我十一 | 11 Flowers

11 Flowers

One of China’s foremost Sixth Generation directors, Wang Xiaoshuai (Beijing Bicycle, Shanghai Dreams) tells a striking, autobiographical coming-of-age tale set in the final days of China’s Cultural Revolution. Eleven-year-old Wang Han lives with his family in a remote village in Guizhou province. When Wang is selected to lead his school through their daily gymnastic regiment, his teacher recommends that he wear a clean, new shirt in honor of this important position – a request that forces his family to make a great sacrifice.

Directed by Xiaoshuai Wang | Starring : Ni Yan, Jinchun Wang, Wenqing Liu, Renlang Qiao, Yi Zi | Presented at Toronto Film Festival, San Sebastian Film Festival, Pusan Film Festival, Tokyo Film Festival, Les Arcs Film Festival, Rotterdam Film Festival, Göteborg Film Festival, Istanbul Film Festival, Taipei Film Festival, St. Louis Film Festival, Fribourg Film Festival

桃姐 | A Simple Life

A Simple Life

Based on a true story, the film centres on Ah Tao, an amah who has worked for the Leung family for four generations. She lives with and takes care of Roger, a film producer who is the only member of the Leung household still living in Hong Kong. Roger returns home one day and finds Ah Tao unconscious after a stroke. Convinced she has becoming a burden, Tao resigns and moves into a retirement home. But upon her arrival, she continues to be taken care of by Roger, who realizes just how important she is to him. He decides to do his best to watch after the person who has nurtured him all his life. But Ah Tao’s health is fast deteriorating. Hui has always excelled when telling stories of everyday life. In A Simple Life, she delivers a rich and heartwarming drama that not only deals with the many abandoned old people in Hong Kong, but also exquisitely captures the unique relationship between the amah and the family for which she cares. In an age when loyalty between employers and employees is fast disappearing, A Simple Life highlights a culture that has almost ceased to exist in Hong Kong: one in which a person devotes their life to serving a family, and in return is cherished as much as any other relative.

Directed by Ann Hui | Starring : Andy Lau, Deannie Yip, Hailu Qin, Fuli Wang, Paul Chun | Presented at Venice Film Festival, Toronto Film Festival, Vancouver Film Festival, London Film Festival, Stockholm Film Festival, Dubai Film Festival, Palm Springs Film Festival, Rotterdam Film Festival, Okinawa Film Festival, Durban Film Festival, Istanbul Film Festival, Sydney Film Festival, Munich Film Festival, Portland Film Festival

中国姑娘 | She, a Chinese

She A Chinese

Mei, a young Chinese girl bored with life in her little village, decides to quit for the nearest town, Chongqing. But life there isn’t much easier either; sacked from a clothing factory shortly after starting work, she makes do with a job in a hairdressing salon. There she meets and falls for Spikey, a local mafia’s contract killer. For this brute of a man – who has no qualms about asking her to beat him in the street with a nunchaku – she seems simply another notch on the bedpost. One evening, he comes home covered in blood and dies at her feet. Mei discovers several bundles of banknotes under his mattress, and sets off for London where she has an opportunity to marry Mister Hunt, a man of seventy. In her new husband’s silent home, a new life begins. Will she be satisfied with this monotonous routine? Paced to an original soundtrack by John Parish – working with PJ Harvey and the band Eels – and chaptered in telling titles such as Sometimes you wonder who you really are and Mei feels love under the Big Ben calendar, Xiaolu Guo has made a film in which the challenges Mei must confront do not deter her quest for a more promising future. The filmmaker uses elements of nature – stifling summer heat, a duck bleeding to death, a dog wolfed down by a fox –to express her protagonist’s feelings. Through this journey and the people Mei meets, She, a Chinese conjures the mix of cultures in the early 21st century and how people, lifestyles, consumer goods, and music all cross borders. Although these cross-cultural currents bring about a degree of chaos in Mei’s life, she finds the will to escape isolation, and to follow her desires, come what may.

Directed by Xiaolu Guo | Starring : Lu Huang, Wei Yi Bo, Geoffrey Hutchings, Chris Ryman, Hsinyi Liu | Presented at Locarno Film Festival, Toronto Film Festival, Hamburg Film Festival, Ghent Film Festival, Pusan Film Festival, Sao Paulo Film Festival, London Film Festival, Vienna Film Festival, Mar del Plata Film Festival, Göteborg Film Festival, Istanbul Film Festival, Hong Kong Film Festival, Melbourne Film Festival, Rio de Janeiro Film Festival

盲山 | Blind Mountain

Blind Mountain

There are two ways to take on Li Yang’s potent, concise Blind Mountain, and both have horns: as the howling social-critique screed it was intended to be, and as a Chinese realist version of the “white trash” exploitation epics of the American ’60s and ’70s — which makes the dynamic of the story universally human, not exclusively Chinese. But Chinese it is in actuality, through and through: simply put, unemployed college grad Bai accepts a job to collect medicinal herbs in the remote northern country, and after landing in a secluded village wakes up to find herself literally sold into slavery, as a bought-and-paid-for bride for a local ne’er-do-well.

Directed by Yang Li | Starring : Lu Huang, Youan Yang, Yunle He, Yuling Zhang, Yingao Jia | Presented at Cannes Film Festival, Hawaii Film Festival, Bratislava Film Festival, Portland Film Festival, Istanbul Film Festival

最好的时光 | Three Times

Three Times

Three stories of women and men: in 1966, “A Time for Love,” a soldier searches for a young woman he met one afternoon playing pool; “A Time for Freedom,” set in a bordello in 1911, revolves around a singer’s longing to escape her surroundings; in 2005 in Taipei, “A Time for Youth” dramatizes a triangle in which a singer has an affair with a photographer while her partner suffers. In the first two stories, letters are crucial to the outcome; in the third, it’s cell-phone calls, text messages, and a computer file. Over the years between the tales, as sexual intimacy becomes more likely and words more free, communication recedes.

Directed by Hsiao-hsien Hou | Starring : Qi Shu, Chen Chang, Shi-Zheng Chen, Fang Mei, Lawrence Ko | Presented at Cannes Film Festival, Taipei Film Festival, Telluride Film Festival, Toronto Film Festival, New York Film Festival, London Film Festival, Thessaloniki Film Festival, Rotterdam Film Festival, San Francisco Film Festival, Istanbul Film Festival, Indianapolis Film Festival, Yerevan Film Festival, Helsinki Film Festival

十面埋伏 | House of Flying Daggers

House of Flying Daggers

Towards the end of the Tang dynasty, the Emperor’s rule is waning and corruption is rife, and many groups are formed in society to challenge the authorities. Out of all the groups, the most powerful is The House Of Flying Daggers. The government decides to send Feng Tian County’s top captains Leo and Jin to capture the new leader within 10 days. Leo suspects that Mei, the beautiful new dancer at the Peony Pavilion, is the daughter of the old leader, and Leo decides to send Jin disguised as a warrior called Wind to rescue Mei, and to ensnare her trust so she’ll lead them to the secret headquarters of The House Of Flying Daggers. But as Jin and Mei spend more time together, they begin to develop feelings and desire for each other. However danger is lurking from all corners, and can Jin and Mei really love each other when there are secrets being hidden from both sides?

Directed by Yimou Zhang | Starring : Ziyi Zhang, Takeshi Kaneshiro, Andy Lau, Dandan Song, Jun Guo | Presented at Cannes Film Festival, Telluride Film Festival, Copenhagen Film Festival, Toronto Film Festival, San Sebastian Film Festival, New York Film Festival, Bergen Film Festival, Vienna Film Festival, London Film Festival, AFI Film Festival, Thessaloniki Film Festival, Dublin Film Festival, Iceland Film Festival, Cairo Film Festival, Istanbul Film Festival

不散 | Goodbye Dragon Inn

Goodbye Dragon Inn

A Japanese tourist takes refuge from a rainstorm inside a once-popular movie theater, a decrepit old barn of a cinema that is screening a martial arts classic, King Hu’s 1966 “Dragon Inn.” Even with the rain bucketing down outside, it doesn’t pull much of an audience – and some of those who have turned up are less interested in the movie than in the possibility of meeting a stranger in the dark.

Directed by Ming-liang Tsai | Starring : Kang-sheng Lee, Shiang-chyi Chen, Kiyonobu Mitamura, Tien Miao, Chao-jung Chen | Presented at Venice Film Festival, Toronto Film Festival, Vancouver Film Festival, Pusan Film Festival, Chicago Film Festival, New York Film Festival, Vienna Film Festival, Tokyo Film Festival, London Film Festival, Hawaii Film Festival, Stockholm Film Festival, Oslo Film Festival, Nantes Film Festival, Rotterdam Film Festival, Febio Film Festival, Belgrade Film Festival, Wisconsin Film Festival, Buenos Aires Film Festival, Istanbul Film Festival, Hong Kong Film Festival, Singapore Film Festival, Munich Film Festival, La Rochelle Film Festival, Maine Film Festival

英雄 | Hero

Hero

Director Zhang Yimou brings the sumptuous visual style of his previous films (Raise the Red Lantern, Shanghai Triad) to the high-kicking kung fu genre. A nameless warrior arrives at an emperor’s palace with three weapons, each belonging to a famous assassin who had sworn to kill the emperor. As the nameless man spins out his story—and the emperor presents his own interpretation of what might really have happened—each episode is drenched in red, blue, white or another dominant color. Hero combines sweeping cinematography and superb performances from the cream of the Hong Kong cinema (Maggie Cheung, Irma Vep; Tony Leung Chiu-Wai, In the Mood for Love). The result is stunning, a dazzling action movie with an emotional richness that deepens with every step.

Directed by Yimou Zhang | Starring : Jet Li, Tony Leung Chiu Wai, Maggie Cheung, Ziyi Zhang, Donnie Yen | Presented at Palm Springs Film Festival, Berlin Film Festival, Jerusalem Film Festival, Edda Film Festival, Marrakech Film Festival, Ghent Film Festival, Brothers Manaki Film Festival, Sao Paulo Film Festival, Istanbul Film Festival

和你在一起 | Together

Together

Chen Kaige, director of the Oscar-nominated Farewell My Concubine, composes a richly imagined and “tender symphony” (Screen International) about love, ambition and destiny in China’s high-pressure world of classical music. Surging with “warmth, humanity and a sense of humor” (The Hollywood Reporter) , this lyrical, enchanting “heartwarmer” (Variety) is a “sure fire crowd pleaser” (Los Angeles Times)! When a violin prodigy Xiaochun and his father head to Beijing seeking fame and fortune, they soon discover a fierce world of cutthroat ambition. But when Xiaochun is “adopted” by a famous music tutor, success finally seems within reach – until a shocking discovery begins to unravel his entire world, and the boy must make the most difficult choice of his life. Can he achieve the fame his father had always hoped for without losing the extraordinary passion that sets him apart?

Directed by Kaige Chen | Starring : Peiqi Liu, Yun Tang, Hong Chen, Zhiwen Wang, Kaige Chen | Presented at Toronto Film Festival, San Sebastian Film Festival, Florida Film Festival, Philadelphia Film Festival, Istanbul Film Festival, Tribeca Film Festival, Moscow Film Festival, Copenhagen Film Festival, Bergen Film Festival

小城之春 | Springtime in a Small Town

Springtime in s Small Town

Liyan and Yuwen live in post-war torpor, childless but with Liyan’s school-aged sister. He coughs, imagining he has tuberculosis; Yuwen embroiders; they sleep in separate rooms. A surprise visit from Liyan’s boyhood friend Zhang, a big city physician, wakes up the household. To Zhang’s amazement, he discovers his friend’s wife is his own youthful sweetheart. Possibilities abound: an affair, an arranged marriage of Zhang and Little Sister, now 16, or simply ending ennui and embracing vitality.

Directed by Zhuangzhuang Tian | Starring : Jingfan Hu, Jun Wu, Bai Qing Xin, Xiao Keng Ye, Si Si Lu | Presented at Venice Film Festival, Toronto Film Festival, New York Film Festival, Chicago Film Festival, Vancouver Film Festival, Tromso Film Festival, Rotterdam Film Festival, Buenos Aires Film Festival, Istanbul Film Festival, Hawaii Film Festival

任逍遥 | Unknown Pleasures

Unknown Pleasures

Unknown Pleasures, sequel to the widely praised Platform, again focuses on a generation of Chinese kids. In fragmentary observations, Jia sketches a picture of the lethargy of today’s youth, a generation that has grown up with technological gadgets, advertising and Internet. Jia refers to moments in the eventful year 2001, when an unemployed man blew up a whole building and the Olympic Summer Games of 2008 were granted to Beijing. In as far as the scenes were not improvised, the script of the film was inspired by work of the philosopher Zhuangzi, a Taoist who argues in favour of enjoying the (unknown) pleasures of life. The two unemployed kids Xiao Ji and Bin Bin have plenty of time for pleasures like hanging out and falling in love. In the case of Xiao Ji the subject of his affections is Qiao Qiao, a dancer and model for an advertising campaign for a major Mongolian brand of drink. The fact that Qiao Qiao has a dangerous friend does not make much impression on Xiao Ji: he takes his inspiration from American crime films and most wants to die young. Bin Bin does not have much faith in the future either. His girlfriend is going to Beijing to study. She wants to become a businesswoman, while Bin Bin’s ambitions do not extend any further than karaoke and cartoons.

Directed by Zhang Ke Jia | Starring : Tao Zhao, Wei Wei Zhao, Qiong Wu, Hongwei Wang, Zhubin Li | Presented at Cannes Film Festival, Toronto Film Festival, New York Film Festival, Chicago Film Festival, Thessaloniki Film Festival, Rotterdam Film Festival, Belgrade Film Festival, Istanbul Film Festival, Singapore Film Festival, San Sebastian Film Festival

巴尔扎克与小裁缝 | Balzac and the Little Chinese Seamstress

Balzac

In 1971 China, in the lingering grip of the cultural revolution, two university students, Luo and Ma, are sent to a mountain mining village as part of their reeducation duty to purge them of their classical western oriented education. Amid the backbreaking work and stifling ignorance of the community, the two boys find that music, and the presence of the beautiful local young women are the only pleasant things in their miserable life. However, none compare to the young seamstress granddaughter of the local tailor. Stealing a departing student’s secret cache of forbidden books of classic western literature such as the works of Honore de Balzac, they set about to woo her and teach her things she had never imagined. In doing so, they start a journey that would profoundly change her perspective on her world and teach the boys about the power of literature and their own ability to change their world in truly revolutionary ways.

Directed by Sijie Dai | Starring : Xun Zhou, Ye Liu, Kun Chen, Zhijun Cong, Hongwei Wang | Presented at Cannes Film Festival, Montréal Film Festival, Marrakech Film Festival, Chicago Film Festival, Ghent Film Festival, AFI Film Festival, Palm Springs Film Festival, Göteborg Film Festival, Istanbul Film Festival, Moscow Film Festival, Auckland Film Festival, Copenhagen Film Festival, Milwaukee Film Festival

卧虎藏龙 | Crouching Tiger, Hidden Dragon

Crouching Tiger Hidden Dragon

The fate of two women, both capable fighters, intertwine during the Ching Dynasty. One of them tries passionately to break free from the constraint society has placed upon her, even if it means giving up her aristocratic privileges for a life of crime and passion. The other, in her lifelong pursuit of justice and honor, only too late discovers the consequences of unfulfilled love. Their two destinies will lead them to a violent and astonishing showdown, in which each will make a surprising, climactic choice.

Directed by Ang Lee | Starring : Yun-Fat Chow, Michelle Yeoh, Ziyi Zhang, Chen Chang, Pei-pei Cheng | Presented at Cannes Film Festival, Telluride Film Festival, Toronto Film Festival, San Sebastian Film Festival, Reykjavik Film Festival, London Film Festival, New York Film Festival, Austin Film Festival, Flanders Film Festival, Vienna Film Festival, Bergen Film Festival, Tokyo Film Festival, Hawaii Film Festival, Rotterdam Film Festival, AFI Film Festival, Istanbul Film Festival

变脸 | The King of Masks

The King of Masks

Wang Bianlian is an aging street performer known as the King of Mask for his mastery of Sichuan Change Art in a true story. His wife left him with and infant son over 30 years ago. The son died from illness at age 10. This left Wang a melancholy loner aching for a male descendent to learn his rare and dying art. A famous master performer of the Sichuan Opera offers to bring him into his act, thus giving Wang fame and possible fortune, but Wang opts for staying the simple street performer. Then, one night after a performance he is sold a young boy by a slave trader posing as the boy’s parent. “Grandpa” finds new joy in life as he plans to teach “Doggie” (an affectionate term often used for young children in China) his art. All is well until Doggie is found out to really be a girl.

Directed by Tian-Ming Wu | Starring : Xu Zhu, Renying Zhou, Zhigang Zhao, Zhigang Zhang, Jia Zhaoji | Presented at Berlin Film Festival, Tokyo Film Festival, Palm Springs Film Festival, Istanbul Film Festival, Singapore Film Festival, Fajr Film Festival

东邪西毒 | Ashes of Time

Ashes of Time

Ou-yang Feng lives in the middle of a desert, where he acts as a middle man to various swordsmen in ancient China. One of those swordsmen is Huang Yao-shi, who has found some magic wine that causes one to forget the past. At another time, Huang met Mu-rong Yin and under the influence of drink, promised to marry Mu-rong’s sister Mu-rong Yang. Huang jilts her, and Mu-rong Yin hires Ou-yang to kill Huang. But then Mu-rong Yang hires Ou-yang to protect Huang. This is awkward, because Mu-rong Yang and Mu-rong Yin are in reality the same person. Other unrelated plot lines careen about. Among them is Ou-yang’s continuing efforts to destroy a band of horse thieves. Oy-yang recruits another swordsman, a man who is going blind and wants to get home to see his wife before his sight goes completely. The swordsman is killed. Ou-yang then meets another swordsman (Jackie Cheung) who doesn’t like wearing shoes. Oy-yang sends this man after the horse thieves, with better results. We then find out what a man must give up to follow the martial path.

Directed by Kar Wai Wong | Starring : Leslie Cheung, Brigitte Lin, Tony Leung Chiu Wai, Maggie Cheung, Tony Leung Ka Fai | Presented at Venice Film Festival, Toronto Film Festival, Hong Kong Film Festival, Thessaloniki Film Festival, Cannes Film Festival, Shanghai Film Festival, Rio de Janeiro Film Festival, Helsinki Film Festival, New York Film Festival, Sao Paulo Film Festival, Mar del Plata Film Festival, Rotterdam Film Festival, Istanbul Film Festival

戏梦人生 | The Puppetmaster

The Puppetmaster

Li Tien Lu is the world’s most famous puppet master. Born in Taïwan on the wake of World War I, he lived through the Japanese occupation, and American bombings of his country. Now eighty-four, reflects on the forces that shaped his life: “My hands breathed life into my puppet figures. I created them and directed the drama of their fates, almost as though I were God himself. But the reality is that, with someone above me pulling the strings, I, too, am a mere puppet…”

Directed by Hsiao-hsien Hou | Starring : Tianlu Li, Giong Lim, Hung Liou, Chen-Nan Tsai, Lai-Yin Yang | Presented at Cannes Film Festival, Toronto Film Festival, New York Film Festival, Rotterdam Film Festival, Fribourg Film Festival, Istanbul Film Festival, Buenos Aires Film Festival, Thessaloniki Film Festival

边走边唱 | Life on a String

Life on a String

A blind master wanders through a mythic landscape of a terrific beauty to play his songs and sing his ballads. His whole life he’s had one hope, one dream of another world: According to a prophecy he shall be able to see, if he has broken 1000 of his banjo strings. His blind disciple, on the contrary, doesn’t want to rely on one hope. He longs for a woman’s love… Does sight await the saint when the 1000th string breaks? Can the disciple’s strength of character overcome provincial prejudice to win the hand of his love and a place in the village?

Directed by Kaige Chen | Starring : Zhongyuan Liu, Lei Huang, Qing Xu, Ling Ma, Erga Yao | Presented at Cannes Film Festival, Toronto Film Festival, New York Film Festival, Berlin Film Festival, Istanbul Film Festival