
Living conditions are deteriorating for those who lead a rural existence in north-western Mongolia. China’s industry is expanding – even into this inhospitable region – and the government is pressurising Monoglian shepherds to give up their nomadic way of life, move to the nearby towns and settle down as farmers. Beautiful and self-confident Tuya refuses to leave her pastureland. She’d rather stay here with her disabled husband, two children and one hundred sheep, and continue to pursue a life of privation in the endless expanse of the steppe. But all the hard work begins to take its toll on Tuya. Her husband Bater tries to convince her to divorce him, but Tuya refuses to comply even with his wishes. One day, she falls ill and for the first time begins to consider a divorce, because this would enable her to find someone to help her to look after Bater, the two children and their one hundred sheep. However, none of her suitors are prepared to take on Bater – until Tuya’s old classmate Baolier arrives on the scene. Having found a very nice nursing home for Bater, he persuades Tuya and the children to move to town. But, far away from the steppe and separated from his family, Bater finds it impossible to get used to life at the home. In desperation he slashes his wrists. When the news reaches Tuya, she realises that the time has come for her to act …
Directed by Quan’an Wang | Starring : Nan Yu, Ba’toer, Sen’ge, Zhaya, Bao’lier | Presented at Berlin Film Festival, Hong Kong Film Festival, Tribeca Film Festival, Karlovy Vary Film Festival, Chicago Film Festival, Rio de Janeiro Film Festival, London Film Festival, Portland Film Festival, Florida Film Festival, Wisconsin Film Festival, Maui Film Festival