萧红 | Falling Flowers

While bombs destroy 1941 Hong Kong, Xiao Hong lays ill in a nearly abandoned hospital recounting her short life to an admirer.  Falling Flowers is the story of China’s Xiao Hong, a writer who is torn apart by societal expectations of women, fickle lovers, and her own complex needs.  As a young woman faced with the prospect of an arranged marriage, Xiao Hong leaves her family and follows her dream of attending university.  Overwhelmed by her financial situation she finds some support from her fiance but it does not last long.  Out of school, unwed, pregnant and trapped in a hotel for bad debt, Xiao Hong begins to crumble until a dashing reporter, Xiao Jun, visits her.  Their passion for art and literary success helps them overcome their poverty but is it enough to overcome the perils of war and his womanizing ways? Directed by Huo Jiangi, Falling Flowers is a beautifully shot period piece that skillfully tells the tragic tale of one of China’s important modern authors.

Directed by Jianqi Huo | Starring : Jia Song, Jue Huang, Renjun Wang, Chao Wu, Zhang Bo | Presented at Shanghai Film Festival, Hawaii Film Festival

狼灾记 | The Warrior and the Wolf

A father figure in contemporary Chinese cinema, controversial avant-garde auteur Tian Zhuang Zhuang is back with a rewarding work of fearless art. A departure from his free-spirited early works and the cautious intimacy of his later films, The Warrior and the Wolf is the captivating adaptation of a short story by the prolific Japanese writer Yasushi Inoue. In the Era of the Warring States, before the unification of China, thousands of soldiers are dispatched to fight the enemy and conquer nomadic tribes. Sent to remote regions at the edges of the known world, the soldiers encounter many adversities, and the brutal challenge of survival often brings out the worst human instincts. But valiant Lu Chenkang belongs to a different breed. He is brave, loyal and extremely skilled in the art of war. Nevertheless, he is kind-hearted and averse to murder. Though he has a pet wolf cub, he keeps his own animal instincts at bay. When his commander and friend, General Zhang Anliang, is badly wounded just before the incipient winter, Lu takes over command of the troops. Forced to find shelter in the village of the mysterious Harran tribe, he discovers a beautiful young woman hiding in his refuge. A widow shunned into solitude, she has a fierce personality and fights Lu in every way she can before surrendering to his passionate embrace, having fallen for him against her better judgement. She seems to possess the strange ability to take his mind to a place where memories collide with dreams and legends – a place where humans were once wolves.

Directed by Zhuangzhuang Tian | Starring : Jô Odagiri, Maggie Q, Chung-Hua Tou, Zhiwen Wang | Presented at Toronto Film Festival, Rome Film Festival, Hawaii Film Festival

红河 | Red River

A love story between a middle-aged Chinese man and a Vietnamese girl who became mentally retarded after witnessing her father’s killing. The backdrop is the Red River in Yunnan, next to the China-Vietnam border, where frequent cultural and social exchanges have profoundly impacted people from both sides for generations.

Directed by Jiarui Zhang | Starring : Jingchu Zhang, Nick Cheung, Loletta Lee, Danny Lee, Weijia Sun | Presented at Hawaii Film Festival

白银帝国 | Empire of Silver

With this lush epic Palo Alto–based filmmaker Christina Yao tells a story both timely and timeless: a tale of love, succession and compromised ideals that chronicles the lives of a powerful family of Shanxi bankers during the waning years of the Qing Dynasty. Downright Shakespearean in theme, the film details a little-known piece of Chinese history while offering parallels to the current financial crisis with its shadowy world of unscrupulous market fixing and backroom deals. In the northeastern Chinese province of 19th-century Shanxi, a group of bankers amassed extensive wealth and power that allowed them considerable independence from the state. The fictional Kang family is one such clan, whose fortunes take a sudden turn for the worse when several of the family’s heirs meet tragic fates and civil unrest threatens the nation’s stability. Third Master, a hedonist and the Kang patriarch’s least favorite son, is now called upon to carry on their lineage. Torn between familial obligation and his own desire for love and happiness, he sets out to reform his father’s unethical business practices while shepherding the family through the country’s growing unrest. Full of swooping crane shots, monumental sets and massive landscapes, Yao’s debut recalls the opulent historical sagas of Chinese Fifth Generation filmmakers like Zhang Yimou as it combines a passionate tale of unrequited love and a fascinating glimpse of a rarely related episode in Chinese history.

Directed by Christina Yao | Starring : Aaron Kwok, Tielin Zhang, Lei Hao, Zhicheng Ding, Jennifer Tilly | Presented at Berlin Film Festival, Shanghai Film Festival, Hawaii Film Festival, San Francisco Film Festival, Mexico Film Festival

好猫 | Good Cats

Luo Liang, a young man trying to meet the expectations of family and work, has come to town looking for something better but is unsure of his lot in life. His snobbish wife nags him to get a proper job and learn some skills. He responds by romancing a prostitute. His role as a driver for ruthless property developer Boss Peng soon is ratcheted up to enforcer, as Peng’s ambitions expand. His former mentor, meanwhile, sees his fortunes sink and heads for a tragic end. Following Taking Father Home, and The Other Half, Ying Liang continues to document the effects of fraud, greed and corruption—capitalism —in his home town of Zigong, charting how economic changes have altered the lives of many Chinese today. Ying’s invocation of the three destinies of modern Chinese man—as wanderer, corrupt boss or tragic loser—is enriched through sly wit, excellent work with nonprofessional actors and his insertion of Chinese rock group Lamb’s Funeral into scenes where the band functions as a kind of Greek chorus to the proceedings. As a putative master of the bleak comedy, Ying finds irony in Deng Xiaoping’s ends-justify-means dictum that a cat’s color is irrelevant: It’s good as long as it catches the rat. But just look how the cats unleashed by Deng have turned out.

Directed by Liang Ying | Starring : Liang Luo, Xiaopei Liu, Deming Peng, Qian Wang, Jing Zhu | Presented at Hawaii Film Festival

盲山 | Blind Mountain

There are two ways to take on Li Yang’s potent, concise Blind Mountain, and both have horns: as the howling social-critique screed it was intended to be, and as a Chinese realist version of the “white trash” exploitation epics of the American ’60s and ’70s — which makes the dynamic of the story universally human, not exclusively Chinese. But Chinese it is in actuality, through and through: simply put, unemployed college grad Bai accepts a job to collect medicinal herbs in the remote northern country, and after landing in a secluded village wakes up to find herself literally sold into slavery, as a bought-and-paid-for bride for a local ne’er-do-well.

Directed by Yang Li | Starring : Lu Huang, Youan Yang, Yunle He, Yuling Zhang, Yingao Jia | Presented at Cannes Film Festival, Hawaii Film Festival, Bratislava Film Festival, Portland Film Festival, Istanbul Film Festival

季风中的马 | Season of the Horse

Under the encouragement of the Chinese government, the traditional way of life of the nomads of the Mongolian plains change. Once a culture with a great emphasis on raising horses on the grassy plains, they are encouraged to move into the cities to work as industrial workers. However, one family tries to resist this change, trying to raise money to send their child to school by selling yogurt. Unfortunately, this is hardly sufficient and they are forced to sell their beloved horses.

Directed by Cai Ning | Starring : Renhua Na, Cai Ning, Lantian Chang, Agudamu | Presented at Durban Film Festival, Hawaii Film Festival, Pusan Film Festival, Bangkok Film Festival

不散 | Goodbye Dragon Inn

A Japanese tourist takes refuge from a rainstorm inside a once-popular movie theater, a decrepit old barn of a cinema that is screening a martial arts classic, King Hu’s 1966 “Dragon Inn.” Even with the rain bucketing down outside, it doesn’t pull much of an audience – and some of those who have turned up are less interested in the movie than in the possibility of meeting a stranger in the dark.

Directed by Ming-liang Tsai | Starring : Kang-sheng Lee, Shiang-chyi Chen, Kiyonobu Mitamura, Tien Miao, Chao-jung Chen | Presented at Venice Film Festival, Toronto Film Festival, Vancouver Film Festival, Pusan Film Festival, Chicago Film Festival, New York Film Festival, Vienna Film Festival, Tokyo Film Festival, London Film Festival, Hawaii Film Festival, Stockholm Film Festival, Oslo Film Festival, Nantes Film Festival, Rotterdam Film Festival, Febio Film Festival, Belgrade Film Festival, Wisconsin Film Festival, Buenos Aires Film Festival, Istanbul Film Festival, Hong Kong Film Festival, Singapore Film Festival, Munich Film Festival, La Rochelle Film Festival, Maine Film Festival

鲁宾逊漂流记 | Robinson’s Crusoe

The film follows Robinson, a very succesfull real estate broker, who lives in a modern hotel in Taipei. But all the success also hides a lonely man, whose relations are becoming distant, including friends and lovers; Robinson’s dream is the Crusoe, an island on the Caribbean, which he wants to try purchase.

Directed by Cheng-sheng Lin | Starring : Leon Dai, Shiang-chyi Chen, Angelica Lee, Kuei-Mei Yang, Phoenix Cheng | Presented at Cannes Film Festival, Pusan Film Festival, Sao Paulo Film Festival, Hawaii Film Festival

二弟 | Drifters

Would-be immigrant Er Di is back in China, expelled from the United States for working illegally. While in the U.S. he fathered a child, and when his American-born son comes to China for a visit, Er Di is barred from seeing him. At the same time, Er Di becomes involved with a beautiful member of a touring Shanghai opera company. Caught between his past and his future, his son’s culture and his own, Er Di seeks bonds with both.

Directed by Xiaoshuai Wang | Starring : Yihong Duan, Yan Shu, Yiwei Zhao, Yang Tang, Juyong Liu | Presented at Cannes Film Festival, Toronto Film Festival, Hawaii Film Festival, Thessaloniki Film Festival, Rotterdam Film Festival, Karlovy Vary Film Festival

盲井 | Blind Shaft

Two Chinese coal miners have hit upon the perfect scam: murder one of their fellow mine workers, make the death look like an accident, and extort money from the boss to keep the incident hushed up. For their latest “mark,” they choose a naive teenager from a small village, and as they prepare to carry out their newest plan, things start to get complicated…

Directed by Yang Li | Starring : Qiang Li, Baoqiang Wang, Shuangbao Wang, Jing An, Zhenjiang Bao | Presented at Berlin Film Festival, Hong Kong Film Festival, Buenos Aires Film Festival, Tribeca Film Festival, Moscow Film Festival, Karlovy Vary Film Festival, Edinburgh Film Festival, Bergen Film Festival, Hawaii Film Festival, Bratislava Film Festival, Bangkok Film Festival, Febio Film Festival, Nashville Film Festival, Cairo Film Festival, Jakarta Film Festival

小城之春 | Springtime in a Small Town

Liyan and Yuwen live in post-war torpor, childless but with Liyan’s school-aged sister. He coughs, imagining he has tuberculosis; Yuwen embroiders; they sleep in separate rooms. A surprise visit from Liyan’s boyhood friend Zhang, a big city physician, wakes up the household. To Zhang’s amazement, he discovers his friend’s wife is his own youthful sweetheart. Possibilities abound: an affair, an arranged marriage of Zhang and Little Sister, now 16, or simply ending ennui and embracing vitality.

Directed by Zhuangzhuang Tian | Starring : Jingfan Hu, Jun Wu, Bai Qing Xin, Xiao Keng Ye, Si Si Lu | Presented at Venice Film Festival, Toronto Film Festival, New York Film Festival, Chicago Film Festival, Vancouver Film Festival, Tromso Film Festival, Rotterdam Film Festival, Buenos Aires Film Festival, Istanbul Film Festival, Hawaii Film Festival

紫日 | Purple Sunset

A Soviet Russian lady officer, a Chinese peasant and a Japanese schoolgirl must walk their way out of a forest toward the end of World War II, despite their mutual distrust of one another.

Directed by Xiaoning Feng | Starring : Dalong Fu, Chie Maeda, Anna Dzenilalova, Xuewei Wang | Presented at Hawaii Film Festival

千禧曼波 | Millennium Mambo

From one of the world’s greatest living directors and critically acclaimed as his finest film, Millennium Mambo is as stylish, hypnotic and mesmerizing as Wong Kar- Wai’s hit film, In the Mood for Live, which it clearly resembles in its evocative portrayal of an intense relationship and in its stylish direction powered by a thumping electric soundtrack. Winner of the Grand Prix Prize at the Cannes Film Festival, Hou Hsiao-Hsien’s Millennium Mambo is a strikingly beautiful film set in Taipei’s hot nightclub scene. The remarkable Shu Qi stars as Vicky, a lost soul who hangs out partying with her friends, smoking nonstop, and dancing and flirting. The youthful Vicky is torn between two men, Hao-Hao and Jack. She lives with Hao-Hao (Tuan Chun-hao), but he doesn’t seem to excite her anymore, so she starts seeing an older gangster, Jack (Jack Kao), although the depth of the relationship is left purposely ambiguous. Some degree of affinity between them begins to take shape: it may lead to a still closer relationship or a permanent friendship. Although Vicky wants to be a free spirit, she is battling demons that cast dark shadows over her somewhat meaningless existence. One of the world’s greatest filmmakers, Hou Hsiao-Hsien has made an innovative and daring film that is nothing short of mesmerising.

Directed by Hsiao-hsien Hou | Starring : Qi Shu, Jack Kao, Doze Niu, Chun-hao Tuan, Pauline Chan | Presented at Cannes Film Festival, Toronto Film Festival, Vancouver Film Festival, Ghent Film Festival, Chicago Film Festival, Flanders Film Festival, AFI Film Festival, Hawaii Film Festival, Pusan Film Festival, London Film Festival, Bangkok Film Festival

爱你爱我 | Betelnut Beauty

In 21st Century Taipei, a restless city where young souls are set adrift, Feng and Fei-fei meet in a sudden summer afternoon thunderstorm. Feng, fresh out of the army, has just made a beeline for Taipei, eager to start a new life. Fei-fei has also recently turned a new page in her young life, having just run away from home. Fei-fei teams up with her friend, Yili, who works at a nightclub. They become “betelnut beauties” hawking their fare from a roadside stall of glass and neon. Betelnut, a legally sold chewing pepper that produces an effect not unlike marijuana, is a favorite among the working class men. Feng and Fei-fei quickly fall in love, two clueless souls clinging desperately to each other as they try to keep up with the punishing rush of city life.

Directed by Cheng-sheng Lin | Starring : Chen Chang, Angelica Lee, Leon Dai, Ming-chun Kao, Chen-Nan Tsai | Presented at Berlin Film Festival, Singapore Film Festival, Jeonju Film Festival, Brisbane Film Festival, Vancouver Film Festival, Flanders Film Festival, Hawaii Film Festival, Helsinki Film Festival

卧虎藏龙 | Crouching Tiger, Hidden Dragon

The fate of two women, both capable fighters, intertwine during the Ching Dynasty. One of them tries passionately to break free from the constraint society has placed upon her, even if it means giving up her aristocratic privileges for a life of crime and passion. The other, in her lifelong pursuit of justice and honor, only too late discovers the consequences of unfulfilled love. Their two destinies will lead them to a violent and astonishing showdown, in which each will make a surprising, climactic choice.

Directed by Ang Lee | Starring : Yun-Fat Chow, Michelle Yeoh, Ziyi Zhang, Chen Chang, Pei-pei Cheng | Presented at Cannes Film Festival, Telluride Film Festival, Toronto Film Festival, San Sebastian Film Festival, Reykjavik Film Festival, London Film Festival, New York Film Festival, Austin Film Festival, Flanders Film Festival, Vienna Film Festival, Bergen Film Festival, Tokyo Film Festival, Hawaii Film Festival, Rotterdam Film Festival, AFI Film Festival, Istanbul Film Festival

鬼子来了 | Devils on the Doorstep

Winner of the Grand Jury Prize at the Cannes Film Festival, and banned in its native country, Jiang Wen’s ravishingly photographed anti-war epic is set in 1945 in a Japanese-occupied rural Chinese village. Wen stars as Ma Dasan, a peasant, who, one night at gunpoint, is compelled to shelter two prisoners. One is a captured Japanese soldier who wants to be killed, the other his Chinese interpreter, who wants to stay alive. As the days turn into months, Dasan and his fellow villagers keep their unwanted guests hidden from the Japanese forces, while deciding whether or not to execute their captives. The film’s rich, bold cinematography is matched only by its approach to the subject matter, which, in turn, attracted the unwanted attention of the Chinese censors who ultimately banned it from Chinese screens.

Directed by Wen Jiang | Starring : Wen Jiang, Teruyuki Kagawa, Ding Yuan, Yihong Jiang, Zhijun Cong | Presented at Cannes Film Festival, Singapore Film Festival, Hawaii Film Festival, Wisconsin Film Festival, Chicago Film Festival, Hong Kong Film Festival

漂亮妈妈 | Breaking the Silence

Internationally-renowned actress Gong Li gives a wondrous performance in Breaking the Silence, an emotional drama from director Sun Zhou. Gong Li plays Sun Liying, a stubborn, independent woman struggling with her assigned lot in life. A single mother, she works to raise and educate her deaf son Zheng Da (Gao Xin) without support from her uncaring ex-husband (Guan Yue). Despite living beneath the indifferent shadow of modern Chinese society, Sun Liying gives her all to provide for her child, and her effort proves stirring and dramatic. Sun Zhou gives Breaking the Silence a semi-documentary feel, and humanizes his Chinese lower class subjects without canonizing them. Sun Liying is portrayed as simply a caring, loving mother who wishes the best for her child, and cares little for the politics or social issues of larger China. A refreshingly human film, Breaking the Silence is another milestone performance from Gong Li, whose powerful work earned accolades at film festivals worldwide.

Directed by Zhou Sun | Starring : Li Gong, Xin Gao, Liping Lü, Jing-ming Shi, Yue Guan | Presented at Berlin Film Festival, Montreal Film Festival, Hawaii Film Festival

美丽新世界 | A Beautiful New World

Comedy. Baogen, a young man from out of town unused to city living, has won a lottery prize – a new flat in Shanghai. Unfortunately, when he arrives to claim his prize he finds that the new apartment is not nearly ready and – to make matters worse – the estate agent is doing his best to swindle him. Baogen decides to stay in the city and ends up at the home of streetwise Jinfang; an unlikely friendship thus begins to develop.

Directed by Runjiu Shi | Starring : Wu Jiang, Hong Tao, Richie Ren, Ning Chen, Wu Bai | Presented at Berlin Film Festival, Seattle Film Festival, Hawaii Film Festival, Fribourg Film Festival, Thessaloniki Film Festival

爱情麻辣烫 | Spicy Love Soup

Spicy Love Soup starts with a young couple eating sweet (or sour) and spicy soup from a two-sided bowl shaped in a Yin and Yang pattern. Until the couple’s wedding at the end of the film, Spicy Love Soup intermittently shows six different episodes about different generations’ relationships. Love can be sweet, sour, or spicy. And, you’ll taste all those emotions from this contemporary Chinese film.

Directed by Yang Zhang | Starring : Jinglei Xu, Cunxin Pu, Yuanyuan Gao, Liping Lü, Tao Guo | Presented at Changchun Film Festival, Tokyo Film Festival, Hawaii Film Festival

好男好女 | Good Men, Good Women

Unknown man bothers actress with a diary stolen from her. Ambitious film about film and life by one of today’s greatest film-makers. The story is set in present-day Taipei. Liang Ching, a young actress, is bothered by an unknown man who calls her up regularly, but doesn’t say anything. He has also stolen her diary and keeps sending her pages from it by fax. Liang Ching is busy rehearsing a role in a film about two anti-Japanese guerrillas in China in the forties. Her approach to the scenes seems increasingly influenced by her personal background, especially by the faxed diary notes. She remembers the time when she worked as a bar-girl, was addicted to drink and drugs and had a short and intense relationship with the gangster Ah Wei. As Liang Ching works through the script of the film, the identification with her film role becomes stronger, but her life is still dominated by underworld figures. Her brother-in-law – whose wife, her sister, suggests Liang Ching is having an affair with him – is involved with the construction of a factory to treat chemical waste in the Taiwanese countryside. Slowly but surely, the boundaries between the film-in-the-film, the underworld and Liang Ching’s memories of Ah Wei disappear.

Directed by Hsiao-hsien Hou | Starring : Annie Shizuka Inoh, Vicky Wei, Jack Kao, Giong Lim, Chen-Nan Tsai | Presented at Cannes Film Festival, Toronto Film Festival, New York Film Festival, Chicago Film Festival, Hawaii Film Festival, Stockholm Film Festival, Rotterdam Film Festival, Singapore Film Festival, Changchun Film Festival, Buenos Aires Film Festival, Thessaloniki Film Festival

炮打双灯 | Red Firecracker, Green Firecracker

Nie Bao played by Wu Gang is a poor painter who finds work in the house of the Cai family, whose wealth is built on the making of firecrackers. On her parents’ demise, Chun Zhi, the daughter, takes over the business. Raised as a man to effectively run the family business, Chun Zhi falls in love with Nie Bao, and faces for the first time, new sexual desires within her. However, their love is against all odds, and leads up to a dramatic end where Nie Bao is challenged to demonstrate his love for her in an explosive contest.

Directed by Ping He | Starring : Jing Ning, Gang Wu, Xiaorui Zhao, Yang Gao, Liang Zhao | Presented at Berlin Film Festival, San Sebastian Film Festival, Hawaii Film Festival

蓝风筝 | The Blue Kite

Told from the perspective of a young boy, Tietou, this film traces the fate of a Beijing family and their neighbors as they experience the political and social upheavals in the 1950s and 1960s China.

Directed by Zhuangzhuang Tian | Starring : Liping Lü, Cunxin Pu, Xuejian Li, Xiaoying Song, Ping Zong | Presented at Toronto Film Festival, Chicago Film Festival, New York Film Festival, Tokyo Film Festival, Hawaii Film Festival

心香 | The True-Hearted

One day Jing Jing, a ten-year-old boy, moves to his grandfather’s house in the south because of his parents’ divorce. His grandfather, a Beijing Opera actor, is not at all happy, since he had opposed his daughter’s marriage. Jing Jing gets into a trouble at school. The film illustrates classical Beijing Opera in different generations and the boy’s process of growing-up.

Directed by Zhou Sun | Starring : Yang Fei, Xu Zhu, Lili Fu, Yumei Wang, Jielin He | Presented at Hawaii Film Festival

童年往事 | A Time to Live, a Time to Die

Hou Xiaoxian’s overwhelmingly moving film is at least 70% autobiographical: these are remembered scenes from his own mischievous childhood and near-delinquent adolescence, and the fact that he speaks the opening and closing voice-overs himself confirms the intimacy and candour of the memories. But this is also the story of an entire generation, the generation of Mainland Chinese who settled in Taiwan in the late 1940s and then found themselves unable to return home after the Communist victory of 1949. A story then, of displaced persons and displaced emotions, in which traditional family bonds suffer the pressures of exile and social change and begin to crack under the strain. It’s a story never before told on film, and certainly never visualised in images of such measured warmth and beauty.

Directed by Hsiao-hsien Hou | Starring : Feng Tien, Fang Mei, Ru-Yun Tang, Ai Hsiao, Ann-Shuin Yiu | Presented at Berlin Film Festival, New York Film Festival, Torino Film Festival, Hawaii Film Festival, Rotterdam Film Festival, Buenos Aires Film Festival, Thessaloniki Film Festival

没有航标的河流 | River Without Buoys

Life is hard for raftsmen Pan Laowu, Shi Gu, and Zhao Liang. During the Cultural Revolution, they seek work where they can, and spend the rest of the time drinking and brawling. At one stop they learn that district leader Xu, an honest man, has been jailed and nearly persecuted to death. With the help of Pan’s former lover they medicate Xu and move him onto their raft, but encounter a ferocious thunderstorm enroute to safety. River Without Buoys marked the beginning of a second career for actor Li Wei, who had begun acting in films in the 1940s, and also put the formerly obscure Xi’an Film Studio on the PRC cinematic map.

Directed by Tian-Ming Wu | Starring : Wei Li, Yuling Tao, Ronghua Hu, Qingming Tang, Hui-fen Chen | Presented at Hawaii Film Festival

黄土地 | Yellow Earth

A first feature by the 32-year-old Chen Kaige, Yellow Earth is the breakthrough film that the Chinese cinema has been needing for many, many years. It is set in the arid hills of Northern Shaanxi in 1939. A soldier arrives in a mountain village and is billeted with a poor widower and his daughter and son; the soldier has been sent from the Communist base at Yan’an to collect local songs as examples of peasant culture. He is disturbed and baffled by much of what he finds in the village and when he learns that the widower’s 12-year-old daughter is to be forced into a marriage, he realizes helplessly that he is a powerless to intervene…. The film’s political candor matches its aesthetic daring. The images, exquisitely composed, derive from the traditions of Shaanxi peasant painting and Chen uses them as the basis for a film “language” unlike anything else in contemporary cinema. The summit of his achievement is that he makes his new language sing.

Directed by Kaige Chen | Starring : Xueqi Wang, Bai Xue, Quiang Liu, Tuo Tan | Presented at Locarno Film Festival, Toronto Film Festival, Hawaii Film Festival, Edinburgh Film Festival