麻将 | Mahjong

In this latter-day screwball farce, Yang puts a comic spin on his signature themes of globalization and urban ennui. The primary setting is a trendy night spot where Yang orchestrates the elaborate comings and goings of a raft of disparate characters, including a couple of mob enforcers, an American escort service madame, and a young Frenchwoman looking for the British entrepreneur who wooed her in London. Languages, classes and ideologies collide at a dizzying rate in this jaundiced love letter to Taipei at the close of the 20th century.

Directed by Edward Yang | Starring : Chen Chang, Virginie Ledoyen, Carrie Ng, Elaine Jin, Lawrence Ko | Presented at Berlin Film Festival, Singapore Film Festival, Toronto Film Festival, Vancouver Film Festival, New York Film Festival, Rotterdam Film Festival

独立时代 | A Confucian Confusion

Taipei in the 90’s, a city made up of intense human relationships, full of changes and opportunities. There are at least 500 kinds of “trendy” happenings in the streets and attaching to any one of these trends will allow one to find the value of “living”. In a matter of two and half days, a group of young people try to chase after their own dreams and desires, interact in unusual coincidences, create love and hate in ridiculous situations, cause lucly and unfortunate events. Some went to heaven, some went to hell and some happily and surprisingly discovered that they had become decent and independent people.

Directed by Edward Yang | Starring : Shiang-Chyi Chen, Shu-Chun Ni, Weiming Wang, Danny Deng, Bosen Wang | Presented at Cannes Film Festival, Toronto Film Festival, Vancouver Film Festival, New York Film Festival, London Film Festival, Rotterdam Film Festival

牯岭街少年杀人事件 | A Brighter Summer Day

Slow, elliptical, and for the most part understated, Yang’s masterly account of growing up in Taiwan at the start of the ’60s is as visually elegant as his own Taipei Story and The Terroriser, and as epic in scope as Hou Hsiao Hsien’s City of Sadness. On the surface, it’s about one boy’s involvement in gang rivalry and violence and his experience of young love. On a deeper level, however, it’s about a society in transition and in search of an identity, forever aware of its isolation from mainland China, and increasingly prey to Americanisation. The measured pace may be off-putting, but stay with it – the accumulated wealth of detail invests the unexpected final scenes with enormous, shocking power.

Directed by Edward Yang | Starring : Chen Chang, Elaine Jin, Kuo-Chu Chang, Lawrence Ko, Lisa Yang | Presented at Toronto Film Festival, Berlin Film Festival, Melbourne Film Festival, Cannes Film Festival, Rotterdam Film Festival, London Film Festival

海滩的一天 | That Day, on the Beach

Shot by Christopher Doyle, this contemporary epic about the position of women in Taiwanese society helped change the face of Taiwanese film. Two women – Lin Chia-li and Tan – meet after many years. Tan, a famous concert pianist, was once engaged to Lin Chia-li’s brother, but parental opposition broke up the romance; Lin Chia-li, on the other hand, defied her parents and married for love. Her marriage is far from happy however. As with Yang’s other films, the characters are paralyzed by the conflicting forces of modernity and tradition, a battle that wages both outside and within them, especially in the case of Lin Chia-li. Her rejection of a tradition she saw as oppressive has only left her feeling strangely empty. For many critics, That Day, on the Beach is the widest ranging look at what it means to be a woman in contemporary Taiwan. “The subtlety of Yang and Chang merge together to form an irresistible emotional force”

Directed by Edward Yang | Starring : Sylvia Chang, Terry Hu, Ming Hsu, Lieh Li, Fang Mei | Presented at Toronto Film Festival, Melbourne Film Festival