记忆望着我 | Memories Look at Me

Song Fang is the protagonist in her own soberly filmed docudrama, in which she returns from Beijing to the house of her parents in Nanjing. The film is largely set indoors, where Song shares everyday life and many memories with her parents, sister-in-law, brother and niece. Song is always on screen as they talk about relatives living and dead, about more or less successful careers, about old friends, illnesses and accidents, funerals and weddings. A young niece, Diandian, makes disarming comments that provide a lighter note. Between the conversations – that often take place around food – and rare excursions, we catch a glimpse of changing Chinese society. It is obvious that the norms and values of the older generation are being devalued, but that some deep-rooted traditions will probably continue for a very long time.

Directed by Fang Song | Starring : Yu-zhu Ye, Di-jing Song, Fang Song, Song Yuan | Presented at Locarno Film Festival, Vancouver Film Festival, New York Film Festival, Mar del Plata Film Festival, Entrevues Film Festival, Rotterdam Film Festival, Portland Film Festival, San Francisco Film Festival

我还有话要说 | When Night Falls

Inspired by the notorious case of a young man’s 2008 murder of six Shanghai police officers, the remarkable new film from independent Chinese auteur Ying Liang focuses on the killer’s mother, as she both struggles to comprehend her son’s heinous act and is persecuted by a state that willfully ignores its own laws.

Directed by Liang Ying | Starring : An Nai, Kate Wen, Ming Sun | Presented at Jeonju Film Festival, Locarno Film Festival, Toronto Film Festival, Vancouver Film Festival, Warsaw Film Festival, Cinemanila Film Festival, Rotterdam Film Festival

我十一 | 11 Flowers

One of China’s foremost Sixth Generation directors, Wang Xiaoshuai (Beijing Bicycle, Shanghai Dreams) tells a striking, autobiographical coming-of-age tale set in the final days of China’s Cultural Revolution. Eleven-year-old Wang Han lives with his family in a remote village in Guizhou province. When Wang is selected to lead his school through their daily gymnastic regiment, his teacher recommends that he wear a clean, new shirt in honor of this important position – a request that forces his family to make a great sacrifice.

Directed by Xiaoshuai Wang | Starring : Ni Yan, Jinchun Wang, Wenqing Liu, Renlang Qiao, Yi Zi | Presented at Toronto Film Festival, San Sebastian Film Festival, Pusan Film Festival, Tokyo Film Festival, Les Arcs Film Festival, Rotterdam Film Festival, Göteborg Film Festival, Istanbul Film Festival, Taipei Film Festival, St. Louis Film Festival, Fribourg Film Festival

桃姐 | A Simple Life

Based on a true story, the film centres on Ah Tao, an amah who has worked for the Leung family for four generations. She lives with and takes care of Roger, a film producer who is the only member of the Leung household still living in Hong Kong. Roger returns home one day and finds Ah Tao unconscious after a stroke. Convinced she has becoming a burden, Tao resigns and moves into a retirement home. But upon her arrival, she continues to be taken care of by Roger, who realizes just how important she is to him. He decides to do his best to watch after the person who has nurtured him all his life. But Ah Tao’s health is fast deteriorating. Hui has always excelled when telling stories of everyday life. In A Simple Life, she delivers a rich and heartwarming drama that not only deals with the many abandoned old people in Hong Kong, but also exquisitely captures the unique relationship between the amah and the family for which she cares. In an age when loyalty between employers and employees is fast disappearing, A Simple Life highlights a culture that has almost ceased to exist in Hong Kong: one in which a person devotes their life to serving a family, and in return is cherished as much as any other relative.

Directed by Ann Hui | Starring : Andy Lau, Deannie Yip, Hailu Qin, Fuli Wang, Paul Chun | Presented at Venice Film Festival, Toronto Film Festival, Vancouver Film Festival, London Film Festival, Stockholm Film Festival, Dubai Film Festival, Palm Springs Film Festival, Rotterdam Film Festival, Okinawa Film Festival, Durban Film Festival, Istanbul Film Festival, Sydney Film Festival, Munich Film Festival, Portland Film Festival

Hello！树先生 | Mr. Tree

Shu, a bachelor, is an unreliable worker in his village’s motor-repair shop. He tends to stay silent, like a forgotten tree in the wilderness. When the villagers are forced to evacuate due to the expansion of the local mining activities, Shu goes to the provincial capital to ask his friend for a job in a tutorial school. There, Shu falls in love at first sight with Xiaomei, a deaf-mute girl. On the night before their wedding, Shu’s dead father, his elder brother and his elder brother’s murderer appear in his dreams. The wedding is a disaster, and Xiaomei leaves to rejoin her mother. The worries and intuitions that have long flashed through Shu’s mind start to make sense to him. He begins to make prophecies, and many of them come true.

Directed by Jie Han | Starring : Baoqiang Wang, Zhuo Tan, Jie He, Bo Liu, Jing An | Presented at Locarno Film Festival, Toronto Film Festival, Pusan Film Festival, Vancouver Film Festival, London Film Festival, Rio de Janeiro Film Festival, Rotterdam Film Festival

黑血 | Black Blood

Not everything is progress in China. Less and less rain means that the inhabitants of Inner Mongolia have to do everything to survive. For instance, sell their own blood. And in order to sell enough blood, you have to drink. A drama of fate shot in impressively expressive black-and-white. In a remote mountain village in the northwest of China, close to a nuclear test zone, the poverty-stricken Xiaolin sells his blood to pay his daughter’s school fees. Together with his wife Xiaojuan, he tries to set up a business. At first that seems very lucrative, but then fate strikes: it turns out that both Xiaolin and Xiaojuan are infected with HIV. Just like thousands of other poor people, who illegally sell their blood to be able to buy something as essential as water. Black Blood, supported by the Hubert Bals Fund, tells a small and personal story against the background of an ecological disaster. In the valley where the film was shot, there is also in reality no water anymore. ‘Water is more valuable than blood and many villages have already been deserted,’ according to Zhang Miaoyan. Zhang films the poor odd-jobbers for more than two hours in hypnotic black-and-white and – very briefly – in equally stunning colours.

Directed by Miaoyan Zhang | Starring : Mengjuan Liu, Danhui Mao, Yingying | Presented at Rotterdam Film Festival, Kerala Film Festival, Cannes Film Festival, Las Palmas Film Festival, Jeonju Film Festival, Montréal Film Festival, Rome Film Festival, Thessaloniki Film Festival

黑白照片 | Shanghai Shimen Road

In the late 1980’s Shanghai, a 16 year-old boy, Xiaoli, comes of age surrounded by his neighbors and grandfather. His best friend is a girl named Lanmi, a couple years older than him. But Lanmi slowly drifts away from him, lured by the new opportunities which come as China opens up to foreign goods and businessmen. At the same time, the 1989 events force Xiaoli to grow up and to let go of his teenage dreams.

Directed by Haolun Shu | Starring : Ewen Cheng, Xufei Zhai, Lili Wang, Shouqin Xu, Yang Xiao | Presented at Rotterdam Film Festival, Pusan Film Festival, Marrakech Film Festival, Lille Film Festival, Warsaw Film Festival, Sao Paulo Film Festival

寻欢作乐 | The High Life

In Guangzhou, petty con artist Jian Ming scams naive country folk like Xiao Ya out of their cash and keeps a record of them on his bedroom wall. His girlfriend Fang’s relative wealth comes from being a kept woman, but she’s had just about enough of her elderly patron. Jian Ming seems to be coasting along with few moral qualms until he befriends Xiao Ya and realizes that she brightens up his dull life. Nonetheless he sets her up to be assaulted by local gangster Hui, which finally compels him into an emotional reaction.

Directed by Zhao Dayong | Starring : Shaoqiu Shen, Hong Qiu, Yanfei Liu, Qingyi Su, Lei Diao | Presented at Nantes Film Festival, Rotterdam Film Festival, San Francisco Film Festival, San Sebastian Film Festival

当爱来的时候 | When Love Comes

Chang Tso-Chi’s wonderful new film – his most achieved since The Best of Times – is about the members of a family. They come from Kinmen Island, a dot in the sea just off the coast of mainland China which for many years bore the brunt of China’s enmity towards Taiwan, but have settled in the Taipei suburbs to run a modest restaurant. The family has secrets which don’t come out until one member dies (without giving too much away, we can say they have to do with maternity), but there are no great melodramatic revelations. Women dominate the family; the men are a seemingly henpecked husband, nicknamed Dark Face, an autistic uncle who hates the number ‘3’ and has a real talent for ‘naïve’ drawing, and a new grandson, born in unusual circumstances in the opening scene. The women range from a bossy matriarch to a teenager struggling with the realisation that she made the wrong choice of boyfriend. Chang stirs them all together in episodes which have the authentic rhythms of family life and none of the contrivances of soap opera. He observes them with the kind of comic warmth last seen in the films of Edward Yang.

Directed by Tso-chi Chang | Starring : Yijie Li, Yushun Lin, Zihua He, Xuefeng Lu, Meng-jie Gao | Presented at Pusan Film Festival, London Film Festival, Rotterdam Film Festival

钢的琴 | The Piano in a Factory

An offbeat ballad of friendship and devotion, The Piano in a Factory captures the tempo of changing times with quiet wisdom and a tinge of nostalgia. Steelworker Chen has a passion for music and plays the accordion in a local band with a close group of friends. When his estranged wife returns one day after years of absence, she demands a divorce and sole custody of their daughter. Chen is at a loss. He doesn’t mind divorcing a woman who has become a stranger, but he can’t bear to part with his daughter. Chen has worked hard to give her a respectable life and has taught her his love of music. When asked if she’d rather stay with her father or go with her mother, the girl gives a practical, devastating answer: she’ll go with whomever can provide her with a piano. Chen cannot afford such a luxury item, but the piano becomes his last hope to save what little is left of his family. With the help of his loyal friends and the support of his lover – the singer in his band – Chen concocts several plans to fulfill his daughter’s wish, from sneaking her into the local music school at night to drawing a fake piano. He even tries to steal the instrument from the school – anything to keep her near him. Nothing works for long, until Chen looks around his fading steel factory town and hits on the perfect solution. The Piano in a Factory is an endearing portrait of a moment when the certainty of state-run industry begins to falter. Simple in its measured and assured direction, The Piano in a Factory establishes Zhang Meng as one of the most vibrant voices in Chinese cinema today.

Directed by Zhang Meng | Starring : Qianyuan Wang, Shin-yeong Jang, Hailu Qin, Yongzhen Guo, Er-yang Luo | Presented at Toronto Film Festival, Tokyo Film Festival, Cinemanila Film Festival, Dubai Film Festival, Rotterdam Film Festival, Glasgow Film Festival, Miami Film Festival, San Francisco Film Festival, Wisconsin Film Festival, Melbourne Film Festival, Hamburg Film Festival, Thessaloniki Film Festival

寒假 | Winter Vacation

An ordinary village in Northern China, the last day of the winter vacation. Four idle, aimless adolescents gather at Zhou Zhixin’s home, a friend who lives with his father, brother and nephew. Like most contemporary teenagers, these youths want to enjoy their last day of holiday and simply hang out in this place where nothing ever seems likely to happen. Their conversations are desultory and they sometimes seem to argue for argument’s sake. One of them, Laowu, talks frankly with his girlfriend about how teenage love might affect their studies, while Laobao questions school’s value and relevance to real life.

Directed by Hongqi Li | Starring : Jinfeng Bai, Lei Bao, Hui Wang, Ying Xie, Naqi Zhang | Presented at Locarno Film Festival, Vancouver Film Festival, London Film Festival, Mar del Plata Film Festival, Thessaloniki Film Festival, Rotterdam Film Festival, Hong Kong Film Festival, Wisconsin Film Festival, Melbourne Film Festival, San Sebastian Film Festival

脸 | Face

A Taiwanese filmmaker makes a film based on the myth of Salomé at the Louvre. Even though he speaks neither French nor English, he insists on giving the part of King Herod to the French actor Jean-Pierre Léaud. To give the film a chance at the box-office, the production company gives the role of Salomé to a world famous model. But problems arise as soon as filming begins… Amidst all this confusion, the director suddenly learns of his mother’s death. The producer flies to Taipei, to attend the funeral. The director falls into a deep sleep where his mother’s spirit does not seem to want to leave her old apartment. The producer has no choice but to wait, alone and lost in a strange city. As after a very long voyage, filming will resume with all who were lost in the underground of the Louvre.

Directed by Ming-liang Tsai | Starring : Kang-sheng Lee, Fanny Ardant, Yi-Ching Lu, Jean-Pierre Léaud, Laetitia Casta | Presented at Cannes Film Festival, Toronto Film Festival, Vancouver Film Festival, Pusan Film Festival, Chicago Film Festival, Rotterdam Film Festival, Göteborg Film Festival, Buenos Aires Film Festival, Transilvania Film Festival

春风沉醉的夜晚 | Spring Fever

Nanjing, present day, springtime. Wang Ping’s wife suspects him of adultery. She hires Lou Haitao to spy on him and discovers that her husband’s lover is a man, Jian Cheng. It’s with this man that Lou Haitao and his girlfriend, Li Jing, form a torrid love triangle. For all three, it’s the beginning of asphyxiating sultry nights of physical abandon that exalt the senses. A journey into the confines of jealousy and obsessive love.

Directed by Ye Lou | Starring : Hao Qin, Sicheng Chen, Zhuo Tan, Wei Wu, Songwen Zhang | Presented at Cannes Film Festival, Toronto Film Festival, Rotterdam Film Festival, Göteborg Film Festival, Miyazaki Film Festival

南京！南京！ | City of Life and Death

Nanjing, 1937. The third film from award-winning Sixth Generation director Lu Chuan, City of Life and Death is a devastating account of the massacre that occurred during the Sino-Japanese War when Japanese troops took the city of Nanjing in December 1937, a tragedy remembered as the Rape of Nanking. Shot completely in black and white, this powerful war drama unflinchingly captures the shocking violence and brutality of the Nanjing massacre, from the mass executions of POWs to the raping and slaughtering of civilians, while providing a deeply human portrait of both the victims and the perpetrators. Rendered in many shades of gray, City of Life and Death touches on the different people whose lives are destroyed by the war: the Chinese soldiers who gave their lives, the foreign missionaries who sheltered refugees, the comfort women, the Chinese civilians, and the Japanese soldiers. In a surprising move for a Mainland Chinese film about the Rape of Nanking, City of Life and Death is told primarily from the perspective of a Japanese soldier, who witnesses, commits, and abhors the atrocities of his army. By choosing to humanize rather than demonize, Lu Chuan offers an all the more devastating memory of the Nanjing massacre, and the people who lived and died in the City of Life and Death.

Directed by Chuan Lu | Starring : Ye Liu, Yuanyuan Gao, Hideo Nakaizumi, Wei Fan, Lan Qin | Presented at Edinburgh Film Festival, Toronto Film Festival, San Sebastian Film Festival, Athens Film Festival, Oslo Film Festival, Hamptons Film Festival, Pusan Film Festival, Warsaw Film Festival, London Film Festival, AFI Film Festival, Mar del Plata Film Festival, Palm Springs Film Festival, Rotterdam Film Festival, Seattle Film Festival, Melbourne Film Festival, Helsinki Film Festival

天水围的夜与雾 | Night and Fog

Ann Hui’s darkly realistic Night and Fog starts at the end of the story: a man murders his wife and, based on statements by unreliable witnesses, the film goes on to investigate how things could have got this far and what kind of man was able to kill his family; questions that almost inevitably remain unanswered. Night and Fog, named after Nuit et brouillard (1955), Alain Resnais’ documentary about concentration camps, looks at the difficult problem of domestic violence. An elderly man from Hong Kong takes a wife from outside the city and goes on to neglect and abuse the woman. Ann Hui’s cool registering camera is juxtaposed with flashbacks within flashbacks and dream sequences, just as in her earlier film, Song of the Exile.

Directed by Ann Hui | Starring : Jingchu Zhang, Simon Yam, Wai Keung Law, Amy Chum, Kenneth Cheung | Presented at Hong Kong Film Festival, Vancouver Film Festival, Pusan Film Festival, Tokyo Film Festival, Göteborg Film Festival, Rotterdam Film Festival, Transilvania Film Festival

二冬 | Er Dong

A rebellious teenager endures boarding school expulsion, family pressures and the harsh realities of rural life in northern China, until an uncovered secret from his past changes his life forever. Er Dong lives alone with his devout Christian mother in a small village. Frustrated with his bad behavior, his mother takes him to a Christian school with the hope that he will find God as well as a new direction in life. Instead, he finds a girlfriend, Chang’e, and their misconduct leads to their expulsion. Together they must face up to the harsh realities of work, parenthood and adult life in the tough economic reality of contemporary China. Recurring nightmares that plague Er Dong lead him to a shocking revelation of his own past. Yang Jin’s second feature is a detail-rich, documentary-style portrait that builds with clear-eyed assurance through the life of a seemingly unheroic and unremarkable country boy. It’s not until the film looks backwards that one gains the full scope of Er Dong’s strangely epic journey. Quietly moving and full of authentic insight into the prospects for youth in rural China, Er Dong announces the arrival of a major new talent in filmmaker Yang Jin.

Directed by Jin Yang | Starring : Li Jun Bai, Ming Juan Yang, Carolan Guan, Xiao Ke Guan | Presented at Pusan Film Festival, Rotterdam Film Festival, Hong Kong Film Festival, Munich Film Festival, Locarno Film Festival, Bangkok Film Festival, Ghent Film Festival

达达 | Dada’s Dance

After her mother’s lecherous boyfriend reveals she’s adopted, incorrigible flirt Dada (Xinyun Li) skips town — with hopelessly smitten boy-next-door Zhou (Xiaofeng Li) in tow — in search of her birth mother. Framed by a coming-of-age narrative, director Zhang Yuan’s dreamy, sensual film is an evocative reflection on love, youth and disaffectation in contemporary society.

Directed by Yuan Zhang | Starring : Xiaofeng Li, Ke Gai, Yi Liu, Tao Zhao, Qiang Chen | Presented at Pusan Film Festival, Sundance Film Festival, Rotterdam Film Festival, Thessaloniki Film Festival, Singapore Film Festival, Warsaw Film Festival, Febio Film Festival

二十四城记 | 24 City

A masterful film from Jia Zhang-ke, the renowned director chronicles the dramatic closing of a once-prosperous state-owned aeronautics factory in Chengdu, a city in Southwest China, and its conversion into a sprawling luxury apartment complex. Bursting with poetry, pop songs and striking visual detail, the film weaves together unforgettable stories from three generations of workers – some real, some played by actors – into a vivid portrait of the human struggle behind China’s economic miracle.

Directed by Zhang Ke Jia | Starring : Tao Zhao, Joan Chen, Jianbin Chen, Liping Lü | Presented at Cannes Film Festival, Toronto Film Festival, New York Film Festival, Sao Paulo Film Festival, Chicago Film Festival, London Film Festival, Mar del Plata Film Festival, Torino Film Festival, Rotterdam Film Festival, Glasgow Film Festival, Cleveland Film Festival, Wisconsin Film Festival, Hong Kong Film Festival, Rio de Janeiro Film Festival, St. Louis Film Festival

金碧辉煌 | Fujian Blue

“The whole world fears Fujian!” announces a TV pundit, commenting on the notoriety of China’s southeastern province as the country’s center for illegal emigration and human trafficking. Shot on location in Fujian’s coastal towns and on Pingtan Island in the Taiwan Strait, with a cast of non-professionals playing characters very much like themselves, Robin Weng’s pin-sharp debut feature reveals why and how so many young Chinese pay to have themselves smuggled in containers to the West.

Directed by Weng Shou Ming | Starring : Liu Haochen, Jin Luo, Chen Shu, Lin Yile, Wang Yinan | Presented at Vancouver Film Festival, Rotterdam Film Festival, Buenos Aires Film Festival, Stockholm Film Festival, Nantes Film Festival

帮帮我，爱神 | Help Me Eros

Ah Jie lost everything in the stock market due to a severe economic crisis. He now spends his days in his sealed apartment, smoking joints and looking after the marijuana plants that he secretly grows in his wardrobe. In desperation, he calls a suicide helpline and gets to know Chyi, whose sweet and gentle voice causes him to fall in love with his fantasized image of her. He tries to ask her out but is repeatedly rejected. He begins projecting his fantasy of Chyi on Shin, the new girl working at the betel nut stall downstairs. Shin is always sexily dressed in order to lure male customers. He becomes closer to her and soon the two of them sink into a world of erotic and psychedelic pleasures. At the same time, Ah Jie begins to stalk Chyi.

Directed by Kang-sheng Lee | Starring : Kang-sheng Lee, Ivy Yi, Jane Liao, Dennis Nieh | Presented at Venice Film Festival, Toronto Film Festival, Reykjavik Film Festival, Vancouver Film Festival, Sao Paulo Film Festival, Gijón Film Festival, Rotterdam Film Festival, Buenos Aires Film Festival, Gindou Film Festival

今天的鱼怎么样？ | How Is Your Fish Today?

How Is Your Fish Today? tells the story of a famous screenwriter whose film scripts have all been rejected by Chinese censors. He writes a script about a man named Lin Hao for his producer, who expects it to be a Chinese version of The Fugitive. Upon reading Rao’s arthouse script, the producer rejects it as the worst screenplay he has ever read. Rao is infuriated with the response and kills Lin’s wife. Lin finds out while cheating on his wife and immediately sends Rao a thank you note. Rao is upset that Lin did not get adequately infuriated and kills all of Lin’s dogs. Lin then calls in three Nazis he knew from back in the day to poop all over Rao’s lawn. Rao is discouraged and now sees his mistake. However, Rao does not abandon his story, instead he rewrites it. Rao begins to live through his main character, Lin Hao, as he writes about him fleeing his home on a journey of self-discovery. Hao makes his way to Mohe, as does Rao, and the writer enters his own narrative. Both characters, in a struggle for freedom, have left their homes behind, but while Lin Hao is running away, Hui Rao is searching for something.

Directed by Xiaolu Guo | Starring : Xiaolu Guo, Ning Hao, Hui Rao, Zijiang Yang | Presented at Edinburgh Film Festival, Sundance Film Festival, Rotterdam Film Festival, Fribourg Film Festival, San Francisco Film Festival, Seattle Film Festival, Karlovy Vary Film Festival, New Zealand Film Festival, Vancouver Film Festival, Vienna Film Festival

背鸭子的男孩 | Taking Father Home

Traveling with no money and only two ducks as collateral, Xu Yun walks into an urban jungle of gangsters and thieves, throwing his life into danger. He earns the sympathy and support of streetwise hustler Scar and a cynical policeman. Both help Xu Yun find clues to the whereabouts of his father, but their efforts are dashed by a 24-hour flood warning forcing the sudden evacuation of the entire city. Will Xu Yun find his father in time, and if so, will he bring his father back home? Winner of several international festival awards, Taking Father Home is the debut feature of radical independent filmmaker Ying Liang, who borrowed equipment and recruited friends and family to realize his fierce vision of an emotionaly scarred society. The film presents “a side of China that is rarely, if ever, seen on film.

Directed by Liang Ying | Starring : Yun Xu, Xiaopei Liu, Jie Wang, Cijun Song | Presented at Rotterdam Film Festival, Fribourg Film Festival, Hong Kong Film Festival, Singapore Film Festival, San Francisco Film Festival, Chicago Film Festival, London Film Festival, Cleveland Film Festival

赖小子 | Walking on the Wild Side

Han Jie’s feature debut draws on his own experiences growing up in a desolate mining district in northern China’s Shanxi province. A Chinese road movie, Walking on the Wild Side charts a young gang’s continuous flights from one kind of trouble to the next. Mirroring the stark and barren landscape, the film relays the grim story of these delinquents’ dreams of liberty and easy money. Played by nonprofessional actors who are real life troublemakers, the film offers a realism that is at once oppressive, cruel, and sympathetic.

Directed by Jie Han | Starring : Paijiang Bai, Qiang Guo, Jing Hou, Jie Lu, Zhaoting Tian | Presented at Rotterdam Film Festival, Hong Kong Film Festival, La Rochelle Film Festival, Jakarta Film Festival, Locarno Film Festival

最好的时光 | Three Times

Three stories of women and men: in 1966, “A Time for Love,” a soldier searches for a young woman he met one afternoon playing pool; “A Time for Freedom,” set in a bordello in 1911, revolves around a singer’s longing to escape her surroundings; in 2005 in Taipei, “A Time for Youth” dramatizes a triangle in which a singer has an affair with a photographer while her partner suffers. In the first two stories, letters are crucial to the outcome; in the third, it’s cell-phone calls, text messages, and a computer file. Over the years between the tales, as sexual intimacy becomes more likely and words more free, communication recedes.

Directed by Hsiao-hsien Hou | Starring : Qi Shu, Chen Chang, Shi-Zheng Chen, Fang Mei, Lawrence Ko | Presented at Cannes Film Festival, Taipei Film Festival, Telluride Film Festival, Toronto Film Festival, New York Film Festival, London Film Festival, Thessaloniki Film Festival, Rotterdam Film Festival, San Francisco Film Festival, Istanbul Film Festival, Indianapolis Film Festival, Yerevan Film Festival, Helsinki Film Festival

黑社会 | Election

Every two years senior members of Hong Kong’s oldest Triad, The Wo Shing Society, elect a new chairman. Fierce rivalries emerge between the two eligible candidates. Lok, respected by the Uncles is the favorite to win. His rival Big D will stop at nothing to change this by going against hundreds of years of Triad tradition – influencing the vote with money and violence. When Wo Shing’s ancient symbol of leadership, the Dragon’s Head Baton, goes missing, a ruthless struggle for power erupts and the race to retrieve the Baton threatens to tear Wo Shing in two. Can Wo Shing balance their traditional brotherhood ways with the cut-throat modern world of 21st century business?

Directed by Johnnie To | Starring : Simon Yam, Tony Leung Ka Fai, Louis Koo, Nick Cheung, Ka Tung Lam | Presented at Cannes Film Festival, Rio de Janeiro Film Festival, Torino Film Festival, Sitges Film Festival, La Rochelle Film Festival, Toronto Film Festival, Rotterdam Film Festival, Pusan Film Festival, Buenos Aires Film Festival, Locarno Film Festival

电影往事 | Electric Shadows

It was a golden age of movies, like to watch movies want to be a movie actor female announcer Jiang Xuehua (Jiang Hongbo ornaments) unwed gave birth to a daughter like watching the same movie Lingling. This kind of elementary school understand the bad boy Mao Xiaobing Mao Xiaobing frame magic telescope, the telescope can see any want to see the movie, two people become good friends because of the movie, when Mao Xiaobing go gave the telescope the Ling-Ling Chiang. Later, the same is the movie lasting bonds, Jiang Xuehua and movie projectionist Pan Daren married soon gave birth to a son Bingbing, Lingling feeling by the threat to their own position in the home. Later, an accident, and Lingling climbed the roof watching movies brother accidentally fall killed the father of a slap in the face for Lingling runaways. Mao Xiaobing has long become Maotai Bing (Xia Yu ornaments), makes him an unexpected encounter Lingling almost deaf, mentally unstable, thus opening a dusty past.

Directed by Jiang Xiao | Starring : Yu Xia, Yihong Jiang, Zhengjia Wang, Shan Jiang, Haibin Li | Presented at Toronto Film Festival, Vancouver Film Festival, Marrakech Film Festival, Rotterdam Film Festival

不见 | The Missing

Two stories are intercut: In one, an old woman searches frantically for her missing grandson; in the other, a teenage boy’s grandfather disappears. Lee Kang-sheng’s The Missing is a sad and haunting film which builds very slowly to an obscure symbolic ending, making you want to watch it again right away in order to view it in a different light. While not quite living up to the standard of the best work of Lee’s esteemed mentor Tsai Ming-liang, The Missing is an admirable debut. The city of Taipei becomes an alienating dystopia in this minimalist directorial debut from Taiwanese actor Lee Kang-sheng. A grandmother loses her grandson in a park and spends the remainder of the day searching for him. Meanwhile, a troubled teenager’s grandfather similarly disappears. The two searchers wander the city until, eventually, their paths cross. The Missing shared the New Currents award with the Iranian film Tiny Snowflakes at the 2003 Pusan International Film Festival.

Directed by Kang-sheng Lee | Starring : Yi-Ching Lu, Tien Miao, Chang Chea, Chun Shih, Shiang-chyi Chen | Presented at Pusan Film Festival, Tokyo Film Festival, Rotterdam Film Festival, Hong Kong Film Festival, Karlovy Vary Film Festival, Athens Film Festival, Vancouver Film Festival, Flanders Film Festival, Chicago Film Festival, Vienna Film Festival, Ljubljana Film Festival, Nantes Film Festival, Bratislava Film Festival, Febio Film Festival

制服 | Uniform

Economic unrest roils central China’s Shaanxi Province: local factories are merging, thugs threaten managers, personnel records get lost, and workers are without protections such as health insurance. The police and much of society are surly. Xiao Jian, a mild young man whose father is ill, works in the family street stall doing pressing and tailoring. A laundered police-officer’s shirt goes uncollected, and Xiao Jian puts it on: it opens doors. Wearing it, he chats up a clerk, Zheng Shasha, and takes her out. He extracts fines from drivers who violate traffic laws. In these tough times, he’s not the only one with two identities.

Directed by Yi’nan Diao | Starring : Kai Han, Hongli Liang, Hua Qin, Xueqiong Zeng | Presented at Vancouver Film Festival, Pusan Film Festival, Rotterdam Film Festival, Philadelphia Film Festival, London Film Festival

不散 | Goodbye Dragon Inn

A Japanese tourist takes refuge from a rainstorm inside a once-popular movie theater, a decrepit old barn of a cinema that is screening a martial arts classic, King Hu’s 1966 “Dragon Inn.” Even with the rain bucketing down outside, it doesn’t pull much of an audience – and some of those who have turned up are less interested in the movie than in the possibility of meeting a stranger in the dark.

Directed by Ming-liang Tsai | Starring : Kang-sheng Lee, Shiang-chyi Chen, Kiyonobu Mitamura, Tien Miao, Chao-jung Chen | Presented at Venice Film Festival, Toronto Film Festival, Vancouver Film Festival, Pusan Film Festival, Chicago Film Festival, New York Film Festival, Vienna Film Festival, Tokyo Film Festival, London Film Festival, Hawaii Film Festival, Stockholm Film Festival, Oslo Film Festival, Nantes Film Festival, Rotterdam Film Festival, Febio Film Festival, Belgrade Film Festival, Wisconsin Film Festival, Buenos Aires Film Festival, Istanbul Film Festival, Hong Kong Film Festival, Singapore Film Festival, Munich Film Festival, La Rochelle Film Festival, Maine Film Festival

明日天涯 | All Tomorrow’s Parties

In a post-apocalyptic 21st century, Continental Asia lives under the rule of the political and religious sect Gui Dao, which blends Maoist rhetorics with Buddhist iconography… Zhuai and his younger brother Mian are arrested and deported to a camp called Prosperity for re-education. Survival in the camp means hunger, bureaucratic rules, degradation and humiliation. After the catastrophic fall of the sect, the guards of the camp escape, leaving the inmates “free”. Zhuai and Mian wander around before leaving the camp together with beautiful Xuelan and her baby. They find themselves in the desert wastelands of their post-war post-industrial world. They try to rediscover everyday life in a shabby apartment of an abandoned mining town. Are their dreams only of a virtual future?

Directed by Nelson Yu Lik-wai | Starring : Wei Wei Zhao, Yi’nan Diao, Yong-won Cho, Ren Na  | Presented at Cannes Film Festival, Vancouver Film Festival, Sitges Film Festival, Entrevues Film Festival, Rotterdam Film Festival, Buenos Aires Film Festival, Hong Kong Film Festival, Warsaw Film Festival, Chicago Film Festival