一代宗师 | The Grandmaster

With martial arts getting more popular in the Thirties, more people seek to learn them via the professionals at Foshan in Southern China. Some of the experienced masters like to challenge their counterparts and undergoing battles. To have their whole concentration, it is their practice to lock up the venues and no one is allowed to leave during battles. No food and no rest before reaching any results. Ip Man is a young rich man extremely talented in martial arts, but he chooses to keep a low profile. Yet this doesn’t keep him out of these troubles ahead. One day he is trapped in this battleground so he has to use every means in order to get out of there. The masters are amazed by his abilities. Master Kung and his daughter Kung Yi are amongst, and the latter is attracted to this newcomer. A high warlord is assassinated by his own guard Yi Xian Tian. All masters in Foshan vow to take Tian down no matter what.

Directed by Kar Wai Wong | Starring : Tony Leung Chiu Wai, Ziyi Zhang, Chen Chang, Benshan Zhao, Hye-kyo Song | Presented at Berlin Film Festival, Belgrade Film Festival, Hong Kong Film Festival

2046

He was a writer. He thought he wrote about the future but it really was the past. In his novel, a mysterious train left for 2046 every once in a while. Everyone who went there had the same intention, to recapture their lost memories. It was said that in 2046, nothing ever changed. Nobody knew for sure if it was true, because nobody who went there had ever come back – except for one. He was there. He chose to leave. He wanted to change.

Directed by Kar Wai Wong | Starring : Tony Leung Chiu Wai, Ziyi Zhang, Li Gong, Faye Wong, Takuya Kimura | Presented at Cannes Film Festival, Pusan Film Festival, Valladolid Film Festival, London Film Festival, Thessaloniki Film Festival, Bangkok Film Festival, Rotterdam Film Festival, Adelaide Film Festival, Sofia Film Festival, Istanbul Film Festival, Tribeca Film Festival, Seattle Film Festival, Los Angeles Film Festival, Rio de Janeiro Film Festival

花样年华 | In the Mood for Love

Hong Kong, 1962. Chow Mo-wan and Su Li-zhen move into neighboring apartments on the same day. Their encounters are polite and formal—until a discovery about their respective spouses sparks an intimate bond. At once delicately mannered and visually stunning, Wong Kar-wai’s In the Mood for Love is a masterful evocation of romantic longing and fleeting moments in time.

Directed by Kar Wai Wong | Starring : Tony Leung Chiu Wai, Maggie Cheung, Ping Lam Siu, Tung Cho ‘Joe’ Cheung, Rebecca Pan | Presented at Cannes Film Festival, Edinburgh Film Festival, Toronto Film Festival, San Sebastian Film Festival, New York Film Festival, Reykjavik Film Festival, Hong Kong Film Festival, Rotterdam Film Festival, Mar del Plata Film Festival, Bangkok Film Festival, Cinemanila Film Festival, Thessaloniki Film Festival

春光乍泄 | Happy Together

Lai Yiu-Fai and Ho Po-Wing where in love when they arrived in Argentina from Hong-Kong. But something went wrong while they were driving south in search for adventures. One day, on the road, Ho Po-Wing walked away from his lover. Now, Lai works as doorman at a tango bar in Buenos Aires. He is trying to save enough for his air-ticket home. When Ho re-enters his life, bruised and bleeding from a beating, he gives him a bed but refuses to get back into a sexual relationship. Domesticity doesn’t suits Ho, who is soon spending nights out on the town. Lai quits his job and starts working in the kitchen of a Chinese restaurant, where he befriends Zhang, a kid from Taiwan. Without realising it, Lai’s life begins to take changes. Meanwhile Ho continues to fall into pieces…

Directed by Kar Wai Wong | Starring : Tony Leung Chiu Wai, Leslie Cheung, Chen Chang, Gregory Dayton, Shirley Kwan | Presented at Cannes Film Festival, Melbourne Film Festival, Montréal Film Festival, New York Film Festival, Arizona Film Festival, Singapore Film Festival, Reykjavik Film Festival, Hong Kong Film Festival

堕落天使 | Fallen Angels

Originally intended to be a third story in his now classic Chungking Express, Fallen Angels has emerged as what some critics have come to consider his “quintessential work.” Set in the neon-washed underworld of present day Hong Kong, Fallen Angels intertwines two exhilarating tales of love and isolation. First, there’s the unconsummated love affair between a contract Killer and the ravishing female Agent who books his assignments and cleans up after his jobs. When the Killer decides that he must move on, he leaves her with only a coin for the jukebox and instructions to play song number 1818. Ex-convict Ho stopped speaking at the age of five after eating a date-expired can of pineapple. He lives with his father, who runs a guesthouse where the Agent is in semi-permanent residence. Ho makes a living by re-opening shops that have been closed fort he night and intimidating customers into buying goods and services from him. After an awkward romance with a girl named Cherry, Ho finds himself all the more alone… Wong Kar-Wai brings these parallel storylines together in a blitz of ultra-hip style and classic cinematic sensibilities. A poet of modern alienation, Kar-Wai’s universe is populated with characters both dark and comic, magical and existential, Fallen Angels is both a vie at revolutionary cinema and an homage to a love for movies.

Directed by Kar Wai Wong | Starring : Leon Lai, Michelle Reis, Charlie Yeung, Takeshi Kaneshiro, Karen Mok | Presented at Toronto Film Festival, Berlin Film Festival, Oslo Film Festival, New York Film Festival, Thessaloniki Film Festival

东邪西毒 | Ashes of Time

Ou-yang Feng lives in the middle of a desert, where he acts as a middle man to various swordsmen in ancient China. One of those swordsmen is Huang Yao-shi, who has found some magic wine that causes one to forget the past. At another time, Huang met Mu-rong Yin and under the influence of drink, promised to marry Mu-rong’s sister Mu-rong Yang. Huang jilts her, and Mu-rong Yin hires Ou-yang to kill Huang. But then Mu-rong Yang hires Ou-yang to protect Huang. This is awkward, because Mu-rong Yang and Mu-rong Yin are in reality the same person. Other unrelated plot lines careen about. Among them is Ou-yang’s continuing efforts to destroy a band of horse thieves. Oy-yang recruits another swordsman, a man who is going blind and wants to get home to see his wife before his sight goes completely. The swordsman is killed. Ou-yang then meets another swordsman (Jackie Cheung) who doesn’t like wearing shoes. Oy-yang sends this man after the horse thieves, with better results. We then find out what a man must give up to follow the martial path.

Directed by Kar Wai Wong | Starring : Leslie Cheung, Brigitte Lin, Tony Leung Chiu Wai, Maggie Cheung, Tony Leung Ka Fai | Presented at Venice Film Festival, Toronto Film Festival, Hong Kong Film Festival, Thessaloniki Film Festival, Cannes Film Festival, Shanghai Film Festival, Rio de Janeiro Film Festival, Helsinki Film Festival, New York Film Festival, Sao Paulo Film Festival, Mar del Plata Film Festival, Rotterdam Film Festival, Istanbul Film Festival

重庆森林 | Chungking Express

The whiplash, double-pronged Chungking Express is one of the defining works of nineties cinema and the film that made Hong Kong filmmaker Wong Kar-wai an instant icon. Two heartsick Hong Kong cops, both jilted by ex-lovers, cross paths at the Midnight Express take-out restaurant stand, where the ethereal pixie waitress Faye works. Anything goes in Wong’s gloriously shot and utterly unexpected charmer, which cemented the sex appeal of its gorgeous stars and forever turned canned pineapple and the Mamas and the Papas’ “California Dreamin’” into tokens of romantic longing.

Directed by Kar Wai Wong | Starring : Tony Leung Chiu Wai, Brigitte Lin, Faye Wong, Takeshi Kaneshiro, Valerie Chow | Presented at Locarno Film Festival, Toronto Film Festival, New York Film Festival, Vancouver Film Festival, Chicago Film Festival, London Film Festival, Stockholm Film Festival, Rotterdam Film Festival, San Francisco Film Festival, Buenos Aires Film Festival, Cinemanila Film Festival, Thessaloniki Film Festival

阿飞正传 | Days of Being Wild

Set in 1960, the film centers on the young, boyishly handsome Yuddy, who learns from the drunken ex-prostitute who raised him that she is not his real mother. Hoping to hold onto him, she refuses to divulge the name of his real birth mother. The revelation shakes Yuddy to his very core, unleashing a cascade of conflicting emotions. Two women have the bad luck to fall for Yuddy; one a quiet lass named Su Lizhen who works at a sports arena, the other a glitzy showgirl named Mimi. Yuddy passively lets the two compete for him, unable or unwilling to make a choice. As Lizhen slowly confides her frustration to a cop named Tide, he falls for her. The same is true for Yuddy’s friend Zeb, who falls for Mimi. Later, Yuddy learns of his birth mother’s whereabouts and heads out to the Philippines.

Directed by Kar Wai Wong | Starring : Leslie Cheung, Maggie Cheung, Andy Lau, Carina Lau, Tony Leung Chiu Wai | Presented at Berlin Film Festival, Sundance Film Festival, Cinemanila Film Festival, Thessaloniki Film Festival, Milwaukee Film Festival

旺角卡门 | As Tears Go By

A stylish triumph for genre fans and film fans alike, As Tears Go By more than lives up to its billing as the first film from celebrated director Wong Kar Wai. Andy Lau is Ha Tau, a small-time triad leader whose responsibility for the pathological Fly threatens to be his downfall. While Ha Tau struggles with his troubles on the streets, he finds solace in a surprising intimacy to his cousin, Ah Ngor. Their tender interludes give Ha Tau a welcome respite from his violent life, but not for long. Fly grows more and more self-destructive, and soon Ha Tau can no longer avoid the brutal calling of the triad underworld. Mixing stylish MTV-style filmmaking with potent triad melodrama, As Tears Go By is an exemplary genre film, and an intriguing beginning to Wong Kar-Wai’s celebrated filmography

Directed by Kar Wai Wong | Starring : Andy Lau, Maggie Cheung, Jacky Cheung, Alex Man, Ronald Wong | Presented at Cannes Film Festival, Toronto Film Festival, Thessaloniki Film Festival