我十一 | 11 Flowers

One of China’s foremost Sixth Generation directors, Wang Xiaoshuai (Beijing Bicycle, Shanghai Dreams) tells a striking, autobiographical coming-of-age tale set in the final days of China’s Cultural Revolution. Eleven-year-old Wang Han lives with his family in a remote village in Guizhou province. When Wang is selected to lead his school through their daily gymnastic regiment, his teacher recommends that he wear a clean, new shirt in honor of this important position – a request that forces his family to make a great sacrifice.

Directed by Xiaoshuai Wang | Starring : Ni Yan, Jinchun Wang, Wenqing Liu, Renlang Qiao, Yi Zi | Presented at Toronto Film Festival, San Sebastian Film Festival, Pusan Film Festival, Tokyo Film Festival, Les Arcs Film Festival, Rotterdam Film Festival, Göteborg Film Festival, Istanbul Film Festival, Taipei Film Festival, St. Louis Film Festival, Fribourg Film Festival

夺命金 | Life Without Principle

Life Without Principle tells the story of three characters: an ordinary bank teller turned financial analyst is forced to sell high risk securities to her customers in order to meet her sales target; a small-time thug delves into the futures index hoping to earn easy money to post bail for a buddy in trouble with the law; a straight-arrow Police inspector, who has always enjoyed his middle income lifestyle, is suddenly desperate for money when his wife puts a down payment on a luxury flat she can’t afford and his dying father wants him to look after a young half-sister he never knew he had.

Directed by Johnnie To | Starring : Ching Wan Lau, Richie Ren, Denise Ho, Myolie Wu, Hoi-Pang Lo | Presented at Venice Film Festival, Toronto Film Festival, San Sebastian Film Festival, Vancouver Film Festival, Pusan Film Festival, Mar del Plata Film Festival, Wisconsin Film Festival, San Francisco Film Festival, Edinburgh Film Festival, Changchun Film Festival, Locarno Film Festival

寻欢作乐 | The High Life

In Guangzhou, petty con artist Jian Ming scams naive country folk like Xiao Ya out of their cash and keeps a record of them on his bedroom wall. His girlfriend Fang’s relative wealth comes from being a kept woman, but she’s had just about enough of her elderly patron. Jian Ming seems to be coasting along with few moral qualms until he befriends Xiao Ya and realizes that she brightens up his dull life. Nonetheless he sets her up to be assaulted by local gangster Hui, which finally compels him into an emotional reaction.

Directed by Zhao Dayong | Starring : Shaoqiu Shen, Hong Qiu, Yanfei Liu, Qingyi Su, Lei Diao | Presented at Nantes Film Festival, Rotterdam Film Festival, San Francisco Film Festival, San Sebastian Film Festival

夹边沟 | The Ditch

A political ghost story that gives voice to atrocious memories, The Ditch draws equally from classical Chinese drama and Wang’s experience as a documentary filmmaker. The film’s realistic style perfectly balances the intensity of the subject matter. This is an exceptional work of ascetic cinematic poetry.

Directed by Bing Wang | Starring : Zhengwu Cheng, Niansong Jing, Ye Lu, Cenzi Xu, Haoyu Yang | Presented at Venice Film Festival, Toronto Film Festival, Abu Dhabi Film Festival, Sao Paulo Film Festival, Stockholm Film Festival, Nantes Film Festival, Alès Film Festival, San Sebastian Film Festival, Edinburgh Film Festival

老那 | Addicted to Love

Old Pop, a retired factory worker, lives in a former industrial area of Beijing with his extended family. He likes going to the market with his old colleague, Lao Chang. One day, he recognizes a face he had been unable to forget: his first love, Li Ying. An elegant old woman, Li Ying seems to have trouble remembering people, and her daughter is openly hostile to Old Pop. Despite these obstacles, the two elders start meeting in secret. Discovering that Li Ying has Alzheimer, Old Pop plays little games with her to exercise her mind. As in his award-winning first films, Liu Hao uses non-professional actors to recount an unusual love affair with a poetic and humorous touch.

Directed by Hao Lui | Starring : Jiang Mei Hua, Niu En Pu | Presented at San Sebastian Film Festival

寒假 | Winter Vacation

An ordinary village in Northern China, the last day of the winter vacation. Four idle, aimless adolescents gather at Zhou Zhixin’s home, a friend who lives with his father, brother and nephew. Like most contemporary teenagers, these youths want to enjoy their last day of holiday and simply hang out in this place where nothing ever seems likely to happen. Their conversations are desultory and they sometimes seem to argue for argument’s sake. One of them, Laowu, talks frankly with his girlfriend about how teenage love might affect their studies, while Laobao questions school’s value and relevance to real life.

Directed by Hongqi Li | Starring : Jinfeng Bai, Lei Bao, Hui Wang, Ying Xie, Naqi Zhang | Presented at Locarno Film Festival, Vancouver Film Festival, London Film Festival, Mar del Plata Film Festival, Thessaloniki Film Festival, Rotterdam Film Festival, Hong Kong Film Festival, Wisconsin Film Festival, Melbourne Film Festival, San Sebastian Film Festival

团圆 | Apart Together

Over fifty years after the proclamation of the People’s Republic of China on the Chinese mainland and the founding of the island republic of Taiwan, permission is given for the first time for a group of ex-soldiers of the National People’s Party or Kuomintang to travel from Taiwan to China and be reunited with family members in Shanghai. These soldiers fought bitterly against Communist troops during China’s civil war from 1927 onwards, until they were forced to retreat to Taiwan in 1949. One of the comrades-in-arms travelling with the group to his former home in Shanghai is an ageing soldier named Lui Yansheng. His reason for embarking on this journey is not to see the family members he left behind on the mainland but to find the one and only love of his life, Qiao Yu’e, whom he was obliged to leave behind in Shanghai without a word of farewell, and their son, who was born after he took flight. After having made contact via letter, he manages to arrange a meeting during which he quickly realises that Qiao Yu’e, who has founded a family with an officer in the People’s Liberation Army, still feels the same way about him as before. It’s not hard for Liu Yangsheng to persuade his former partner to go back with him to Taiwan. He hopes that, by promising to leave his entire savings to her husband and their children, he will be able to secure the family’s agreement. But his proposal gives rise to a huge outcry in the family. Qiao Yu’e situation would seem to be quite hopeless – until her husband suffers a brain haemorrhage and almost dies…

Directed by Quan’an Wang | Starring : Lisa Lu, Feng Ling, Cai-gen Xu, Monica Mok, Xiaotian Mo | Presented at Berlin Film Festival, Melbourne Film Festival, San Sebastian Film Festival, Sao Paulo Film Festival, Palm Springs Film Festival

复仇 | Vengeance

What is vengeance if you can’t remember who it is you’re avenging? Isn’t memory what vengeance is all about? Vengeance is always personal, and usually results in at least a few more deaths than originally intended, many of them more than a little mordantly ironic. That’s part of what makes a revenge thriller thrilling, and Johnnie To’s terrific, slow-burn triad actioner Vengeance, adds a memory glitch to those thrills. Vengeance is a rich, fragrant reduction of To’s favorite themes (male bonding and codes of loyalty, the triad underworld, vengeance) trademarks (slow-motion clouds of blood, unforgettable set-pieces, impossibly sleek cinematography, brooding men, black humor) and actors. One splendid difference: Vengeance stars French actor and singer Johnny Hallyday (adding a nice tip of the chapeau to the French noirs of the ‘60s, when Hallyday had his rock and roll heyday). Hallyday plays François Costello, a Parisian restaurant owner who is in Macau at the request of his daughter—to avenge a savage attack on her family. Costello crosses paths with a crack team of triad hit men, whom he then hires to carry out his own revenge plan—a plan growing increasingly hazy due to his deteriorating memory. The craggy, lived-in face of Hallyday is as riveting as To’s mad scenes of mayhem, which include a fierce nighttime shootout as clouds pass over the full moon and—shootouts being To’s stock in trade—an epic battle in a junkyard that has to be seen to be believed. Vengeance, indeed, is a dish best served by Johnnie To.

Directed by Johnnie To | Starring : Johnny Hallyday, Anthony Wong Chau-Sang, Ka Tung Lam, Simon Yam, Suet Lam | Presented at Cannes Film Festival, Toronto Film Festival, Oldenburg Film Festival, San Sebastian Film Festival, Pusan Film Festival, San Francisco Film Festival, Seattle Film Festival, Milwaukee Film Festival

南京！南京！ | City of Life and Death

Nanjing, 1937. The third film from award-winning Sixth Generation director Lu Chuan, City of Life and Death is a devastating account of the massacre that occurred during the Sino-Japanese War when Japanese troops took the city of Nanjing in December 1937, a tragedy remembered as the Rape of Nanking. Shot completely in black and white, this powerful war drama unflinchingly captures the shocking violence and brutality of the Nanjing massacre, from the mass executions of POWs to the raping and slaughtering of civilians, while providing a deeply human portrait of both the victims and the perpetrators. Rendered in many shades of gray, City of Life and Death touches on the different people whose lives are destroyed by the war: the Chinese soldiers who gave their lives, the foreign missionaries who sheltered refugees, the comfort women, the Chinese civilians, and the Japanese soldiers. In a surprising move for a Mainland Chinese film about the Rape of Nanking, City of Life and Death is told primarily from the perspective of a Japanese soldier, who witnesses, commits, and abhors the atrocities of his army. By choosing to humanize rather than demonize, Lu Chuan offers an all the more devastating memory of the Nanjing massacre, and the people who lived and died in the City of Life and Death.

Directed by Chuan Lu | Starring : Ye Liu, Yuanyuan Gao, Hideo Nakaizumi, Wei Fan, Lan Qin | Presented at Edinburgh Film Festival, Toronto Film Festival, San Sebastian Film Festival, Athens Film Festival, Oslo Film Festival, Hamptons Film Festival, Pusan Film Festival, Warsaw Film Festival, London Film Festival, AFI Film Festival, Mar del Plata Film Festival, Palm Springs Film Festival, Rotterdam Film Festival, Seattle Film Festival, Melbourne Film Festival, Helsinki Film Festival

李米的猜想 | The Equation of Love and Death

When a mysterious death occurs, the lives of five unexpected strangers are suddenly intertwined together. A drug trafficking crime is unveiled, and through the twist and turns of the investigation, their stories unravel, and a bizarre connection is gradually discovered between them. The Equation of Love and Death weaves together three different love stories, examining the different emotional struggles people go through in dealing with pain and lost, and how letting go might just be the hardest thing to do.

Directed by Baoping Cao | Starring : Xun Zhou, Chao Deng, Hanyu Zhang, Baoqiang Wang, Yanhui Wang | Presented at San Sebastian Film Festival, Fribourg Film Festival

出埃及记 | Exodus

After the artistic breakthrough and acclaim of Isabella, maverick director Edmond Pang Ho Cheung returns to black comedy territory with his new film Exodus. From Men Suddenly in Black, Beyond Our Ken, You shoot I shoot, Pang’s films often spin gender issues into wry commentary, and he takes this “battle of the sexes” concept to the next level with Exodus. Black comedy, suspense thriller, and male mid-life crisis drama all rolled into one, Exodus throws out a seemingly ridiculous premise – women are conspiring to kill men! – and challenges both the protagonist and the audience into amused belief. A low-ranking cop often relegated to desk duty, middle-aged Tsim Kin Yip lives a stable, mundane life with his young yoga instructor wife Ann. The monotony is broken one day when he interrogates Kwan Ping Man, a nervous, profanity-spouting man caught spying in the women’s bathroom. Kwan, who seems to have more than a few screws loose, confides to Tsim a shocking secret: a ring of women conspiring to murder men. Everyday, plans are whispered in restrooms and deaths are carefully engineered, so that men die unnoticeable from “accidents” that are anything but. Tsim initially dismisses Kwan’s conspiracy theory, but then clues crop up suggesting there is something fishy at work. Both his marriage and life could be at stake as Tsim becomes increasingly obsessed with cracking the case.

Directed by Ho-Cheung Pang | Starring : Simon Yam, Annie Liu, Nick Cheung, Irene Wan, Maggie Siu | Presented at Toronto Film Festival, San Sebastian Film Festival, Thessaloniki Film Festival, Locarno Film Festival

另一半 | The Other Half

Xiaofen works as a clerk in a law office in the industrial city of Zigong. Her unending daily routine is to record clients’ claims, complaints and arguments in cases ranging from divorces and spousal abuse to medical malpractice and industrial accidents. Xiaofen’s life has its own crises: her boyfriend, Deng Gang, is released from prison but quickly gives in to the gambling bug that put him there; her mother pressures her into a date with a suitor whose main interest is showing her bland business photos on his laptop computer; and she finally meets her estranged father. All these incidents build to a momentum when Deng Gang is suspected of murder and disappears, and the city is threatened by toxic pollution after an explosion in a chemical plant. In the ensuing evacuation, many people go missing. Uncertain of her future, Xiafen walks down empty streets while a public address system intones the names of the missing. The enigmatic end sequence seems to plead for a reverse of this erosion and loss of community, and suggests that some good may come from all this misfortune. With deadpan humor, deeply felt sensitivity and social commentary, director Ying Liang establishes the authorial voice promised in his short films and first feature, Taking Father Home. Here, he cleverly mixes major and minor crises, personal and political dilemmas, to create a chilling reflection on life today.

Directed by Liang Ying | Starring : Xiaofei Zeng, Gang Deng, Ke Zhao, Xigui Chen, Huibin Liu | Presented at Jeonju Film Festival, Singapore Film Festival, San Francisco Film Festival, Munich Film Festival, Chicago Film Festival, Thessaloniki Film Festival, San Sebastian Film Festival

向日葵 | Sunflower

The tumultuous relationship between a father returning home after years in a labor camp and the nine-year-old son who doesn’t quite know what to make of this new man in his life lies at the heart of director Zhang Yang’s heartfelt drama addressing the nature of change and the importance of family in Chinese culture. Chairman Mao has died and the Gang of Four have fallen, leaving former painter Gengnian to return home to his wife, Xiuqing, and the pair’s nine-year-old son Xiangyang. His hands permanently damaged by the ravages of hard labor, Gengnian cannot return to painting, though his young son has shown an abundance of artistic promise. Troubled by the sudden presence of a father he has never known and rebelling against the path laid before him, Xiangyang ignites a firecracker in his hand in hopes that it may derail his artistic career. In the years that follow, Xiangyang’s reputation as a talented artist grows while his relationship with his father remains forever troubled.

Directed by Yang Zhang | Starring : Joan Chen, Haiying Sun, Zhang Fan, Zifeng Liu, Jing Liang | Presented at Toronto Film Festival, San Sebastian Film Festival, Chicago Film Festival, Bangkok Film Festival, Hong Kong Film Festival, Tokyo Film Festival

一个陌生女人的来信 | Letter from an Unknown Woman

A man rides home through a war-ridden city. A letter waits for him at home. It’s a letter written by a woman before her death. In it, she tells him that she loves him, a lifelong passion that hasn’t lessened with time, but of which he knew nothing. She recounts their short but passionate young love – to him, simply one more brief romance among many; the difficulties she had in raising their child; and their final meeting, at which he didn’t recognize her. Now that she has lost her son (the only thread linking her to the man she loved), she no longer has the strength to live on… Shaken by the letter, the man searches his memory for the nameless woman.

Directed by Jinglei Xu | Starring : Jinglei Xu, Wen Jiang, Feihu Sun, Xiaoming Su, Jue Huang | Presented at San Sebastian Film Festival, Seattle Film Festival, Edinburgh Film Festival

十面埋伏 | House of Flying Daggers

Towards the end of the Tang dynasty, the Emperor’s rule is waning and corruption is rife, and many groups are formed in society to challenge the authorities. Out of all the groups, the most powerful is The House Of Flying Daggers. The government decides to send Feng Tian County’s top captains Leo and Jin to capture the new leader within 10 days. Leo suspects that Mei, the beautiful new dancer at the Peony Pavilion, is the daughter of the old leader, and Leo decides to send Jin disguised as a warrior called Wind to rescue Mei, and to ensnare her trust so she’ll lead them to the secret headquarters of The House Of Flying Daggers. But as Jin and Mei spend more time together, they begin to develop feelings and desire for each other. However danger is lurking from all corners, and can Jin and Mei really love each other when there are secrets being hidden from both sides?

Directed by Yimou Zhang | Starring : Ziyi Zhang, Takeshi Kaneshiro, Andy Lau, Dandan Song, Jun Guo | Presented at Cannes Film Festival, Telluride Film Festival, Copenhagen Film Festival, Toronto Film Festival, San Sebastian Film Festival, New York Film Festival, Bergen Film Festival, Vienna Film Festival, London Film Festival, AFI Film Festival, Thessaloniki Film Festival, Dublin Film Festival, Iceland Film Festival, Cairo Film Festival, Istanbul Film Festival

丑角登场 | Enter the Clowns

Xiao Bo lives in a world where the lines defining men from women are constantly dissolving. He kneels at the deathbed of his father who has become a woman, and whose dying wish is to have oral sex with his/her son. His boyfriend “Nana” has also undergone a sex change, but Xiao Bo no longer finds her attractive as a woman. A sexual chain reaction ensues that wreaks havoc on traditional Chinese roles that govern male and female, parent and child. Filmmaker, novelist and queer activist Cui Zi’en caused an international sensation with his shockingly transgressive debut. Inspired by the likes of Andy Warhol and Rainer Werner Fassbinder, but set within a specifically Chinese context, Enter the Clowns is “a movie that says everything you know about sexual identity and gender orientation is wrong” (Tony Rayns, Time Out). “Cui may be unique as China’s first gay filmmaker, but it is… in the international pantheon of queer filmmakers that we must ultimately locate him” (Chris Berry).

Directed by Zi’en Cui | Starring : Bo Yu, Bing Chen, Narenqimuge, Xiaoyu Yu, Ge Jia | Presented at Jeonju Film Festival, Rotterdam Film Festival, Vancouver Film Festival, Ghent Film Festival, Flanders Film Festival, San Sebastian Film Festival

和你在一起 | Together

Chen Kaige, director of the Oscar-nominated Farewell My Concubine, composes a richly imagined and “tender symphony” (Screen International) about love, ambition and destiny in China’s high-pressure world of classical music. Surging with “warmth, humanity and a sense of humor” (The Hollywood Reporter) , this lyrical, enchanting “heartwarmer” (Variety) is a “sure fire crowd pleaser” (Los Angeles Times)! When a violin prodigy Xiaochun and his father head to Beijing seeking fame and fortune, they soon discover a fierce world of cutthroat ambition. But when Xiaochun is “adopted” by a famous music tutor, success finally seems within reach – until a shocking discovery begins to unravel his entire world, and the boy must make the most difficult choice of his life. Can he achieve the fame his father had always hoped for without losing the extraordinary passion that sets him apart?

Directed by Kaige Chen | Starring : Peiqi Liu, Yun Tang, Hong Chen, Zhiwen Wang, Kaige Chen | Presented at Toronto Film Festival, San Sebastian Film Festival, Florida Film Festival, Philadelphia Film Festival, Istanbul Film Festival, Tribeca Film Festival, Moscow Film Festival, Copenhagen Film Festival, Bergen Film Festival

任逍遥 | Unknown Pleasures

Unknown Pleasures, sequel to the widely praised Platform, again focuses on a generation of Chinese kids. In fragmentary observations, Jia sketches a picture of the lethargy of today’s youth, a generation that has grown up with technological gadgets, advertising and Internet. Jia refers to moments in the eventful year 2001, when an unemployed man blew up a whole building and the Olympic Summer Games of 2008 were granted to Beijing. In as far as the scenes were not improvised, the script of the film was inspired by work of the philosopher Zhuangzi, a Taoist who argues in favour of enjoying the (unknown) pleasures of life. The two unemployed kids Xiao Ji and Bin Bin have plenty of time for pleasures like hanging out and falling in love. In the case of Xiao Ji the subject of his affections is Qiao Qiao, a dancer and model for an advertising campaign for a major Mongolian brand of drink. The fact that Qiao Qiao has a dangerous friend does not make much impression on Xiao Ji: he takes his inspiration from American crime films and most wants to die young. Bin Bin does not have much faith in the future either. His girlfriend is going to Beijing to study. She wants to become a businesswoman, while Bin Bin’s ambitions do not extend any further than karaoke and cartoons.

Directed by Zhang Ke Jia | Starring : Tao Zhao, Wei Wei Zhao, Qiong Wu, Hongwei Wang, Zhubin Li | Presented at Cannes Film Festival, Toronto Film Festival, New York Film Festival, Chicago Film Festival, Thessaloniki Film Festival, Rotterdam Film Festival, Belgrade Film Festival, Istanbul Film Festival, Singapore Film Festival, San Sebastian Film Festival

十七岁的单车 | Beijing Bicycle

Beijing: young men in packs, machismo, class divisions, violence, and indifference. Guei arrives from the country: toothbrushes, hotel foyers, and Qin, a rich neighbor in high heels, dazzle him. He gets a job as a messenger. The company issues him a bike, which he must pay for out of his wages. When it is stolen, Guei hunts for it. A student, Jian, has it; for him, it’s the key to teen society – with his pals and with Xiao, a girl he fancies. Guei finds the bike and stubbornly tries to reclaim it in the face of great odds. But for Jian to lose the bike would mean humiliation. The two young men, and the people around them, are swept up in the youths’ desperation.

Directed by Xiaoshuai Wang | Starring : Lin Cui, Bin Li, Xun Zhou, Yuanyuan Gao, Shuang Li | Presented at Berlin Film Festival, Singapore Film Festival, Toronto Film Festival, Helsinki Film Festival, Vancouver Film Festival, San Sebastian Film Festival

花样年华 | In the Mood for Love

Hong Kong, 1962. Chow Mo-wan and Su Li-zhen move into neighboring apartments on the same day. Their encounters are polite and formal—until a discovery about their respective spouses sparks an intimate bond. At once delicately mannered and visually stunning, Wong Kar-wai’s In the Mood for Love is a masterful evocation of romantic longing and fleeting moments in time.

Directed by Kar Wai Wong | Starring : Tony Leung Chiu Wai, Maggie Cheung, Ping Lam Siu, Tung Cho ‘Joe’ Cheung, Rebecca Pan | Presented at Cannes Film Festival, Edinburgh Film Festival, Toronto Film Festival, San Sebastian Film Festival, New York Film Festival, Reykjavik Film Festival, Hong Kong Film Festival, Rotterdam Film Festival, Mar del Plata Film Festival, Bangkok Film Festival, Cinemanila Film Festival, Thessaloniki Film Festival

卧虎藏龙 | Crouching Tiger, Hidden Dragon

The fate of two women, both capable fighters, intertwine during the Ching Dynasty. One of them tries passionately to break free from the constraint society has placed upon her, even if it means giving up her aristocratic privileges for a life of crime and passion. The other, in her lifelong pursuit of justice and honor, only too late discovers the consequences of unfulfilled love. Their two destinies will lead them to a violent and astonishing showdown, in which each will make a surprising, climactic choice.

Directed by Ang Lee | Starring : Yun-Fat Chow, Michelle Yeoh, Ziyi Zhang, Chen Chang, Pei-pei Cheng | Presented at Cannes Film Festival, Telluride Film Festival, Toronto Film Festival, San Sebastian Film Festival, Reykjavik Film Festival, London Film Festival, New York Film Festival, Austin Film Festival, Flanders Film Festival, Vienna Film Festival, Bergen Film Festival, Tokyo Film Festival, Hawaii Film Festival, Rotterdam Film Festival, AFI Film Festival, Istanbul Film Festival

我的父亲母亲 | The Road Home

City businessman Luo Yusheng returns to his home village in North China for the funeral of his father, the village teacher. He finds his elderly mother insisting that all the traditional burial customs be observed, despite the fact that times have changed so much, and that it involves many people carrying his father’s body back to the village – the road home. As Yusheng debates the complications involved in organising such a big feat, he remembers the magical story of how his father and mother first met and got together.

Directed by Yimou Zhang | Starring : Ziyi Zhang, Honglei Sun, Hao Zheng, Bin Li, Yulian Zhao | Presented at Berlin Film Festival, San Sebastian Film Festival, Tokyo Film Festival, Ljubljana Film Festival, Sundance Film Festival, Fajr Film Festival, Florida Film Festival, Warsaw Film Festival

洗澡 | Shower

Shenzhen businessman, Da Ming, goes home to Beijing when he thinks his father has died. He finds his father hard at work at the family’s bathhouse (the false message was a ruse of Da’s mentally-handicapped, exuberant brother, Er Ming, to get Da home). Da stays a couple days, observing his father being social director, marriage counselor, and dispute mediator for his customers and a boon companion to Er. Da is caught between worlds: the decaying district of his childhood and the booming south where he now lives with a wife who’s not met his family. When Da realizes his father’s health is failing and the district is slated for razing, he must take stock of family and future.

Directed by Yang Zhang | Starring : Xu Zhu, Cunxin Pu, Wu Jiang, Ding Li, Bing He | Presented at Toronto Film Festival, San Sebastian Film Festival, Vancouver Film Festival, Thessaloniki Film Festival, Sundance Film Festival, Rotterdam Film Festival, Buenos Aires Film Festival, Seattle Film Festival, Changchun Film Festival, Calgary Film Festival, Jakarta Film Festival

秦颂 | The Emperor’s Shadow

The Qin emperor Shih Huang Ti is on his way to conquering the 6 Kingdoms of feudal China and uniting the Middle Kingdom. He recalls childhood friend Gao Qian Li who is the undisputed maestro of the Chinese lute. The emperor asks him to compose a symphony in celebration of his victory in the bloody war to unify China. A man who refuses to bow to the force of tyranny, Gao Qian Li is unwilling to undertake the composition. Frustrated and angered by Gao’s unrelenting disobedience, yet unable and unwilling to kill him for reasons of his obvious talents and their childhood friendship, the tyrant appears to have met his match. Matters take a twisted turn as Gao falls prey to the seduction of the emperor’s crippled daughter, Princess Ping Yang violating her virginity and enraging the Emperor even further. Both Gao and the Princess use each other as pawns, to vent their anger at the cruel Emperor. At her behest, Gao finally composes the song Tribute to Qin. After the premiere performance of the song, Gao suicidally jumps into the river with his flaming lute, drowning his music forever. This is a movie of epic proportions, exploring the twisted relationship between the ruthlessly tyrannical Qin Emperor and his childhood playmate. The sets are impressively stunning as are the performances by both male leads, both emerging from the tutelage of Chinese New Wave meister, Zhang Yi Mou.

Directed by Xiaowen Zhou | Starring : You Ge, Wen Jiang, Qing Xu, Yuan Yuan, Qingxiang Wang | Presented at San Sebastian Film Festival, Vancouver Film Festival, AFI Film Festival

谈情说爱 | Your Black Hair and My Hand

This Hong Kong drama parallels the stories of two young couples, splicing them with dream sequences and a framing story set at a coffee bar where friends have gathered to talk. Their first topic is the strange love affair between tough-guy Rong and poor Min. The two come together after he saves her from loss of face when she is unable to pay her cab fare one night. But she is a girl with secrets. When her father suddenly dies, Rong learns that she is wealthy, and, ever chivalrous, Rong vows to care for her as both a father and a husband. A wedding ensues, but after a three-day honeymoon, Min mysteriously disappears. The coffee shop crowd then launches into the story of Youge, a secretary who falls in love with her already married boss. Her troubles begin when she discovers herself pregnant.

Directed by Xin Lee | Starring : Winston Chao, Ya’nan Wang, Yi-nan Chen, Meng Tang, Xiao Guo | Presented at San Sebastian Film Festival

民警故事 | On the Beat

Take crime out of police work, and what’s left is procedures. In the western sector of Beijing, we follow the tedium of police officers. A rabid dog is loose in Guoli’s beat: a gang of police officers hunts it down. Then, word comes from on high to pick up all the dogs in the sector: fear of rabies combines with the dogs’ being status symbols of the nouveau riche. Occasionally a criminal is picked up: someone selling porn, someone running a three-card-monte game. Cops smoke, go to meetings, and hold trainings. They patrol on bicycles and enforce edicts. Guoli works nights. He’s lazy at home, his wife wants him to do more. Is there any more to do?

Directed by Ying Ning | Starring : Li Zhanho, Liangui Wang, Zhiming Zhao, Li Jian, Shen Zhenou | Presented at Toronto Film Festival, San Sebastian Film Festival, Thessaloniki Film Festival, Torino Film Festival, Entrevues Film Festival, Berlin Film Festival, Fribourg Film Festival, Febio Film Festival

饮食男女 | Eat Drink Man Woman

Trouble is cooking for widower and master chef Chu who’s about to discover that no matter how dazzling and delicious his culinary creations might be, they’re no match for the libidinous whims of his three beautiful but rebellious daughters. A master in the kitchen, Chu is at a loss when it comes to the ingredients of being a father. Every Sunday, he whips up a delicacy of dishes for his ungrateful daughters, who are so self-consumed that they don’t see his attempt at showing them love – gastronomically. So, as relationships sour and communications break down, Chu concocts a sure-fire recipe that will bring his family back together: He creates his own love affair to rival his daughters’ affections!

Directed by Ang Lee | Starring : Sihung Lung, Chien-lien Wu, Kuei-Mei Yang, Sylvia Chang, Winston Chao | Presented at Cannes Film Festival, Locarno Film Festival, Toronto Film Festival, San Sebastian Film Festival, London Film Festival

活着 | To Live

Directed by 5th generation filmmaker Zhang Yimou; starring Gong Li. When the irresponsible Xu Fugui loses his family’s fortune during a gambling spree, he causes his loved ones incredible hardship. Fugui’s father dies from a heart attack upon hearing the news, and his pregnant wife abandons him. Unable to put bread on the table, even for himself, Fugui works as a street vender, and when his wife notices his uncustomary humility, she returns. Within a year, Fugui desires to open a shop but is unable to raise the necessary funds. Instead of money, the local loan shark gives him his old shadow puppets. Soon, Fugui masters the art of puppetry, which increases his paltry income — but also serves as propaganda for the imminent Communist Revolution.

Directed by Yimou Zhang | Starring : Li Gong, You Ge, Ben Niu, Wu Jiang, Tao Guo | Presented at Cannes Film Festival, Toronto Film Festival, New York Film Festival, Vancouver Film Festival, San Sebastian Film Festival

炮打双灯 | Red Firecracker, Green Firecracker

Nie Bao played by Wu Gang is a poor painter who finds work in the house of the Cai family, whose wealth is built on the making of firecrackers. On her parents’ demise, Chun Zhi, the daughter, takes over the business. Raised as a man to effectively run the family business, Chun Zhi falls in love with Nie Bao, and faces for the first time, new sexual desires within her. However, their love is against all odds, and leads up to a dramatic end where Nie Bao is challenged to demonstrate his love for her in an explosive contest.

Directed by Ping He | Starring : Jing Ning, Gang Wu, Xiaorui Zhao, Yang Gao, Liang Zhao | Presented at Berlin Film Festival, San Sebastian Film Festival, Hawaii Film Festival

找乐 | For Fun

The Beijing Trilogy begins with a loving but unsentimental tribute to traditions and people forced into obsolescence. Required to retire from his job as a utility man at a Peking Opera theater, Old Han is at loose ends, wandering the backstreets of Beijing looking for something to correct. When he comes upon a group of amateur musicians in a public park, this inveterate meddler finds an outlet for his autocratic tendencies.

Directed by Ying Ning | Starring : Zongluo Huang, Wenjie Huang, Shanxu Han, Shihua Feng, He Ming | Presented at Berlin Film Festival, Toronto Film Festival, Thessaloniki Film Festival, San Sebastian Film Festival, Tokyo Film Festival, Nantes Film Festival