记忆望着我 | Memories Look at Me

Song Fang is the protagonist in her own soberly filmed docudrama, in which she returns from Beijing to the house of her parents in Nanjing. The film is largely set indoors, where Song shares everyday life and many memories with her parents, sister-in-law, brother and niece. Song is always on screen as they talk about relatives living and dead, about more or less successful careers, about old friends, illnesses and accidents, funerals and weddings. A young niece, Diandian, makes disarming comments that provide a lighter note. Between the conversations – that often take place around food – and rare excursions, we catch a glimpse of changing Chinese society. It is obvious that the norms and values of the older generation are being devalued, but that some deep-rooted traditions will probably continue for a very long time.

Directed by Fang Song | Starring : Yu-zhu Ye, Di-jing Song, Fang Song, Song Yuan | Presented at Locarno Film Festival, Vancouver Film Festival, New York Film Festival, Mar del Plata Film Festival, Entrevues Film Festival, Rotterdam Film Festival, Portland Film Festival, San Francisco Film Festival

我还有话要说 | When Night Falls

Inspired by the notorious case of a young man’s 2008 murder of six Shanghai police officers, the remarkable new film from independent Chinese auteur Ying Liang focuses on the killer’s mother, as she both struggles to comprehend her son’s heinous act and is persecuted by a state that willfully ignores its own laws.

Directed by Liang Ying | Starring : An Nai, Kate Wen, Ming Sun | Presented at Jeonju Film Festival, Locarno Film Festival, Toronto Film Festival, Vancouver Film Festival, Warsaw Film Festival, Cinemanila Film Festival, Rotterdam Film Festival

夺命金 | Life Without Principle

Life Without Principle tells the story of three characters: an ordinary bank teller turned financial analyst is forced to sell high risk securities to her customers in order to meet her sales target; a small-time thug delves into the futures index hoping to earn easy money to post bail for a buddy in trouble with the law; a straight-arrow Police inspector, who has always enjoyed his middle income lifestyle, is suddenly desperate for money when his wife puts a down payment on a luxury flat she can’t afford and his dying father wants him to look after a young half-sister he never knew he had.

Directed by Johnnie To | Starring : Ching Wan Lau, Richie Ren, Denise Ho, Myolie Wu, Hoi-Pang Lo | Presented at Venice Film Festival, Toronto Film Festival, San Sebastian Film Festival, Vancouver Film Festival, Pusan Film Festival, Mar del Plata Film Festival, Wisconsin Film Festival, San Francisco Film Festival, Edinburgh Film Festival, Changchun Film Festival, Locarno Film Festival

Hello！树先生 | Mr. Tree

Shu, a bachelor, is an unreliable worker in his village’s motor-repair shop. He tends to stay silent, like a forgotten tree in the wilderness. When the villagers are forced to evacuate due to the expansion of the local mining activities, Shu goes to the provincial capital to ask his friend for a job in a tutorial school. There, Shu falls in love at first sight with Xiaomei, a deaf-mute girl. On the night before their wedding, Shu’s dead father, his elder brother and his elder brother’s murderer appear in his dreams. The wedding is a disaster, and Xiaomei leaves to rejoin her mother. The worries and intuitions that have long flashed through Shu’s mind start to make sense to him. He begins to make prophecies, and many of them come true.

Directed by Jie Han | Starring : Baoqiang Wang, Zhuo Tan, Jie He, Bo Liu, Jing An | Presented at Locarno Film Festival, Toronto Film Festival, Pusan Film Festival, Vancouver Film Festival, London Film Festival, Rio de Janeiro Film Festival, Rotterdam Film Festival

让子弹飞 | Let the Bullets Fly

Set during the Age of the Warlords in the 1920s, this comic western is the highest grossing Chinese film ever. When circumstances force an outlaw to impersonate a county governor and clean up a corrupt town, the Robin Hood figure finds himself in a showdown with the local “godfather”. Full of surprises and grounded with a smart, humorous script, Let the Bullets Fly’s battles are fought with guns and wit.a

Directed by Wen Jiang | Starring : Wen Jiang, Yun-Fat Chow, You Ge, Bing Shao, Fan Liao | Presented at Tribeca Film Festival, Locarno Film Festival, Pusan Film Festival, London Film Festival

寒假 | Winter Vacation

An ordinary village in Northern China, the last day of the winter vacation. Four idle, aimless adolescents gather at Zhou Zhixin’s home, a friend who lives with his father, brother and nephew. Like most contemporary teenagers, these youths want to enjoy their last day of holiday and simply hang out in this place where nothing ever seems likely to happen. Their conversations are desultory and they sometimes seem to argue for argument’s sake. One of them, Laowu, talks frankly with his girlfriend about how teenage love might affect their studies, while Laobao questions school’s value and relevance to real life.

Directed by Hongqi Li | Starring : Jinfeng Bai, Lei Bao, Hui Wang, Ying Xie, Naqi Zhang | Presented at Locarno Film Festival, Vancouver Film Festival, London Film Festival, Mar del Plata Film Festival, Thessaloniki Film Festival, Rotterdam Film Festival, Hong Kong Film Festival, Wisconsin Film Festival, Melbourne Film Festival, San Sebastian Film Festival

第四张画 | The Fourth Portrait

Ten year-old Xiang faces a lonely future after his father dies. Just when he thinks he’s going to spend his life in the orphanage, his estranged mother shows up. And his life changes forever… A loveless mother, a hateful stepfather, a chilly home. Where’s Xiang heading to? He finds comfort in drawing and his work reveals his longing for care and affection. Life is full of hope again when he meets the old school janitor who doesn’t show his kindness easily and a portly man who has crazy ideas and is haunted with nightmares of his brother. A scary truth is about to be unmasked. Will Xiang be able to depict his own image in the fourth portrait?

Directed by Mong-Hong Chung | Starring : Bi Xiao-Hai, Shih-chieh Chin, Lei Hao, Leon Dai, Terri Kwan | Presented at Locarno Film Festival, Toronto Film Festival, Tokyo Film Festival, Mar del Plata Film Festival, Nantes Film Festival, Cinemanila Film Festival, Melbourne Film Festival, Gindou Film Festival, Wisconsin Film Festival

中国姑娘 | She, a Chinese

Mei, a young Chinese girl bored with life in her little village, decides to quit for the nearest town, Chongqing. But life there isn’t much easier either; sacked from a clothing factory shortly after starting work, she makes do with a job in a hairdressing salon. There she meets and falls for Spikey, a local mafia’s contract killer. For this brute of a man – who has no qualms about asking her to beat him in the street with a nunchaku – she seems simply another notch on the bedpost. One evening, he comes home covered in blood and dies at her feet. Mei discovers several bundles of banknotes under his mattress, and sets off for London where she has an opportunity to marry Mister Hunt, a man of seventy. In her new husband’s silent home, a new life begins. Will she be satisfied with this monotonous routine? Paced to an original soundtrack by John Parish – working with PJ Harvey and the band Eels – and chaptered in telling titles such as Sometimes you wonder who you really are and Mei feels love under the Big Ben calendar, Xiaolu Guo has made a film in which the challenges Mei must confront do not deter her quest for a more promising future. The filmmaker uses elements of nature – stifling summer heat, a duck bleeding to death, a dog wolfed down by a fox –to express her protagonist’s feelings. Through this journey and the people Mei meets, She, a Chinese conjures the mix of cultures in the early 21st century and how people, lifestyles, consumer goods, and music all cross borders. Although these cross-cultural currents bring about a degree of chaos in Mei’s life, she finds the will to escape isolation, and to follow her desires, come what may.

Directed by Xiaolu Guo | Starring : Lu Huang, Wei Yi Bo, Geoffrey Hutchings, Chris Ryman, Hsinyi Liu | Presented at Locarno Film Festival, Toronto Film Festival, Hamburg Film Festival, Ghent Film Festival, Pusan Film Festival, Sao Paulo Film Festival, London Film Festival, Vienna Film Festival, Mar del Plata Film Festival, Göteborg Film Festival, Istanbul Film Festival, Hong Kong Film Festival, Melbourne Film Festival, Rio de Janeiro Film Festival

二冬 | Er Dong

A rebellious teenager endures boarding school expulsion, family pressures and the harsh realities of rural life in northern China, until an uncovered secret from his past changes his life forever. Er Dong lives alone with his devout Christian mother in a small village. Frustrated with his bad behavior, his mother takes him to a Christian school with the hope that he will find God as well as a new direction in life. Instead, he finds a girlfriend, Chang’e, and their misconduct leads to their expulsion. Together they must face up to the harsh realities of work, parenthood and adult life in the tough economic reality of contemporary China. Recurring nightmares that plague Er Dong lead him to a shocking revelation of his own past. Yang Jin’s second feature is a detail-rich, documentary-style portrait that builds with clear-eyed assurance through the life of a seemingly unheroic and unremarkable country boy. It’s not until the film looks backwards that one gains the full scope of Er Dong’s strangely epic journey. Quietly moving and full of authentic insight into the prospects for youth in rural China, Er Dong announces the arrival of a major new talent in filmmaker Yang Jin.

Directed by Jin Yang | Starring : Li Jun Bai, Ming Juan Yang, Carolan Guan, Xiao Ke Guan | Presented at Pusan Film Festival, Rotterdam Film Festival, Hong Kong Film Festival, Munich Film Festival, Locarno Film Festival, Bangkok Film Festival, Ghent Film Festival

太阳照常升起 | The Sun Also Rises

Wen Jiang’s personality takes center stage in The Sun Also Rises, his first effort since the 2000 Devils on the Doorstep, a film that has yet to be released in China. While The Sun Also Rises captivates with its sumptuous colors, magical realism, high energy, and outstanding performances, its elliptical plot and lack of coherent narrative suggests that Jiang may have purposely clouded the film’s meaning in symbols and code to escape the Chinese censors. Loosely based on author Ye Mi’s novel Velvet, the film is set in China during the Cultural Revolution. There are four stories and six characters in the film, but they have a tenuous connection to each other. Three episodes are set in the 1970s and one twenty years earlier, but Jiang provides no intertitles or other indicators to help the viewer recognize changes in theme, time, or place. As the film opens with a tableau of gorgeous colors and people running, a young woman identified as the mother of a teenage boy buys a pair of embroidered shoes. The colorful shoes are promptly stolen by a mysterious bird, which repeats the mantra “I know, I know, I know,” and the woman falls into what seems to be madness—climbing trees, collecting rocks, digging a pit in the middle of the forest, and screaming the name of Alyosha (which we eventually learn was the name of the boy’s father). Meanwhile her dutiful son tries to protect her, at the cost of having to constantly leave his job. The segment is playful, magical, and poetic in its songs and poetry, and it suggests that insanity reigned supreme during the Cultural Revolution.

Directed by Wen Jiang | Starring : Wen Jiang, Joan Chen, Anthony Wong Chau-Sang, Jaycee Chan, Wei Kong | Presented at Venice Film Festival, Toronto Film Festival, Changchun Film Festival, Tokyo Film Festival, Locarno Film Festival

出埃及记 | Exodus

After the artistic breakthrough and acclaim of Isabella, maverick director Edmond Pang Ho Cheung returns to black comedy territory with his new film Exodus. From Men Suddenly in Black, Beyond Our Ken, You shoot I shoot, Pang’s films often spin gender issues into wry commentary, and he takes this “battle of the sexes” concept to the next level with Exodus. Black comedy, suspense thriller, and male mid-life crisis drama all rolled into one, Exodus throws out a seemingly ridiculous premise – women are conspiring to kill men! – and challenges both the protagonist and the audience into amused belief. A low-ranking cop often relegated to desk duty, middle-aged Tsim Kin Yip lives a stable, mundane life with his young yoga instructor wife Ann. The monotony is broken one day when he interrogates Kwan Ping Man, a nervous, profanity-spouting man caught spying in the women’s bathroom. Kwan, who seems to have more than a few screws loose, confides to Tsim a shocking secret: a ring of women conspiring to murder men. Everyday, plans are whispered in restrooms and deaths are carefully engineered, so that men die unnoticeable from “accidents” that are anything but. Tsim initially dismisses Kwan’s conspiracy theory, but then clues crop up suggesting there is something fishy at work. Both his marriage and life could be at stake as Tsim becomes increasingly obsessed with cracking the case.

Directed by Ho-Cheung Pang | Starring : Simon Yam, Annie Liu, Nick Cheung, Irene Wan, Maggie Siu | Presented at Toronto Film Festival, San Sebastian Film Festival, Thessaloniki Film Festival, Locarno Film Festival

左右 | In Love We Trust

A divorced couple learns that the only way to save their little daughter, who suffers from a blood disease, is to have another child. Now both remarried, Mei Zhu and Xiao Lu are forced to test their love and their commitment to one another by putting their current relationships in danger. A story of parenthood, love, married life, betrayal, trust and giving, which touches upon changes in contemporary society and family life, as well as the moral and ethical dilemmas brought on by modernity.

Directed by Xiaoshuai Wang | Starring : Weiwei Liu, Jia-yi Zhang, Nan Yu, Taisheng Chen, Yuanyuan Gao | Presented at Cannes Film Festival, Berlin Film Festival, Hong Kong Film Festival, Karlovy Vary Film Festival, Pula Film Festival, Ghent Film Festival, Locarno Film Festival

浮生 | Bliss

This is a story about a family living beside a river. Like all the other families, every member of the family seems close to each other. But in fact they are miles apart, and everyone has a secret that they cannot share. The retried policeman Lao Li and his family members with is or her own character all want to have a special life for themselves. They get together in this family and create their own stories. Water in the river is flowing day and night, and life is just like a river. You can only move on without stopping. Never themes, it seems that people in the story are getting something in their hearts at a particular moment. Is that Joy? Or is that sorrow?

Directed by Zhimin Sheng | Starring : Zhong Liao, Lan Wang, Tao Xu, Xing-quan He, Jiang-ge Guan | Presented at Locarno Film Festival, Toronto Film Festival, Ghent Film Festival, Oslo Film Festival, Bratislava Film Festival, Hong Kong Film Festival, Indianapolis Film Festival, Shanghai Film Festival

赖小子 | Walking on the Wild Side

Han Jie’s feature debut draws on his own experiences growing up in a desolate mining district in northern China’s Shanxi province. A Chinese road movie, Walking on the Wild Side charts a young gang’s continuous flights from one kind of trouble to the next. Mirroring the stark and barren landscape, the film relays the grim story of these delinquents’ dreams of liberty and easy money. Played by nonprofessional actors who are real life troublemakers, the film offers a realism that is at once oppressive, cruel, and sympathetic.

Directed by Jie Han | Starring : Paijiang Bai, Qiang Guo, Jing Hou, Jie Lu, Zhaoting Tian | Presented at Rotterdam Film Festival, Hong Kong Film Festival, La Rochelle Film Festival, Jakarta Film Festival, Locarno Film Festival

黑社会 | Election

Every two years senior members of Hong Kong’s oldest Triad, The Wo Shing Society, elect a new chairman. Fierce rivalries emerge between the two eligible candidates. Lok, respected by the Uncles is the favorite to win. His rival Big D will stop at nothing to change this by going against hundreds of years of Triad tradition – influencing the vote with money and violence. When Wo Shing’s ancient symbol of leadership, the Dragon’s Head Baton, goes missing, a ruthless struggle for power erupts and the race to retrieve the Baton threatens to tear Wo Shing in two. Can Wo Shing balance their traditional brotherhood ways with the cut-throat modern world of 21st century business?

Directed by Johnnie To | Starring : Simon Yam, Tony Leung Ka Fai, Louis Koo, Nick Cheung, Ka Tung Lam | Presented at Cannes Film Festival, Rio de Janeiro Film Festival, Torino Film Festival, Sitges Film Festival, La Rochelle Film Festival, Toronto Film Festival, Rotterdam Film Festival, Pusan Film Festival, Buenos Aires Film Festival, Locarno Film Festival

饺子 | Dumplings

No woman can resist the temptation of potential rejuvenation – for some it’s a dreamy blissful chase; for others a never-ending nightmare of endless pursuit. But Qing can afford it all. An ex-starlet turned wife of a prominent rich man, Qing is destined to have this dream come true. Qing uses a lot of connections to get to the mysterious chef, Mei to obtain her famous specialty dumplings. Qing is no gourmet but simply dying to recover her youth and beauty. At stake is her new “career” as a housewife of the rich. Mei’s dumplings claim to deliver the goods. Mei, a former gynecologist, developed a secret recipe for rejuvenation which has allowed her to bid farewell to her career as an abortionist. Now Mei only serves desperate rich women like Qing. Mei understands a woman’s need and she can fulfill a woman’s desire, all you need is a leap of faith to take a bite into her special dumplings with usual fillings.

Directed by Fruit Chan | Starring : Miriam Yeung Chin Wah, Bai Ling, Tony Leung Ka Fai, Miki Yeung, So-Fun Wong | Presented at Melbourne Film Festival, Edinburgh Film Festival, Helsinki Film Festival, Rio de Janeiro Film Festival, Sao Paulo Film Festival, Locarno Film Festival

像鸡毛一样飞 | Chicken Poets

Undecided about his future, Yun Fei, an unknown young poet, goes to visit an old university friend in the suburbs of Beijing to seek his advice. He discovers that his friend has gone into business, and is successfully breeding black chickens. Discouraged, and on the point of giving up writing, Yun Fei meets a young girl who can’t see colours, who encourages him to persevere. But even this new relationship is not enough to inspire him to write. It’s at this point that he buys a pirate record whose magical powers bring him the success he’s longed for. Sudden fame does not seem to solve everything, however. This first film, a deliberately allegorical visual fantasy, focuses on the 30-something generation in China, who have to adapt to a materialistic society very different from the political utopia of their childhood.

Directed by Jing Hui Meng | Starring : Jianbin Chen, Hailu Qin, Fan Liao, Naiwen Li, Minghao Chen | Presented at Locarno Film Festival, Toronto Film Festival, Hong Kong Film Festival

一一 | Yi yi: A One and a Two

With the runaway international acclaim of this film, Taiwanese director Edward Yang could no longer be called Asian cinema’s best-kept secret. Yi Yi swiftly follows a middle-class family in Taipei over the course of one year, beginning with a wedding and ending with a funeral. Whether chronicling middle-aged father NJ’s tenuous flirtations with an old flame or precocious young son Yang-Yang’s attempts at capturing reality with his beloved camera, Yang imbues every gorgeous frame with a deft, humane clarity. Warm, sprawling, and dazzling, this intimate epic is one of the undisputed masterworks of the new century.

Directed by Edward Yang | Starring : Nien-Jen Wu, Elaine Jin, Kelly Lee, Jonathan Chang, Issei Ogata | Presented at Cannes Film Festival, Munich Film Festival, Karlovy Vary Film Festival, Sarajevo Film Festival, Telluride Film Festival,  Toronto Film Festival, Vancouver Film Festival, New York Film Festival, Chicago Film Festival, Bergen Film Festival, Valladolid Film Festival, Tokyo Film Festival, London Film Festival, Oslo Film Festival, Rotterdam Film Festival, Fribourg Film Festival, Singapore Film Festival, Hong Kong Film Festival, Locarno Film Festival, Cinemanila Film Festival

细路祥 | Little Cheung

A nine-year old boy confronts the heady complexities of the adult world, its violence, guilt and loss, with comic and tragic consequences. After school, Little Cheung helps out in his father’s restaurant, working in the kitchen and delivering food to neighbourhood gambling dens, funeral parlours and brothels. He is cute, well-liked, always handsomely tipped. Little Cheung’s father hides a warm heart beneath a cold, hard shell. His mother looks after business, whilst his house-bound grandmother, silent but loving, nurses a secret sorrow. His older brother was lost to the gangland underworld years ago. Little Cheung befriends Fan, a street-smart girl his age and together they run a strange delivery business with the local mafia. Cheung splits the commission with her and steals cakes from his father’s restaurant. He is brutally punished by his father and runs away on his grandmother’s birthday. Fan reveals his hiding place, then disappears. Uneasily reunited with his family, from the balcony where Grandma always sat, he sees Fan in the street. Little Cheung runs to greet her, but their reunion is short-lived. Fan and her family are arrested and hauled into a police van. Illegal immigrants, they will be deported to Mainland China. Little Cheung is alone.

Directed by Fruit Chan | Starring : Yuet-Ming Yiu, Wai-Fan Mak, Yuet-Man Mak, Robby Cheung, Gary Lai | Presented at Locarno Film Festival, Toronto Film Festival, AFI Film Festival, London Film Festival, Gijón Film Festival, Rotterdam Film Festival, Melbourne Film Festival

男男女女 | Men and Women

Xiao Bo arrives in Beijing, gets a job at a boutique, and is invited to stay with his lady boss, Ah Qing, and her husband, Kang. Knowing that Xiao Bo is still single, Ah Qing recommends her best female friend, Ah Meng, to him. After a few dates, Ah Meng starts to suspect Xiao Bo is gay. She tells Ah Qing, who then informs Kang. After learning this, Kang attempts to rape Xiao Bo when Ah Qing isn’t at home. Xiao Bo leaves the house, quits the job and joins his old friend, Chong Chong, and realizes that he has a gay lover, Gui Gui. Some time later, Ah Qing confesses to Kang that she had an affair… with Ah Meng. On the other hand, Chong Chong tries to “convert” Xiao Bo, much to the dismay of Gui Gui.

Directed by Bingjian Liu | Starring : Qing Yang, Bo Yu, Kang Zhang, Jiangang Wei, Zi’en Cui | Presented at Locarno Film Festival, Mar del Plata Film Festival, Vancouver Film Festival, Pusan Film Festival, Sundance Film Festival, Singapore Film Festival

香港制造 | Made in Hong Kong

Autumn Moon is one step short of a triad, and an ocean removed from respectability. A go-nowhere, no-nothing nobody, Moon is the boss of his own gang, which has one member, a retarded fellow named Sylvester, and passes his time playing basketball and collecting debts for local triad Wing. Marginalized by society and perhaps his own poor self-image, Moon nonetheless attempts to make his mark on the world, finding direction in his love for Ping, a young girl suffering from renal failure, and a chance connection to Susan, a school girl who committed suicide. Moon’s quest for personal significance is full of startling violence, lyrical emotion and surprising irony, and director Fruit Chan’s camera is right there, infusing this street level Hong Kong tale with a vibrant and affecting immediacy. Made in Hong Kong succeeds on multiple levels – as a tale of disaffected youth, as a rude answer to the gangster-glorifying Young and Dangerous films, and as an affecting portrait of what it means to be born, bred, and buried in Hong Kong.

Directed by Fruit Chan | Starring : Sam Lee, Neiky Yim Hui-Chi, Wenders Li, Carol Lam Kit-Fong, Amy Tam Ka-Chuen | Presented at Locarno Film Festival, Vancouver Film Festival, Pusan Film Festival, Gijón Film Festival, Nantes Film Festival, Hong Kong Film Festival

二嫫 | Ermo

Ermo is a film that revolves around a self-assertive peasant woman named Ermo, who is sexually frustrated because of her impotent husband. Ermo feels unwanted and becomes passionate about money, which becomes the substitution of her sexual needs. Frustrated by her neighbor’s privileged status as the only one who owns a 27-inch TV in the village, Ermo becomes obsessed with buying a 29-inch TV. Driven by her desire, Ermo transforms from a rural woman who sells twisted noodles in a local market to a consumer of Western cultural products such as TV programs. At the end the film, Ermo validates her life’s worth with the 29-inch colored TV, a television so big and expensive that even the head of the county cannot afford. However, the void in Ermo’s soul is left unfilled after she worked so hard and spent all her money on the TV. The big TV does not bring her happiness in the end. The film ends with an ironic scene where Ermo goes back to the local market and starts to make her living as a seller of twisted noodles again. The film director uses Ermo’s quest for a TV set to show the inevitable cultural disruptions and the struggle of the individual in a consumer society, which are caused by China’s modernization under its economic reform during the early 1990s. The film director uses one woman’s pursuit of “televisuality” as a social commentary on China’s collective national agenda of modernization and globalization under Deng Xiaoping. The film criticizes the capitalistic consumer culture, where everybody is struggling for material goods and become obsessed with money.

Directed by Xiaowen Zhou | Starring : Liya Ai, Peiqi Liu, Zhijun Ge, Haiyan Zhang, Zhenguo Yan | Presented at Locarno Film Festival, Toronto Film Festival, Chicago Film Festival

重庆森林 | Chungking Express

The whiplash, double-pronged Chungking Express is one of the defining works of nineties cinema and the film that made Hong Kong filmmaker Wong Kar-wai an instant icon. Two heartsick Hong Kong cops, both jilted by ex-lovers, cross paths at the Midnight Express take-out restaurant stand, where the ethereal pixie waitress Faye works. Anything goes in Wong’s gloriously shot and utterly unexpected charmer, which cemented the sex appeal of its gorgeous stars and forever turned canned pineapple and the Mamas and the Papas’ “California Dreamin’” into tokens of romantic longing.

Directed by Kar Wai Wong | Starring : Tony Leung Chiu Wai, Brigitte Lin, Faye Wong, Takeshi Kaneshiro, Valerie Chow | Presented at Locarno Film Festival, Toronto Film Festival, New York Film Festival, Vancouver Film Festival, Chicago Film Festival, London Film Festival, Stockholm Film Festival, Rotterdam Film Festival, San Francisco Film Festival, Buenos Aires Film Festival, Cinemanila Film Festival, Thessaloniki Film Festival

饮食男女 | Eat Drink Man Woman

Trouble is cooking for widower and master chef Chu who’s about to discover that no matter how dazzling and delicious his culinary creations might be, they’re no match for the libidinous whims of his three beautiful but rebellious daughters. A master in the kitchen, Chu is at a loss when it comes to the ingredients of being a father. Every Sunday, he whips up a delicacy of dishes for his ungrateful daughters, who are so self-consumed that they don’t see his attempt at showing them love – gastronomically. So, as relationships sour and communications break down, Chu concocts a sure-fire recipe that will bring his family back together: He creates his own love affair to rival his daughters’ affections!

Directed by Ang Lee | Starring : Sihung Lung, Chien-lien Wu, Kuei-Mei Yang, Sylvia Chang, Winston Chao | Presented at Cannes Film Festival, Locarno Film Festival, Toronto Film Festival, San Sebastian Film Festival, London Film Festival

北京杂种 | Beijing Bastards

Beijing Bastards is a 1993 drama film by sixth generation director Zhang Yuan, and is one of the first independently produced Chinese films. A rock musician looks for his girl-friend who left while pregnant, trying to decide whether to keep the baby.

Directed by Yuan Zhang | Starring : Jian Cui, Li Wei, Feihong Yu, Lala Wu, Yong Er | Presented at Locarno Film Festival, Toronto Film Festival, Munich Film Festival

秋月 | Autumn Moon

Twentysomething Japanese tourist, Tokio, comes to Hong Kong looking for good cusine. He does all that the tourist is expected to do, but is disappointed with the food so far. By chance, he meets 15-year-old Pui Wai. She’s been left behind with her eighty-year-old Granny, her parents too busy with their immigration problems in Canada. Differences in culture, language and age serve as no barrier, as Tokio finds a soulmate in Granny, Hong Kong cook extraordinate. He discovers the secret to Granny’s cooking and learns that she’s known all along that her family will not be taking her to Canada when they leave.

Directed by Clara Law | Starring : Masatoshi Nagase, Pui-Wai Li, Choi Siu Wan, Maki Kiuchi, Suen Ching Hung | Presented at Locarno Film Festival, Toronto Film Festival, New York Film Festival, Chicago Film Festival, San Francisco Film Festival

四十不惑 | Family Portrait

After laying bare backward village mentalities in Bloody Morning, Li Shaohong turns her attention to China’s urban middle class. Cao is a photographer, married to an opera singer and with an infant son, caught in the usual professional morass of political compromise. His life starts to fall apart when he learns that his ex-wife also bore him a son some months after their divorce – and when the boy turns up looking for his father. Nothing wildly dramatic, just believable people in believable situations. If the ending seems a touch forced, this is nevertheless a sign that ‘Fifth Generation’ cinema is changing and coming to terms with up-to-date realities.

Directed by Shaohong Li | Starring : Xuejian Li, Dandan Song, Jing Ye, Ding Ding, Guixiang Yang | Presented at Locarno Film Festival, Toronto Film Festival, San Sebastian Film Festival

恐怖份子 | The Terrorizers

Ostensibly inspired by a documentary on a German terrorist group, Edward Yang’s austere third feature discovers, hidden within the stillness of human emotion, a terror far more brutal than any moment of physical violence. Bookended by images of guns and corpses, the film’s true focus is on the violence enacted in everyday relationships, whether between lovers, coworkers, or strangers. The narrative weaves intricately among three scattered groups of characters: a doctor and his novelist wife, a mopey female hoodlum, and a love-struck photographer, all threaded together by one prank phone call and a sense of deceit and lingering entropy. Yang said the film was “built rather like a puzzle; the spectator can rearrange it in his head when he gets home.” It is the inescapable feeling, not the telling, of the story that matters. Indeed, the gunshots at the beginning and end seem interchangeable, almost anticlimactic, rendered quaintly obsolete by the film’s painstakingly traumatic layering of human relations and their emotional violence.

Directed by Edward Yang | Starring : Cora Miao, Bao-ming Gu, Lichun Lee, Shih-Chieh Chin, Ming Liu | Presented at Berlin Film Festival, Locarno Film Festival, Toronto Film Festival, London Film Festival, San Francisco Film Festival, AFI Film Festival

冬冬的假期 | A Summer at Grandpa’s

In Hou Hsiao-hsien’s early film, an eleven year-old Taipei boy, Tung-Tung and his 4-year old sister Ting-Ting are sent to the country to spend the summer with their grandparents after their mother falls ill. The children’s summer is delightfully carefree, but the adult world slowly encroaches on their play. Their uncle impregnates a girl but falls in love with a different girl, and two of his pals are wanted for robbing and beating a pair of motorists. A developmentally disabled neighbor causes more controversy, but also rescues Ting-Ting from an oncoming train (she’s stuck there due to a thoughtless prank played on her by her brother and his friends). And Tung-Tung worries over his mother, hoping for news of her recovery.

Directed by Hsiao-hsien Hou | Starring : Wong Kai-Gwong, Shuzhen Li, Ching-kuo Yan, Bor Jeng Chen, Hsiu-Ling Lin | Presented at Locarno Film Festival, Nantes Film Festival, Buenos Aires Film Festival, Thessaloniki Film Festival

黄土地 | Yellow Earth

A first feature by the 32-year-old Chen Kaige, Yellow Earth is the breakthrough film that the Chinese cinema has been needing for many, many years. It is set in the arid hills of Northern Shaanxi in 1939. A soldier arrives in a mountain village and is billeted with a poor widower and his daughter and son; the soldier has been sent from the Communist base at Yan’an to collect local songs as examples of peasant culture. He is disturbed and baffled by much of what he finds in the village and when he learns that the widower’s 12-year-old daughter is to be forced into a marriage, he realizes helplessly that he is a powerless to intervene…. The film’s political candor matches its aesthetic daring. The images, exquisitely composed, derive from the traditions of Shaanxi peasant painting and Chen uses them as the basis for a film “language” unlike anything else in contemporary cinema. The summit of his achievement is that he makes his new language sing.

Directed by Kaige Chen | Starring : Xueqi Wang, Bai Xue, Quiang Liu, Tuo Tan | Presented at Locarno Film Festival, Toronto Film Festival, Hawaii Film Festival, Edinburgh Film Festival