这里，那里 | Here, There

Three interwoven stories of contemporary China. In the snowy forests of northern China, a lonely man herds reindeer and busies himself with his daily tasks, looking forward to visits from his wife and son. In Shanghai, a young restaurant worker becomes drawn to a troubled young woman and tries to care for her. In Paris, a young Chinese student is robbed of his passport. He receives unexpected help from an elderly compatriot who knows the ins and outs of their new city.

Directed by Sheng Lu | Starring : Yulai Lu, Lu Huang, Anliao Yao, Deshun Wang, Yan Bo Bai | Presented at Pusan Film Festival, Tokyo Film Festival, Edinburgh Film Festival

我十一 | 11 Flowers

One of China’s foremost Sixth Generation directors, Wang Xiaoshuai (Beijing Bicycle, Shanghai Dreams) tells a striking, autobiographical coming-of-age tale set in the final days of China’s Cultural Revolution. Eleven-year-old Wang Han lives with his family in a remote village in Guizhou province. When Wang is selected to lead his school through their daily gymnastic regiment, his teacher recommends that he wear a clean, new shirt in honor of this important position – a request that forces his family to make a great sacrifice.

Directed by Xiaoshuai Wang | Starring : Ni Yan, Jinchun Wang, Wenqing Liu, Renlang Qiao, Yi Zi | Presented at Toronto Film Festival, San Sebastian Film Festival, Pusan Film Festival, Tokyo Film Festival, Les Arcs Film Festival, Rotterdam Film Festival, Göteborg Film Festival, Istanbul Film Festival, Taipei Film Festival, St. Louis Film Festival, Fribourg Film Festival

夺命金 | Life Without Principle

Life Without Principle tells the story of three characters: an ordinary bank teller turned financial analyst is forced to sell high risk securities to her customers in order to meet her sales target; a small-time thug delves into the futures index hoping to earn easy money to post bail for a buddy in trouble with the law; a straight-arrow Police inspector, who has always enjoyed his middle income lifestyle, is suddenly desperate for money when his wife puts a down payment on a luxury flat she can’t afford and his dying father wants him to look after a young half-sister he never knew he had.

Directed by Johnnie To | Starring : Ching Wan Lau, Richie Ren, Denise Ho, Myolie Wu, Hoi-Pang Lo | Presented at Venice Film Festival, Toronto Film Festival, San Sebastian Film Festival, Vancouver Film Festival, Pusan Film Festival, Mar del Plata Film Festival, Wisconsin Film Festival, San Francisco Film Festival, Edinburgh Film Festival, Changchun Film Festival, Locarno Film Festival

賽德克·巴萊 | Warriors of the Rainbow: Seediq Bale

Set in 1930’s Formosa – now Taiwan – Warriors of the Rainbow: Seediq Bale tells the true story of the Wushe Incident in which aboriginal Seediq tribe warrior Mouna Rudo led his people to rebel against the Japanese occupation. Rudo’s men of 300 fought with ancient gun, spears and minimal weaponry and seeking to reclaim their land, their dignity and their honor, they took on the Japanese army of 3000 for two weeks.

Directed by Te-Sheng Wei | Starring : Ching-Tai Lin, Umin Boya, Masanobu Andô, Vivian Hsu, Mei-Ling Lo | Presented at Venice Film Festival, Toronto Film Festival, Pusan Film Festival, Vancouver Film Festival, Dubai Film Festival

Hello！树先生 | Mr. Tree

Shu, a bachelor, is an unreliable worker in his village’s motor-repair shop. He tends to stay silent, like a forgotten tree in the wilderness. When the villagers are forced to evacuate due to the expansion of the local mining activities, Shu goes to the provincial capital to ask his friend for a job in a tutorial school. There, Shu falls in love at first sight with Xiaomei, a deaf-mute girl. On the night before their wedding, Shu’s dead father, his elder brother and his elder brother’s murderer appear in his dreams. The wedding is a disaster, and Xiaomei leaves to rejoin her mother. The worries and intuitions that have long flashed through Shu’s mind start to make sense to him. He begins to make prophecies, and many of them come true.

Directed by Jie Han | Starring : Baoqiang Wang, Zhuo Tan, Jie He, Bo Liu, Jing An | Presented at Locarno Film Festival, Toronto Film Festival, Pusan Film Festival, Vancouver Film Festival, London Film Festival, Rio de Janeiro Film Festival, Rotterdam Film Festival

让子弹飞 | Let the Bullets Fly

Set during the Age of the Warlords in the 1920s, this comic western is the highest grossing Chinese film ever. When circumstances force an outlaw to impersonate a county governor and clean up a corrupt town, the Robin Hood figure finds himself in a showdown with the local “godfather”. Full of surprises and grounded with a smart, humorous script, Let the Bullets Fly’s battles are fought with guns and wit.a

Directed by Wen Jiang | Starring : Wen Jiang, Yun-Fat Chow, You Ge, Bing Shao, Fan Liao | Presented at Tribeca Film Festival, Locarno Film Festival, Pusan Film Festival, London Film Festival

黑白照片 | Shanghai Shimen Road

In the late 1980’s Shanghai, a 16 year-old boy, Xiaoli, comes of age surrounded by his neighbors and grandfather. His best friend is a girl named Lanmi, a couple years older than him. But Lanmi slowly drifts away from him, lured by the new opportunities which come as China opens up to foreign goods and businessmen. At the same time, the 1989 events force Xiaoli to grow up and to let go of his teenage dreams.

Directed by Haolun Shu | Starring : Ewen Cheng, Xufei Zhai, Lili Wang, Shouqin Xu, Yang Xiao | Presented at Rotterdam Film Festival, Pusan Film Festival, Marrakech Film Festival, Lille Film Festival, Warsaw Film Festival, Sao Paulo Film Festival

当爱来的时候 | When Love Comes

Chang Tso-Chi’s wonderful new film – his most achieved since The Best of Times – is about the members of a family. They come from Kinmen Island, a dot in the sea just off the coast of mainland China which for many years bore the brunt of China’s enmity towards Taiwan, but have settled in the Taipei suburbs to run a modest restaurant. The family has secrets which don’t come out until one member dies (without giving too much away, we can say they have to do with maternity), but there are no great melodramatic revelations. Women dominate the family; the men are a seemingly henpecked husband, nicknamed Dark Face, an autistic uncle who hates the number ‘3’ and has a real talent for ‘naïve’ drawing, and a new grandson, born in unusual circumstances in the opening scene. The women range from a bossy matriarch to a teenager struggling with the realisation that she made the wrong choice of boyfriend. Chang stirs them all together in episodes which have the authentic rhythms of family life and none of the contrivances of soap opera. He observes them with the kind of comic warmth last seen in the films of Edward Yang.

Directed by Tso-chi Chang | Starring : Yijie Li, Yushun Lin, Zihua He, Xuefeng Lu, Meng-jie Gao | Presented at Pusan Film Festival, London Film Festival, Rotterdam Film Festival

额吉 | My Mongolian Mother

The film is a touching epic drama based on a true story. In the 1960s, about 3,000 Chinese orphans were sent to Inner Mongolia. In the Xilingol grassland, Qiqigema Erji adopted Chen Chen and Yu Sheng even though her husband disapproved. The children grew up as Mongolian nomads. But 20 years later, upon hearing the news that biological parents were looking for their children, Chen Chen left for Shanghai in the hope of meeting his parents. Yu Sheng finally did meet his parents and faced a choice as to where he wanted to live.

Directed by Cai Ning | Starring : Renhua Na, Tumenbayaer, Rifu Bao, Ririgui, Haburi | Presented at Pusan Film Festival, Fajr Film Festival

山楂树之恋 | Under the Hawthorn Tree

The People’s Republic of China during the Cultural Revolution. Jing, a college student from town, is sent to a remote mountain village for ‘reeducation’. Jing is the personification of innocence. But her father has been put behind bars for being a ‘counter-revolutionary’ and so now Jing’s mother must try to support her three children on her own. Jing knows that not only her own future but that of her family now depends on how the authorities judge her efforts to be ‘reeducated’. Jing’s careful and inconspicuous behaviour comes to an end, however, when she falls in love with Sun, the engaging son of a high ranking officer. Given their completely different backgrounds, their love is not only hopeless, it is also dangerous. But their mutual attraction proves to be stronger than any of these obstacles. At first Jing resists Sun’s advances, but he refuses to give up, even when she returns to town. Before long, the two young people are passionately – but secretly – in love. Nobody must find out – least of all Jing’s mother, who already fears for her daughter’s future. But then Sun suddenly disappears, and when he reappears, something about him has changed. Jing has to rethink her perception of love, honour and loyalty. And stand up for her real beliefs.

Directed by Yimou Zhang | Starring : Dongyu Zhou, Shawn Dou, Meijuan Xi, Xuejian Li, Taisheng Chen | Presented at Pusan Film Festival, Berlin Film Festival, Melbourne Film Festival, Rio de Janeiro Film Festival, Valladolid Film Festival, Tateshina Kogen Film Festival

得闲炒饭 | All About Love

A sharp and funny exploration of the complex world of adult relationships, All About Love takes a rare look at the lives of queer women and their specific challenges when it comes to creating a family. Known for her cleverly observed societal dramas, Ann Hui is one of Hong Kong’s most respected filmmakers. Here, she balances the serious themes of motherhood, sexuality and discrimination – topics rarely addressed in Hong Kong cinema – with wit, humour and compassion. Macy, a bisexual lawyer with a fear of commitment, is frustrated by the judgemental attitudes of lesbians, but wants to get back in the female dating game. Urged by her good friends and their life partners to settle down, Macy runs into Anita, an ex-girlfriend who is pregnant after a one-night stand with Mike. Macy, who is also unexpectedly pregnant with her neighbour Robert, rekindles her romance with Anita, but her fear of commitment threatens to derail their plans to start a family together. Anita is devastated when her co-workers ostracize her after discovering that she’ll be a single mother, and this intensifies her thoughts of giving up the baby. Chow, who returns to the big screen after a fourteen year absence, is radiant as Anita, developing irresistible chemistry with Sandra Ng, who brings her great comic and dramatic timing to her performance. While All About Love is structured as a commercial romantic comedy, its themes are radical in scope. By presenting queer relationships as the norm and deconstructing the idea of a nuclear family, Hui has expertly crafted a film that dispels stereotypes on what constitutes a family. Hong Kong, for all its modernity is, at its core, still extremely conservative and traditional in terms of gender roles and family values, with no civil rights for same-sex couples. Hui subtly challenges such ideas and reminds the audience that the most important aspects of any relationship are not gender and convention, but love and commitment.

Directed by Ann Hui | Starring : Sandra Ng Kwan Yue, Vivian Chow, William Chan Wai-Ting, Siu-Fai Cheung, Jo Kuk | Presented at Toronto Film Festival, Pusan Film Festival, Tokyo Film Festival

无人驾驶 | Driverless

Jia chases love and wanders the streets to defy her father. Zhi Xiong lives a comfortable middle class life, but married life does not go well. Zhi Xiong has an affair with former girlfriend Xiao Yun. Wang Yao lost his daughter in a car accident and a women attempts to help him, but ends up getting hurt. Their interwoven stories all unravel through one accident at an intersection.

Directed by Yang Zhang | Starring : Ye Liu, Yuanyuan Gao, Jianbin Chen, Xiao Ran Li, Luodan Wang | Presented at Shanghai Film Festival, Pusan Film Festival

我们天上见 | We’ll Meet in Heaven

At age 40, mainland Chinese actress Jiang Wenli makes a smooth segue behind the camera with autobiographical coming-of-ager “Lan.” Cultural Revolution-set tale of a young girl, whose dream of becoming a champion gymnast is scuppered by the realities of everyday life and family background, is handled with grace and feeling, and is notably light on the political cliches besetting stories of the era. The audience-award winner at this year’s Pusan fest, this unabashedly old-school movie (in the best sense) is ripe for festival and Euro TV exposure, with some limited theatrical potential as well.

Directed by Wenli Jiang | Starring : Xu Zhu, Jun Yao, Ye Liu, Zhu Yinuo, Sichun Ma | Presented at Pusan Film Festival, Dubai Film Festival

透析 | Judge

In a small northern Chinese city in 1997, Judge Tian privately struggles with the loss of his daughter, killed by a stolen car in a hit-and-run accident. On the bench he encounters Qiuwu, a mechanic accused of stealing two cars. Perhaps influenced by his emotional state, the outwardly impassive judge imposes an almost-obsolete criminal law on Qiuwu that sentences him to death for his crime. Desperate to mitigate his sentence, Qiuwu agrees to donate his kidney to a rich businessman dying of a terminal illness, hoping at the very least that his impoverished family may profit from his demise.

Directed by Jie Liu | Starring : Dahong Ni, Ting Mei, Liang Qi, Zheng Zheng, Yingchun Song | Presented at Venice Film Festival, Pusan Film Festival, Hong Kong Film Festival, Los Angeles Film Festival, Miami Film Festival

泪王子 | Prince of Tears

Largely based on Yonfan’s childhood memories, Prince of Tears is akin to a sumptuous fairy tale. Alternately magnified through the eyes of innocent children and darkened by the disturbed dreams of frightened, guilty adults, the realities of a little-known era are explored through Yonfan’s powerful vision. As in the best of fables, here too we have a handsome prince and a beautiful princess, a charming fairy and a mean ogre. Elegantly shot, the film weaves the characters and their stories together in a mysterious and lyrical fashion. Yonfan’s pristine touch as production designer seamlessly matches the vibrant light and colour of Chin Ting-chang’s cinematography. As a result, the film’s stunning look provides a stark contrast to the terror within the environment. As both an exquisite rhapsody of emotions and an intriguing historical account, Yonfan’s work is utterly unique. It charms, evokes and informs, perfectly capturing the confusion of adolescence, when the world is full of beauty one moment and immersed in darkness the next.

Directed by Yonfan | Starring : Hsiao-chuan Chang, Terri Kwan, Wing Fan, Kenneth Tsang, Jack Kao | Presented at Venice Film Festival, Toronto Film Festival, Pusan Film Festival, Dubai Film Festival, Palm Springs Film Festival, Seattle Film Festival, Moscow Film Festival

意外 | Accident

A self-styled “accident choreographer,” Brain is a professional hitman who kills his victims by trapping them in well crafted “accidents” that look like unfortunate mishaps but are in fact perfectly staged acts of crime. Perennially plagued with guilt, he is also suspicious and morbid by nature. The recent avalanche of memories of his lost wife does not make things any easier. After one mission accidentally goes wrong, causing the life of one of his men, Brain is convinced that this accident has been choreographed: someone is out there plotting to terminate him and his team. He becomes increasingly paranoid, walking on the thin line between reality and delusion. When he discovers that a mysterious insurance agent Fong is somewhat related one of the “accidents” he has staged, Brain becomes obsessed that this man must be the mastermind behind a conspiracy to take him out. To regain his sanity and to save his life, he must strive to kill Fong before he makes his next move.

Directed by Pou-Soi Cheang | Starring : Louis Koo, Richie Ren, Michelle Ye, Shui-Fan Fung, Suet Lam | Presented at Venice Film Festival, Toronto Film Festival, Athens Film Festival, Sitges Film Festival, Pusan Film Festival, Vienna Film Festival, Mar del Plata Film Festival, Nantes Film Festival, Fantasia Film Festival, Munich Film Festival, Helsinki Film Festival

纺织姑娘 | Weaving Girl

Diagnosed with cancer and unable to afford treatment, a woman decides to leave her unhappy marriage search for her first love in Beijing.

Directed by Quan’an Wang | Starring : Nan Yu, Tao Guo, Zhengwu Cheng, Liv Fuyou, Yongquan Xia | Presented at Montréal Film Festival, Ghent Film Festival, Pusan Film Festival

重来 | Memory of Love

A woman, He Sizhu, and her lover, Chen Mo, are in a car accident. When she wakes up at the hospital where her husband is a surgeon, she has forgotten everything. Her lover has become a stranger, but he wants her back.

Directed by Chao Wang | Starring : Bingyan Yan, Gang Jiao, Naiwen Li, Juan Wang, Jianing Wang | Presented at Pusan Film Festival

中国姑娘 | She, a Chinese

Mei, a young Chinese girl bored with life in her little village, decides to quit for the nearest town, Chongqing. But life there isn’t much easier either; sacked from a clothing factory shortly after starting work, she makes do with a job in a hairdressing salon. There she meets and falls for Spikey, a local mafia’s contract killer. For this brute of a man – who has no qualms about asking her to beat him in the street with a nunchaku – she seems simply another notch on the bedpost. One evening, he comes home covered in blood and dies at her feet. Mei discovers several bundles of banknotes under his mattress, and sets off for London where she has an opportunity to marry Mister Hunt, a man of seventy. In her new husband’s silent home, a new life begins. Will she be satisfied with this monotonous routine? Paced to an original soundtrack by John Parish – working with PJ Harvey and the band Eels – and chaptered in telling titles such as Sometimes you wonder who you really are and Mei feels love under the Big Ben calendar, Xiaolu Guo has made a film in which the challenges Mei must confront do not deter her quest for a more promising future. The filmmaker uses elements of nature – stifling summer heat, a duck bleeding to death, a dog wolfed down by a fox –to express her protagonist’s feelings. Through this journey and the people Mei meets, She, a Chinese conjures the mix of cultures in the early 21st century and how people, lifestyles, consumer goods, and music all cross borders. Although these cross-cultural currents bring about a degree of chaos in Mei’s life, she finds the will to escape isolation, and to follow her desires, come what may.

Directed by Xiaolu Guo | Starring : Lu Huang, Wei Yi Bo, Geoffrey Hutchings, Chris Ryman, Hsinyi Liu | Presented at Locarno Film Festival, Toronto Film Festival, Hamburg Film Festival, Ghent Film Festival, Pusan Film Festival, Sao Paulo Film Festival, London Film Festival, Vienna Film Festival, Mar del Plata Film Festival, Göteborg Film Festival, Istanbul Film Festival, Hong Kong Film Festival, Melbourne Film Festival, Rio de Janeiro Film Festival

脸 | Face

A Taiwanese filmmaker makes a film based on the myth of Salomé at the Louvre. Even though he speaks neither French nor English, he insists on giving the part of King Herod to the French actor Jean-Pierre Léaud. To give the film a chance at the box-office, the production company gives the role of Salomé to a world famous model. But problems arise as soon as filming begins… Amidst all this confusion, the director suddenly learns of his mother’s death. The producer flies to Taipei, to attend the funeral. The director falls into a deep sleep where his mother’s spirit does not seem to want to leave her old apartment. The producer has no choice but to wait, alone and lost in a strange city. As after a very long voyage, filming will resume with all who were lost in the underground of the Louvre.

Directed by Ming-liang Tsai | Starring : Kang-sheng Lee, Fanny Ardant, Yi-Ching Lu, Jean-Pierre Léaud, Laetitia Casta | Presented at Cannes Film Festival, Toronto Film Festival, Vancouver Film Festival, Pusan Film Festival, Chicago Film Festival, Rotterdam Film Festival, Göteborg Film Festival, Buenos Aires Film Festival, Transilvania Film Festival

复仇 | Vengeance

What is vengeance if you can’t remember who it is you’re avenging? Isn’t memory what vengeance is all about? Vengeance is always personal, and usually results in at least a few more deaths than originally intended, many of them more than a little mordantly ironic. That’s part of what makes a revenge thriller thrilling, and Johnnie To’s terrific, slow-burn triad actioner Vengeance, adds a memory glitch to those thrills. Vengeance is a rich, fragrant reduction of To’s favorite themes (male bonding and codes of loyalty, the triad underworld, vengeance) trademarks (slow-motion clouds of blood, unforgettable set-pieces, impossibly sleek cinematography, brooding men, black humor) and actors. One splendid difference: Vengeance stars French actor and singer Johnny Hallyday (adding a nice tip of the chapeau to the French noirs of the ‘60s, when Hallyday had his rock and roll heyday). Hallyday plays François Costello, a Parisian restaurant owner who is in Macau at the request of his daughter—to avenge a savage attack on her family. Costello crosses paths with a crack team of triad hit men, whom he then hires to carry out his own revenge plan—a plan growing increasingly hazy due to his deteriorating memory. The craggy, lived-in face of Hallyday is as riveting as To’s mad scenes of mayhem, which include a fierce nighttime shootout as clouds pass over the full moon and—shootouts being To’s stock in trade—an epic battle in a junkyard that has to be seen to be believed. Vengeance, indeed, is a dish best served by Johnnie To.

Directed by Johnnie To | Starring : Johnny Hallyday, Anthony Wong Chau-Sang, Ka Tung Lam, Simon Yam, Suet Lam | Presented at Cannes Film Festival, Toronto Film Festival, Oldenburg Film Festival, San Sebastian Film Festival, Pusan Film Festival, San Francisco Film Festival, Seattle Film Festival, Milwaukee Film Festival

南京！南京！ | City of Life and Death

Nanjing, 1937. The third film from award-winning Sixth Generation director Lu Chuan, City of Life and Death is a devastating account of the massacre that occurred during the Sino-Japanese War when Japanese troops took the city of Nanjing in December 1937, a tragedy remembered as the Rape of Nanking. Shot completely in black and white, this powerful war drama unflinchingly captures the shocking violence and brutality of the Nanjing massacre, from the mass executions of POWs to the raping and slaughtering of civilians, while providing a deeply human portrait of both the victims and the perpetrators. Rendered in many shades of gray, City of Life and Death touches on the different people whose lives are destroyed by the war: the Chinese soldiers who gave their lives, the foreign missionaries who sheltered refugees, the comfort women, the Chinese civilians, and the Japanese soldiers. In a surprising move for a Mainland Chinese film about the Rape of Nanking, City of Life and Death is told primarily from the perspective of a Japanese soldier, who witnesses, commits, and abhors the atrocities of his army. By choosing to humanize rather than demonize, Lu Chuan offers an all the more devastating memory of the Nanjing massacre, and the people who lived and died in the City of Life and Death.

Directed by Chuan Lu | Starring : Ye Liu, Yuanyuan Gao, Hideo Nakaizumi, Wei Fan, Lan Qin | Presented at Edinburgh Film Festival, Toronto Film Festival, San Sebastian Film Festival, Athens Film Festival, Oslo Film Festival, Hamptons Film Festival, Pusan Film Festival, Warsaw Film Festival, London Film Festival, AFI Film Festival, Mar del Plata Film Festival, Palm Springs Film Festival, Rotterdam Film Festival, Seattle Film Festival, Melbourne Film Festival, Helsinki Film Festival

天水围的夜与雾 | Night and Fog

Ann Hui’s darkly realistic Night and Fog starts at the end of the story: a man murders his wife and, based on statements by unreliable witnesses, the film goes on to investigate how things could have got this far and what kind of man was able to kill his family; questions that almost inevitably remain unanswered. Night and Fog, named after Nuit et brouillard (1955), Alain Resnais’ documentary about concentration camps, looks at the difficult problem of domestic violence. An elderly man from Hong Kong takes a wife from outside the city and goes on to neglect and abuse the woman. Ann Hui’s cool registering camera is juxtaposed with flashbacks within flashbacks and dream sequences, just as in her earlier film, Song of the Exile.

Directed by Ann Hui | Starring : Jingchu Zhang, Simon Yam, Wai Keung Law, Amy Chum, Kenneth Cheung | Presented at Hong Kong Film Festival, Vancouver Film Festival, Pusan Film Festival, Tokyo Film Festival, Göteborg Film Festival, Rotterdam Film Festival, Transilvania Film Festival

黄金周 | Routine Holiday

A father takes his son to observe an empty field, and then to visit a neighbour, who is soon visited by other reticent characters, including a man who is a little violent, and another next-door neighbour who has fallen ill. Between haunting periods of silence reminiscent of Beckett’s existential plays, the characters discuss why they are alive. Then one of them decides to slap the other in the face. The little boy, however, is less interested in the forlorn adults around him than in the strange contents of his bucket. Poet and novelist Li Hongqi’s new movie takes a voyeuristic and melancholy glimpse into the suburban lives of his characters to cast light on a quiet thread of restlessness that connects us all.

Directed by Hongqi Li | Starring : Yang Bo, Xiao He, Duo Yu | Presented at Pusan Film Festival, London Film Festival

二冬 | Er Dong

A rebellious teenager endures boarding school expulsion, family pressures and the harsh realities of rural life in northern China, until an uncovered secret from his past changes his life forever. Er Dong lives alone with his devout Christian mother in a small village. Frustrated with his bad behavior, his mother takes him to a Christian school with the hope that he will find God as well as a new direction in life. Instead, he finds a girlfriend, Chang’e, and their misconduct leads to their expulsion. Together they must face up to the harsh realities of work, parenthood and adult life in the tough economic reality of contemporary China. Recurring nightmares that plague Er Dong lead him to a shocking revelation of his own past. Yang Jin’s second feature is a detail-rich, documentary-style portrait that builds with clear-eyed assurance through the life of a seemingly unheroic and unremarkable country boy. It’s not until the film looks backwards that one gains the full scope of Er Dong’s strangely epic journey. Quietly moving and full of authentic insight into the prospects for youth in rural China, Er Dong announces the arrival of a major new talent in filmmaker Yang Jin.

Directed by Jin Yang | Starring : Li Jun Bai, Ming Juan Yang, Carolan Guan, Xiao Ke Guan | Presented at Pusan Film Festival, Rotterdam Film Festival, Hong Kong Film Festival, Munich Film Festival, Locarno Film Festival, Bangkok Film Festival, Ghent Film Festival

达达 | Dada’s Dance

After her mother’s lecherous boyfriend reveals she’s adopted, incorrigible flirt Dada (Xinyun Li) skips town — with hopelessly smitten boy-next-door Zhou (Xiaofeng Li) in tow — in search of her birth mother. Framed by a coming-of-age narrative, director Zhang Yuan’s dreamy, sensual film is an evocative reflection on love, youth and disaffectation in contemporary society.

Directed by Yuan Zhang | Starring : Xiaofeng Li, Ke Gai, Yi Liu, Tao Zhao, Qiang Chen | Presented at Pusan Film Festival, Sundance Film Festival, Rotterdam Film Festival, Thessaloniki Film Festival, Singapore Film Festival, Warsaw Film Festival, Febio Film Festival

红色康拜因 | The Red Awn

Whenever the wheat becomes golden, thousands of floaters will leave their homes and migrate from one place to another to make a living by working in the wheat fields. A 50-year-old father leaves his wife and son in their hometown and, in order to make money, goes to the city for five years. The 17–year-old son grows up in the countryside alone. At summer’s end, the father returns and decides to drive the red combine during the harvest with his son. On their way, an irresponsible father and a resentful son try to rebuild their bond, to face their destiny.

Directed by Shangjun Cai | Starring : Lu Huang, Yulai Lu, Jianbin Chen, Shi Junhui, Hong Wang | Presented at Pusan Film Festival, Thessaloniki Film Festival, Seattle Film Festival, Melbourne Film Festival, Chicago Film Festival

明明 | Ming Ming

Ming Ming is a 21st Century martial arts princess and lady Robin Hood who steals for love. Her Prince Charming is D, a maverick fighter and irresistible rogue who posted this challenge to his swarms of female admirers – give him 5 million dollars and he’ll run away with his benefactress to Harbin. Ming Ming meets D’s another girlfriend Nana, who is a virtual look-alike of Ming Ming. Meanwhile, disappears from Shanghai without a trace. The only clue he leaves behind is a cryptic phone message.

Directed by Susie Au | Starring : Xun Zhou, Daniel Wu, Tony Yang, Kristy Yang, Bo-yuan Chan | Presented at Pusan Film Festival, Hong Kong Film Festival

放逐 | Exiled

Set in a Macau, China, that resembles more a Mexican town than anything Chinese, this film by the acclaimed director Johnnie To starts as four mysterious outlaws descend on the house of a fellow criminal Wo, who is living a quiet life with his wife and baby. Two of the hoods, Blaze and Fat, have come to kill Wo, on the orders of their Boss, while the other two, Tai and Cat, have come to save him. Both sides know each other well, having grown up together, and soon the group decides to save Wo’s life, and run from the Boss’ hired guns.

Directed by Johnnie To | Starring : Anthony Wong Chau-Sang, Francis Ng, Simon Yam, Nick Cheung, Richie Ren | Presented at Venice Film Festival, Toronto Film Festival, Sitges Film Festival, Mar del Plata Film Festival, Wisconsin Film Festival, La Rochelle Film Festival, Karlovy Vary Film Festival, New Zealand Film Festival, Pusan Film Festival

黑眼圈 | I Don’t Want to Sleep Alone

Forest fires burn in Sumatra; a smoke covers Kuala Lumpur. Grifters beat an immigrant day laborer and leave him on the streets. Rawang, a young man, finds him, carries him home, cares for him, and sleeps next to him. In a loft above lives a waitress. She sometimes provides care and attention. More violence seems a constant possibility. They find another man abandoned on the street, paralyzed. They carry him. While no one speaks to each other, sounds dominate: coughing, cooking, coupling, opening bags; music and news reports on a radio, the rattle and buzz of a restaurant. It’s dark in the city at night. We see down hallways, through doors, down alleys. Who sleeps with whom?

Directed by Ming-liang Tsai | Starring : Kang-sheng Lee, Shiang-chyi Chen, Norman Atun, Pearlly Chu, Azman Hassan | Presented at Venice Film Festival, Toronto Film Festival, Vancouver Film Festival, Pusan Film Festival, Sao Paulo Film Festival, London Film Festival, Thessaloniki Film Festival, Nantes Film Festival, Mar del Plata Film Festival, Hong Kong Film Festival, Rio de Janeiro Film Festival