南京！南京！ | City of Life and Death

Nanjing, 1937. The third film from award-winning Sixth Generation director Lu Chuan, City of Life and Death is a devastating account of the massacre that occurred during the Sino-Japanese War when Japanese troops took the city of Nanjing in December 1937, a tragedy remembered as the Rape of Nanking. Shot completely in black and white, this powerful war drama unflinchingly captures the shocking violence and brutality of the Nanjing massacre, from the mass executions of POWs to the raping and slaughtering of civilians, while providing a deeply human portrait of both the victims and the perpetrators. Rendered in many shades of gray, City of Life and Death touches on the different people whose lives are destroyed by the war: the Chinese soldiers who gave their lives, the foreign missionaries who sheltered refugees, the comfort women, the Chinese civilians, and the Japanese soldiers. In a surprising move for a Mainland Chinese film about the Rape of Nanking, City of Life and Death is told primarily from the perspective of a Japanese soldier, who witnesses, commits, and abhors the atrocities of his army. By choosing to humanize rather than demonize, Lu Chuan offers an all the more devastating memory of the Nanjing massacre, and the people who lived and died in the City of Life and Death.

Directed by Chuan Lu | Starring : Ye Liu, Yuanyuan Gao, Hideo Nakaizumi, Wei Fan, Lan Qin | Presented at Edinburgh Film Festival, Toronto Film Festival, San Sebastian Film Festival, Athens Film Festival, Oslo Film Festival, Hamptons Film Festival, Pusan Film Festival, Warsaw Film Festival, London Film Festival, AFI Film Festival, Mar del Plata Film Festival, Palm Springs Film Festival, Rotterdam Film Festival, Seattle Film Festival, Melbourne Film Festival, Helsinki Film Festival

一半海水一半火焰 | Ocean Flame

Wong Yiu was a very shameless person and a blackmailer until one day he met a waitress named Ni Chen. He thought Ni Chen was like any other girls that could be controlled by him, but her stubbornness was way beyond his imagination. As time goes by, they both lost their ways and losing themselves in the process. He was not as free as he once was. Insanity causes him to end her life. Eight years later, Wong Yiu stepped out from the jail. He carried a gun and went to look for Ni Chen’s mother at her home wishing to fulfill his own will.

Directed by Fendou Liu | Starring : Fan Liao, Monica Mok, Simon Yam, Suet Lam, Shiu Hung Hui | Presented at Cannes Film Festival, Toronto Film Festival, Stockholm Film Festival, Oslo Film Festival, Bratislava Film Festival

停车 | Parking

On Mother’s Day in Taipei, Chen Mo makes a date for dinner with his wife, hoping to bring their estranged relationship back together. While buying a cake on his way home, a car unexpectedly double parks next to his car, preventing his exit. For the entire night, Chen Mo searches the floors of a nearby apartment building for the owner of the illegally parked car, and encounters a succession of strange events and eccentric characters: an old couple living with their precocious granddaughter who have lost their only son, a one-armed barbershop owner cooking fish head soup, a mainland Chinese prostitute trying to escape her pimp’s cruel clutches, and a Hong Kong tailor embroiled in debt and captured by underground loan sharks. After many hardships, Chen Mo finally gets his car out of the parking space, and, with new friends riding beside him, advances toward a new horizon in life.

Directed by Mong-Hong Chung | Starring : Chen Chang, Gwei Lun-Mei, Leon Dai, Chapman To, Jack Kao | Presented at Cannes Film Festival, Ghent Film Festival, Thessaloniki Film Festival, Stockholm Film Festival, Oslo Film Festival, Taipei Film Festival, Wisconsin Film Festival

色，戒 | Lust, Caution

Shanghai, 1942. The World War II Japanese occupation of this Chinese city continues in force. Mrs. Mak, a woman of sophistication and means, walks into a café, places a call, and then sits and waits. She remembers how her story began several years earlier, in 1938 China. She is not in fact Mrs. Mak, but shy Wong Chia Chi. With WWII underway, Wong has been left behind by her father, who has escaped to England. As a freshman at university, she meets fellow student Kuang Yu Min. Kuang has started a drama society to shore up patriotism. As the theater troupe’s new leading lady, Wong realizes that she has found her calling, able to move and inspire audiences and Kuang. He convenes a core group of students to carry out a radical and ambitious plan to assassinate a top Japanese collaborator, Mr. Yee. Each student has a part to play; Wong will be Mrs. Mak, who will gain Yees’ trust by befriending his wife and then draw the man into an affair. Wong transforms herself utterly inside and out, and the scenario proceeds as scripted until an unexpectedly fatal twist spurs her to flee. Shanghai, 1941. With no end in sight for the occupation, Wong having emigrated from Hong Kong goes through the motions of her existence. Much to her surprise, Kuang re-enters her life. Now part of the organized resistance, he enlists her to again become Mrs. Mak in a revival of the plot to kill Yee, who as head of the collaborationist secret service has become even more a key part of the puppet government. As Wong reprises her earlier role, and is drawn ever closer to her dangerous prey, she finds her very identity being pushed to the limit…

Directed by Ang Lee | Starring : Tony Leung Chiu Wai, Wei Tang, Joan Chen, Leehom Wang, Chung-Hua Tou | Presented at Venice Film Festival, Toronto Film Festival, Calgary Film Festival, Rio de Janeiro Film Festival, Vancouver Film Festival, Edmonton Film Festival, London Film Festival, Vienna Film Festival, Sao Paulo Film Festival, Valladolid Film Festival, Oslo Film Festival, Göteborg Film Festival

浮生 | Bliss

This is a story about a family living beside a river. Like all the other families, every member of the family seems close to each other. But in fact they are miles apart, and everyone has a secret that they cannot share. The retried policeman Lao Li and his family members with is or her own character all want to have a special life for themselves. They get together in this family and create their own stories. Water in the river is flowing day and night, and life is just like a river. You can only move on without stopping. Never themes, it seems that people in the story are getting something in their hearts at a particular moment. Is that Joy? Or is that sorrow?

Directed by Zhimin Sheng | Starring : Zhong Liao, Lan Wang, Tao Xu, Xing-quan He, Jiang-ge Guan | Presented at Locarno Film Festival, Toronto Film Festival, Ghent Film Festival, Oslo Film Festival, Bratislava Film Festival, Hong Kong Film Festival, Indianapolis Film Festival, Shanghai Film Festival

颐和园 | Summer Palace

From the director of Purple Butterfly and Suzhou River comes Lou Ye’s sprawling epic Summer Palace . Yu Hong (Lei Hao) is a rebellious young woman from a small Chinese town transplanted to a politically charged Beijing University in the late 1980s. The country’s social turmoil is witnessed through its disaffected youth, whose newfound sexuality and activism culminate in violent suppression. Spanning nearly 20 years of modern Chinese history, Summer Palace projects the country’s struggle for definition through the eyes and heart of a young woman illequipped to handle it. While drifting between the arms of two men, her love fervent for both, Yu Hong’s existential crisis mirrors that of her nation. Will the chaos of society lead her to its same tragic fate?

Directed by Ye Lou | Starring : Hao Lei, Lin Cui, Yihong Duan, Xiaodong Guo, Xueyun Bai | Presented at Cannes Film Festival, Edinburgh Film Festival, Toronto Film Festival, Chicago Film Festival, Mill Valley Film Festival, Pusan Film Festival, Oslo Film Festival, Miyazaki Film Festival

青红 | Shanghai Dreams

In the mid-1960s the Chinese government, fearing conflict with the Soviet Union, called for strategically important factories to be moved inland to form a “Third Line Of Defence”. Answering their country’s call, innumerable workers and their families left their homes in such large cities as Shanghai and Beijing and followed the factories to the barren terrain of western China. Set twenty years later, as the country begins to reform and open up to the rest of the world, Wang Xiaoshuai’s moving film tells the poignant tale of one such displaced family and the conflict that arises when 19 year old Qinghong finds love for the first time with a local boy, much to the disapproval of her father who dreams of returning his family to Shanghai.

Directed by Xiaoshuai Wang | Starring : Yuanyuan Gao, Bin Li, Hao Qin, Yang Tang, Anlian Yao | Presented at Cannes Film Festival, La Rochelle Film Festival, Toronto Film Festival, Oslo Film Festival, Indianapolis Film Festival, Alba Regia Film Festival

天地英雄 | Warriors of Heaven and Earth

North of the vast 8th century Tang dynasty Chinese empire, the commercially and culturally priceless silk route is controlled by 36 friendly Buddhist kingdoms. Their are threatened by Turkic nomad tribes, the caravans also by brigand bands. Japanese scholar Lai Qimay not return home until the emperor is satisfied with his missions to retrieve refugees from the barren border lands. The last is competent imperial lieutenant Li, who was proscribed for refusing to execute Turkic prisoners. He now lives among fellow warriors for hire as caravan escorts. Lai Qi and Li reach a gentleman’s agreement to postpone their lethal duel till after the safe arrival of a caravan including a young Buddhist monk and his mysterious freight. When Turkic warlord Khan’s daughter’s hand seals an alliance with brigand sword master An, the only way out is trough the grimly dry Gobi desert.

Directed by Ping He | Starring : Wen Jiang, Kiichi Nakai, Xueqi Wang, Wei Zhao, Bagen Hasi | Presented at Tokyo Film Festival, Melbourne Film Festival, Oslo Film Festival

不散 | Goodbye Dragon Inn

A Japanese tourist takes refuge from a rainstorm inside a once-popular movie theater, a decrepit old barn of a cinema that is screening a martial arts classic, King Hu’s 1966 “Dragon Inn.” Even with the rain bucketing down outside, it doesn’t pull much of an audience – and some of those who have turned up are less interested in the movie than in the possibility of meeting a stranger in the dark.

Directed by Ming-liang Tsai | Starring : Kang-sheng Lee, Shiang-chyi Chen, Kiyonobu Mitamura, Tien Miao, Chao-jung Chen | Presented at Venice Film Festival, Toronto Film Festival, Vancouver Film Festival, Pusan Film Festival, Chicago Film Festival, New York Film Festival, Vienna Film Festival, Tokyo Film Festival, London Film Festival, Hawaii Film Festival, Stockholm Film Festival, Oslo Film Festival, Nantes Film Festival, Rotterdam Film Festival, Febio Film Festival, Belgrade Film Festival, Wisconsin Film Festival, Buenos Aires Film Festival, Istanbul Film Festival, Hong Kong Film Festival, Singapore Film Festival, Munich Film Festival, La Rochelle Film Festival, Maine Film Festival

一一 | Yi yi: A One and a Two

With the runaway international acclaim of this film, Taiwanese director Edward Yang could no longer be called Asian cinema’s best-kept secret. Yi Yi swiftly follows a middle-class family in Taipei over the course of one year, beginning with a wedding and ending with a funeral. Whether chronicling middle-aged father NJ’s tenuous flirtations with an old flame or precocious young son Yang-Yang’s attempts at capturing reality with his beloved camera, Yang imbues every gorgeous frame with a deft, humane clarity. Warm, sprawling, and dazzling, this intimate epic is one of the undisputed masterworks of the new century.

Directed by Edward Yang | Starring : Nien-Jen Wu, Elaine Jin, Kelly Lee, Jonathan Chang, Issei Ogata | Presented at Cannes Film Festival, Munich Film Festival, Karlovy Vary Film Festival, Sarajevo Film Festival, Telluride Film Festival,  Toronto Film Festival, Vancouver Film Festival, New York Film Festival, Chicago Film Festival, Bergen Film Festival, Valladolid Film Festival, Tokyo Film Festival, London Film Festival, Oslo Film Festival, Rotterdam Film Festival, Fribourg Film Festival, Singapore Film Festival, Hong Kong Film Festival, Locarno Film Festival, Cinemanila Film Festival

堕落天使 | Fallen Angels

Originally intended to be a third story in his now classic Chungking Express, Fallen Angels has emerged as what some critics have come to consider his “quintessential work.” Set in the neon-washed underworld of present day Hong Kong, Fallen Angels intertwines two exhilarating tales of love and isolation. First, there’s the unconsummated love affair between a contract Killer and the ravishing female Agent who books his assignments and cleans up after his jobs. When the Killer decides that he must move on, he leaves her with only a coin for the jukebox and instructions to play song number 1818. Ex-convict Ho stopped speaking at the age of five after eating a date-expired can of pineapple. He lives with his father, who runs a guesthouse where the Agent is in semi-permanent residence. Ho makes a living by re-opening shops that have been closed fort he night and intimidating customers into buying goods and services from him. After an awkward romance with a girl named Cherry, Ho finds himself all the more alone… Wong Kar-Wai brings these parallel storylines together in a blitz of ultra-hip style and classic cinematic sensibilities. A poet of modern alienation, Kar-Wai’s universe is populated with characters both dark and comic, magical and existential, Fallen Angels is both a vie at revolutionary cinema and an homage to a love for movies.

Directed by Kar Wai Wong | Starring : Leon Lai, Michelle Reis, Charlie Yeung, Takeshi Kaneshiro, Karen Mok | Presented at Toronto Film Festival, Berlin Film Festival, Oslo Film Festival, New York Film Festival, Thessaloniki Film Festival