我们天上见 | We’ll Meet in Heaven

We'll Meet in Heaven

At age 40, mainland Chinese actress Jiang Wenli makes a smooth segue behind the camera with autobiographical coming-of-ager “Lan.” Cultural Revolution-set tale of a young girl, whose dream of becoming a champion gymnast is scuppered by the realities of everyday life and family background, is handled with grace and feeling, and is notably light on the political cliches besetting stories of the era. The audience-award winner at this year’s Pusan fest, this unabashedly old-school movie (in the best sense) is ripe for festival and Euro TV exposure, with some limited theatrical potential as well.

Directed by Wenli Jiang | Starring : Xu Zhu, Jun Yao, Ye Liu, Zhu Yinuo, Sichun Ma | Presented at Pusan Film Festival, Dubai Film Festival

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秘岸 | Lost, Indulgence

Lost Indulgence

After a fast turn on the night road, cabbie Wu Tao drives right into the Yangtze River and apparently drowns, though his body is nowhere to be found. His passenger, club hostess Su Dan, is left with a severely fractured leg. Unable to pay mounting hospital bills but determined to take responsibility, Wu Tao’s wife Li decides to take in Su Dan, and care for her during recuperation. Though Li’s angsty teenaged son Xiao Chuan is initially less than thrilled with the loud and demanding guest, some odd semblance of normalcy settles while relationships change; Li befriends a younger man, and Xiao Chuan falls for the older Su Dan. But as the days pass in that hot and cramped flat, the ambiguous connections and unspoken tensions among the increasingly infatuated Xiao Chuan and the mutually weary Su Dan and Li begin to drive lives in unexpected directions, and hearts to unanswered questions. Spring Subway and Curiosity Kills the Cat director Zhang Yibai helms the intriguingly titled and even more intriguingly told Mainland Chinese drama Lost, Indulgence. Set amid the rapid industrialization and hellfire heat of Chongqing, the film stars Eric Tsang, Eason Chan, Karen Mok, and Karen Mok’s legs, as well as Mainland actress Jiang Wenli and newcomer Tan Jianci. Though framed by a plot puzzle that pushes and pulls from all directions, Lost, Indulgence maintains a solid, subtle, and engaging narrative core revolving around the emergent relationships and identities of each character. Jiang Wenli and Karen Mok, in particular, delivering outstanding performances as two very different women who may share more than they say. Indeed, Lost, Indulgence is the rare film in which what is not revealed is as, and perhaps more, important than what is.

Directed by Yibai Zhang | Starring : Karen Mok, Wenli Jiang, Eric Tsang, Eason Chan, Bowen Duan | Presented at Tribeca Film Festival