries to flag down passing cars. After spending the night in a hotel, Zhao discovers that all his money has been stolen and begins to lose heart. But he refuses to be browbeaten. Whenever he needs money, he rearranges Wong so that he looks like a beggar. And whenever he is hungry, he joins a funeral party and bawls his eyes out so that he can enjoy the food served at the wake. During his odyssey across China Zhao is obliged to get along with all kinds of people. Just before he reaches his destination, the old man and his dead friend are caught in a torrential downpour, so that now Zhao finds himself engaged in a struggle against nature.

Directed by Yang Zhang | Starring : Benshan Zhao, Dandan Song, Degang Guo, Haiying Sun, Ma Wu | Presented at Berlin Film Festival, Bangkok Film Festival, Cinemanila Film Festival, Vladivostok Film Festival, Vancouver Film Festival, Chicago Film Festival, St. Louis Film Festival, Kerala Film Festival, Wisconsin Film Festival, Edmonton Film Festival

吴清源 | The Go Master

The latest film from celebrated Fifth Generation director Tian Zhuangzhuang, The Go Master shines a light on the life and times of Wu Qingyuan. Better know by his Japanese name Go Seigen, Wu is considered the greatest Go player of the 20th century, his talents bringing him from his native China to a professional career in Japan when he was only a teenager. Based on Wu’s autobiography, this elegantly shot and remarkably restrained biopic follows the life of a singular figure, fascinating not only for his genius and achievements in the game of Go, but also for his unique experiences as a Chinese man in Japan during an immensely turbulent period in history. With the breakout of the Sino-Japanese War in the 1930s, Wu Qingyuan and his family are thrown into an uncomfortable and dangerous position as Chinese nationals residing in Japan. While Wu’s family returns to China, he chooses to stay behind in his adopted country to continue to pursue the game of Go. In the quiet recluse of his school, there are no politics, only the singular dedication to his art and the love for his wife Kazuko. However, the chaos of the times eventually forces him out of his enclave, throwing his life and mind into conflict. Wu joins a cult in a sober pursuit of faith and his own ongoing battle to come to terms with himself.

Directed by Zhuangzhuang Tian | Starring : Chen Chang, Sylvia Chang, Xuejian Li, Ayumi Ito, Yi Huang | Presented at New York Film Festival, Rome Film Festival, Hong Kong Film Festival, Ankara Film Festival, Shanghai Film Festival, Bangkok Film Festival, Cinemanila Film Festival

江城夏日 | Luxury Car

In this emotionally taut narrative, Li Qi Ming travels from his small village to the city of Wuhan, determined to fulfill his wife’s last wish of seeing her son. But instead of finding his son, he discovers his daughter working as a karaoke bar escort, forcing him to come to terms with their long-estranged relationship and the tenuous future of his family. Director Wang Chao uses Li Qi Ming to represent the painful reality of thousands of parents who have lost contact with their children through rural exodus and political upheaval in China.

Directed by Chao Wang | Starring : Yuan Tian, Youcai Wu, He Huang, Yiqing Li | Presented at Cannes Film Festival, Pusan Film Festival, Stockholm Film Festival, Hong Kong Film Festival, Cinemanila Film Festival

长恨歌 | Everlasting Regret

Adapted from Wang Anyi’s award-winning novel, the film follows the life of a legendary Shanghai beauty, Wang Qiyao, whose fading glamour is mirrored by the prosperous growth of the city of Shanghai. The film co-stars Tony Leung Ka Fai, Hu Jun, Daniel Wu, and Huang Jue as men who fall for Wang Qiyao. Yet those she loves just leave her one after another when she grows old, and eventually she herself has to face what fate has prepared for her. The metropolitan city is perhaps the only thing that can survive all the drastic changes and remain forever young… Everlasting Regret resembles Stanley Kwan’s Center Stage thematically for both detail the rise and fall of a Shanghainese woman, but Everlasting Regret ambitiously covers a longer period from 1940s to 1980s, almost half a century. The nostalgic mood of the film reminds of Kwan’s best-known piece Rouge. Art Director William Chang, famous for creating a nostalgic atmosphere in Wong Kar Wai’s In the Mood for Love and 2046, successfully reconstructs the lifestyle of old Shanghai.

Directed by Stanley Kwan | Starring : Sammi Cheng, Tony Leung Ka Fai, Daniel Wu, Jun Hu, Jue Huang | Presented at Venice Film Festival, Toronto Film Festival, Chicago Film Festival, Tokyo Film Festival, Cinemanila Film Festival

桃色 | Colour Blossoms

A visually stunning reflection on lustful desire, Yonfan’s Colour Blossoms tells the story of Meili, a realtor, who visits a mansion after being asked to sell it. There, she meets the mysterious Madame Umeki, and finds herself caught up in irresistible physical desires that transcend time and space. Geiko Matsuzaka from Japan, Teresa Chung from Hong Kong, and Ha Risoo from Korea explore a dreamy world of sex and passion.

Directed by Yonfan | Starring : Teresa Cheung, Keiko Matsuzaka, Ri-su Ha, Carl Ng, Sho Yokouchi | Presented at Berlin Film Festival, Hong Kong Film Festival, Rio de Janeiro Film Festival, Cinemanila Film Festival, Pusan Film Festival

可可西里 | Mountain Patrol

Kekexili is based on actual events. From Mainland China, the film tells the story of Ga Yu, a reporter from Beijing who in 1996 travels to the eponymous region on the border of Tibet, where some local men have organized a civilian patrol to fight the poachers who are decimating the region’s endangered population of Tibetan antelopes, prized for their pelts, which are then exported, to be sold as (once trendy) shahtoosh shawls. As Ga Yu arrives in a remote town, a member of the patrol has recently been coldly executed by the poachers, and the taciturn leader, Ritai, is heading out on another patrol, determined to find those responsible. Ga Yu convinces Ritai to let him tag along by suggesting that a story in a Beijing newspaper might spur the Chinese government to take more forceful action to protect the antelopes. The group leaves on their perilous, high altitude journey. From the film’s opening, with the aforementioned murder, it’s a harrowing trip. Kekexili captures the deprivation and danger of this harsh land, and the necessary ruggedness of the people who live there, with impeccable clarity. Filmmaker Lu tells his story visually, for the most part, with exemplary economy. He doesn’t spend any more time than needed on characterization. He leaves it to his audience to figure out what motivates Ritai and his team to risk their lives in order to protect the animals. Whatever it is, it’s clear that it goes beyond a mere concern for the environment. Ritai ends up completely possessed with finding the gunmen who slaughtered the most recent herd of antelope. He puts his own and many other lives at risk in this pursuit. At the film’s midpoint, Ritai and his men capture a group of poachers, including a kindly old man who tells the patrolmen that he used to be a shepherd, and was pushed into a life of criminality by hard times. The filmmaker doesn’t judge these characters, any more than he does the film’s would-be heroes. It’s clear that on a thematic level, Lu’s primary interest is human, rather than environmental.

Directed by Chuan Lu | Starring : Duobuji, Lei Chang, Liang Qi, Xueying Zhao, Zhanlin Ma | Presented at Tokyo Film Festival, Sundance Film Festival, Berlin Film Festival, Hong Kong Film Festival, Seattle Film Festival, Cinemanila Film Festival, Montréal Film Festival, Vancouver Film Festival, Warsaw Film Festival, Marrakech Film Festival, Kerala Film Festival

恋之风景 | The Floating Landscape

Maan has recently lost her lover, Sam, a painter who died tragically of an incurable disease. Before his death, he was remembering a beautiful landscape from the days when he was still a boy living in Qingdao in China. Maan goes to Qingdao to find this landscape. There, she meets Lit, a postman who will help her to find that place. A relationship grows between Maan and Lit but she can’t forget the love she had for Sam.

Directed by Miu-suet Lai | Starring : Kar Yan Lam, Ekin Cheng, Ye Liu, Jin Su, Jue Huang | Presented at Venice Film Festival, Pusan Film Festival, Cinemanila Film Festival

寻枪 | The Missing Gun

A small-town cop wakes up one morning after a wild night of celebration to discover that his gun – a rare, state-issued firearm loaded with three bullets – is missing. While he attempts to retrace his steps from the previous night – his ex-girlfriend turns up dead, and the bullet appears to be from his gun… Now, in order to clear his name and convince the authorities that he’s not the killer, he must race against time to find the gun before the other two bullets find their next victims. An international cast of exciting and sexy superstars go full-force in Missing Gun – a cool, stylish action thriller abut love and power and one man’s attempt to honor the delicate and explosive balance between the two.

Directed by Chuan Lu | Starring : Wen Jiang, Yujuan Wu, Jing Ning, Shi Liang, Xiaoning Liu | Presented at Pusan Film Festival, Sundance Film Festival, Göteborg Film Festival, Seattle Film Festival, Moscow Film Festival, Karlovy Vary Film Festival, Cinemanila Film Festival

昨天 | Quitting

Quitting concerns a troubled soul and how the massive changes wrought in contemporary urban China can batter a man. But the protagonist is not a hapless naif, fearing and defeated by change. Both the star of the film and the person on which it is based is Jia Hong-Sheng, one of China’s most visible young stars, whose performances in Suzhou River and Frozen practically define the bursting exuberance of young Chinese cinema. Both historical biography and documentary re-enactment, Quitting defies easy categorization, with the real protagonists of Jia’s hellish life journey playing themselves in almost every case.

Directed by Yang Zhang | Starring : Hongshen Jia, Fengsen Jia, Xiuling Chai, Tong Wang, Shun Xing | Presented at Venice Film Festival, Toronto Film Festival, Vancouver Film Festival, London Film Festival, Stockholm Film Festival, Sundance Film Festival, Rotterdam Film Festival, Singapore Film Festival, Cinemanila Film Festival

香港有个荷里活 | Hollywood Hong Kong

Sex, violence, and pork are the hallmarks of this ultra-black comedy from maverick Hong Kong filmmaker Fruit Chan. Boss Chu is the rotund proprietor of a fast-food stall specializing in pork located in a decaying Hong Kong shanty town. Boss Chu runs the business with his equally porcine sons Tiny and Ming. Living near the pork stall is a teenaged would-be gangster, Wong Chi-keung, who though e-mail makes the acquaintance of a young woman calling herself “Shanghai Angel Hung-Hung”, a prostitute recently arrived in Hong Kong from China. After doing frequent business with Wong, Hung-Hung begins frequenting the pork stall, where she becomes close friends with young Tiny. However, Ming soon develops a more carnal interest in Tiny’s new playmate, and Hung-Hung takes advantage of Ming’s infatuation by seducing him. Boss Chu is also attracted with the young prostitute, and she begins working her charms on the father of the family. Once Wong, Ming, and Boss have all fallen under Hung-Hung’s spell, the three men each begin receiving threatening letters from a lawyer, who claims that Hung-Hung is underage and that statutory rape charges will be filed against them unless they’re willing to pay, leading to some unpleasant visits from the blackmailer’s enforcers. Heunggong Yau Gok Holeiwut is the second film in a planned trilogy about Chinese prostitutes in Hong Kong, following Fruit Chan’s 2000 release Durian, Durian.

Directed by Fruit Chan | Starring : Xun Zhou, Glen Chin, Sai Man Ho, You-Nam Wong, Kit Man Tam | Presented at Venice Film Festival, Pusan Film Festival, Stockholm Film Festival, Sundance Film Festival, Rotterdam Film Festival, Singapore Film Festival, Cinemanila Film Festival

蓝宇 | Lan Yu

Beijing, 1988. On the cusp of middle-age, Chen Handong has known little but success all his life. The eldest son of a senior government bureaucrat, he heads a fast-growing trading company and plays as hard as he works. His loyal lieutenant Liu Zheng is one of the few who know that Handong¿s tastes run to boys more than girls. Lan Yu is a country boy, newly arrived in Beijing to study architecture. More than most students, he is short of money and willing to try anything to earn some. He has run into Liu Zheng, who pragmatically suggests that he could prostitute himself for one night to a gay pool-hall and bar owner. But Handong happens to be in the pool-hall that evening, and he nixes the deal. He takes Lan Yu home himself, and gives the young man what turns out to be a life-changing sexual initiation.

Directed by Stanley Kwan | Starring : Ye Liu, Jun Hu, Jin Su, Yongning Zhang, Shuang Li | Presented at Cannes Film Festival, Brisbane Film Festival, Toronto Film Festival, Vancouver Film Festival, London Film Festival, Thessaloniki Film Festival, Sundance Film Festival, Rotterdam Film Festival, Singapore Film Festival, Buenos Aires Film Festival, Cinemanila Film Festival, Febio Film Festival

你那边几点 | What Time Is It Over There?

From acclaimed director Tsai Ming-Liang comes the quirky story of Hsiao Kang who sell watches in the street of Taipei for a living. A few Days after his father’s Death, he meet Shiang-Chyi, a young woman who leave for Paris the very next day. She persuades him to sell her his own watch, which has two dials, so that she can keep taipei time as well as local time, on her upcoming trip.Troubled y the behavior of this mother who prays constantly for the return of her late husband’s spirit, Hsiao Kang Take refuge in the memory of his brief encounter with Shiang-Chyi, In an effort to bridge the miles between them, he run around setting all the watches and clock in Taipei to Paris time. Meanwhile, in Paris, Shiang-Chyi confronts events that seem to be mysteriously connected with Hsiao Kang.

Directed by Ming-liang Tsai | Starring : Kang-sheng Lee, Shiang-chyi Chen, Yi-Ching Lu, Tien Miao, Cecilia Yip | Presented at Cannes Film Festival, Karlovy Vary Film Festival, Jerusalem Film Festival, Brisbane Film Festival, Edinburgh Film Festival, Montreal Film Festival, Toronto Film Festival, New York Film Festival, Vancouver Film Festival, Chicago Film Festival, Jakarta Film Festival, Tokyo Film Festival, AFI Film Festival, Pusan Film Festival, Thessaloniki Film Festival, Bangkok Film Festival, Hong Kong Film Festival, Buenos Aires Film Festival, Singapore Film Festival, Cinemanila Film Festival, Febio Film Festival

榴莲飘飘 | Durian Durian

Durian Durian is an extension of the life of Fan, the illegal immigrant girl in Little Cheung. Fan strikes up a friendship with fellow immigrant Yan, the hardest working prostitute in town who must endure the harsh conditions of her job on one side of the border (HK) while she tries to turn her profits into a success on the other side of the border (China). One day, the pimp accompanying her gets his head smashed from behind in a random act of violence. The weapon is a strange, spiky fruit known as the “durian”. The idealistic and naive views of Hong Kong that the girls share are destroyed by differences in culture, isolated existences, and limited choices.

Directed by Fruit Chan | Starring : Hailu Qin, Wai-Fan Mak, Suet-man Mak, Xiao Ming Biao, Wai Yiu Yung | Presented at Venice Film Festival, Toronto Film Festival, London Film Festival, Rotterdam Film Festival, Belgrade Film Festival, Cinemanila Film Festival

花样年华 | In the Mood for Love

Hong Kong, 1962. Chow Mo-wan and Su Li-zhen move into neighboring apartments on the same day. Their encounters are polite and formal—until a discovery about their respective spouses sparks an intimate bond. At once delicately mannered and visually stunning, Wong Kar-wai’s In the Mood for Love is a masterful evocation of romantic longing and fleeting moments in time.

Directed by Kar Wai Wong | Starring : Tony Leung Chiu Wai, Maggie Cheung, Ping Lam Siu, Tung Cho ‘Joe’ Cheung, Rebecca Pan | Presented at Cannes Film Festival, Edinburgh Film Festival, Toronto Film Festival, San Sebastian Film Festival, New York Film Festival, Reykjavik Film Festival, Hong Kong Film Festival, Rotterdam Film Festival, Mar del Plata Film Festival, Bangkok Film Festival, Cinemanila Film Festival, Thessaloniki Film Festival

一一 | Yi yi: A One and a Two

With the runaway international acclaim of this film, Taiwanese director Edward Yang could no longer be called Asian cinema’s best-kept secret. Yi Yi swiftly follows a middle-class family in Taipei over the course of one year, beginning with a wedding and ending with a funeral. Whether chronicling middle-aged father NJ’s tenuous flirtations with an old flame or precocious young son Yang-Yang’s attempts at capturing reality with his beloved camera, Yang imbues every gorgeous frame with a deft, humane clarity. Warm, sprawling, and dazzling, this intimate epic is one of the undisputed masterworks of the new century.

Directed by Edward Yang | Starring : Nien-Jen Wu, Elaine Jin, Kelly Lee, Jonathan Chang, Issei Ogata | Presented at Cannes Film Festival, Munich Film Festival, Karlovy Vary Film Festival, Sarajevo Film Festival, Telluride Film Festival,  Toronto Film Festival, Vancouver Film Festival, New York Film Festival, Chicago Film Festival, Bergen Film Festival, Valladolid Film Festival, Tokyo Film Festival, London Film Festival, Oslo Film Festival, Rotterdam Film Festival, Fribourg Film Festival, Singapore Film Festival, Hong Kong Film Festival, Locarno Film Festival, Cinemanila Film Festival

重庆森林 | Chungking Express

The whiplash, double-pronged Chungking Express is one of the defining works of nineties cinema and the film that made Hong Kong filmmaker Wong Kar-wai an instant icon. Two heartsick Hong Kong cops, both jilted by ex-lovers, cross paths at the Midnight Express take-out restaurant stand, where the ethereal pixie waitress Faye works. Anything goes in Wong’s gloriously shot and utterly unexpected charmer, which cemented the sex appeal of its gorgeous stars and forever turned canned pineapple and the Mamas and the Papas’ “California Dreamin’” into tokens of romantic longing.

Directed by Kar Wai Wong | Starring : Tony Leung Chiu Wai, Brigitte Lin, Faye Wong, Takeshi Kaneshiro, Valerie Chow | Presented at Locarno Film Festival, Toronto Film Festival, New York Film Festival, Vancouver Film Festival, Chicago Film Festival, London Film Festival, Stockholm Film Festival, Rotterdam Film Festival, San Francisco Film Festival, Buenos Aires Film Festival, Cinemanila Film Festival, Thessaloniki Film Festival

阿飞正传 | Days of Being Wild

Set in 1960, the film centers on the young, boyishly handsome Yuddy, who learns from the drunken ex-prostitute who raised him that she is not his real mother. Hoping to hold onto him, she refuses to divulge the name of his real birth mother. The revelation shakes Yuddy to his very core, unleashing a cascade of conflicting emotions. Two women have the bad luck to fall for Yuddy; one a quiet lass named Su Lizhen who works at a sports arena, the other a glitzy showgirl named Mimi. Yuddy passively lets the two compete for him, unable or unwilling to make a choice. As Lizhen slowly confides her frustration to a cop named Tide, he falls for her. The same is true for Yuddy’s friend Zeb, who falls for Mimi. Later, Yuddy learns of his birth mother’s whereabouts and heads out to the Philippines.

Directed by Kar Wai Wong | Starring : Leslie Cheung, Maggie Cheung, Andy Lau, Carina Lau, Tony Leung Chiu Wai | Presented at Berlin Film Festival, Sundance Film Festival, Cinemanila Film Festival, Thessaloniki Film Festival, Milwaukee Film Festival