有种 | Beijing Flickers

Beijing is happening these days, but not everyone is living the golden life. Dumped, fired, evicted and abandoned by everyone (including his dog), a down-on-his-luck man finds solace with a circle of equally ill-fated friends, in this touching and lighthearted drama from independent Chinese auteur Zhang Yuan.

Directed by Yuan Zhang | Starring : Zinuo Wang, Xiaofeng Li, Yulai Lu, Bowen Duan, Wenwen Han | Presented at Toronto Film Festival, Vancouver Film Festival, Thessaloniki Film Festival, Miami Film Festival

黑血 | Black Blood

Not everything is progress in China. Less and less rain means that the inhabitants of Inner Mongolia have to do everything to survive. For instance, sell their own blood. And in order to sell enough blood, you have to drink. A drama of fate shot in impressively expressive black-and-white. In a remote mountain village in the northwest of China, close to a nuclear test zone, the poverty-stricken Xiaolin sells his blood to pay his daughter’s school fees. Together with his wife Xiaojuan, he tries to set up a business. At first that seems very lucrative, but then fate strikes: it turns out that both Xiaolin and Xiaojuan are infected with HIV. Just like thousands of other poor people, who illegally sell their blood to be able to buy something as essential as water. Black Blood, supported by the Hubert Bals Fund, tells a small and personal story against the background of an ecological disaster. In the valley where the film was shot, there is also in reality no water anymore. ‘Water is more valuable than blood and many villages have already been deserted,’ according to Zhang Miaoyan. Zhang films the poor odd-jobbers for more than two hours in hypnotic black-and-white and – very briefly – in equally stunning colours.

Directed by Miaoyan Zhang | Starring : Mengjuan Liu, Danhui Mao, Yingying | Presented at Rotterdam Film Festival, Kerala Film Festival, Cannes Film Festival, Las Palmas Film Festival, Jeonju Film Festival, Montréal Film Festival, Rome Film Festival, Thessaloniki Film Festival

观音山 | Buddha Mountain

Three 20-something buddies drift like free-spirits through Chengdu, Sichuan: Nan Feng, a gorgeous and fearlessly feisty bar singer, and her two admirers, bike delivery guy Ding Bo and roly-poly Fei Zao. When Nan Feng accidentally assaults a well-connected bar patron, the three need to find not only compensation money but also a new place to live. They find the apartment of Chang Yueqin, a retired but agelessly elegant Beijing opera performer. Life styles and generations clash: Yueqin tries to impose discipline on the youths, and they in turn mock her old-fashioned harshness. When their reckless violation of her privacy exposes Yueqin’s hidden sorrows, the four learn to accommodate their differences, then how to offer emotional and ultimately spiritual support.

Directed by Yu Li | Starring : Bingbing Fan, Sylvia Chang, Bo-lin Chen, Yue Guan, Li Fang | Presented at Tokyo Film Festival, Vancouver Film Festival, Chicago Film Festival, Thessaloniki Film Festival, Cleveland Film Festival

钢的琴 | The Piano in a Factory

An offbeat ballad of friendship and devotion, The Piano in a Factory captures the tempo of changing times with quiet wisdom and a tinge of nostalgia. Steelworker Chen has a passion for music and plays the accordion in a local band with a close group of friends. When his estranged wife returns one day after years of absence, she demands a divorce and sole custody of their daughter. Chen is at a loss. He doesn’t mind divorcing a woman who has become a stranger, but he can’t bear to part with his daughter. Chen has worked hard to give her a respectable life and has taught her his love of music. When asked if she’d rather stay with her father or go with her mother, the girl gives a practical, devastating answer: she’ll go with whomever can provide her with a piano. Chen cannot afford such a luxury item, but the piano becomes his last hope to save what little is left of his family. With the help of his loyal friends and the support of his lover – the singer in his band – Chen concocts several plans to fulfill his daughter’s wish, from sneaking her into the local music school at night to drawing a fake piano. He even tries to steal the instrument from the school – anything to keep her near him. Nothing works for long, until Chen looks around his fading steel factory town and hits on the perfect solution. The Piano in a Factory is an endearing portrait of a moment when the certainty of state-run industry begins to falter. Simple in its measured and assured direction, The Piano in a Factory establishes Zhang Meng as one of the most vibrant voices in Chinese cinema today.

Directed by Zhang Meng | Starring : Qianyuan Wang, Shin-yeong Jang, Hailu Qin, Yongzhen Guo, Er-yang Luo | Presented at Toronto Film Festival, Tokyo Film Festival, Cinemanila Film Festival, Dubai Film Festival, Rotterdam Film Festival, Glasgow Film Festival, Miami Film Festival, San Francisco Film Festival, Wisconsin Film Festival, Melbourne Film Festival, Hamburg Film Festival, Thessaloniki Film Festival

寒假 | Winter Vacation

An ordinary village in Northern China, the last day of the winter vacation. Four idle, aimless adolescents gather at Zhou Zhixin’s home, a friend who lives with his father, brother and nephew. Like most contemporary teenagers, these youths want to enjoy their last day of holiday and simply hang out in this place where nothing ever seems likely to happen. Their conversations are desultory and they sometimes seem to argue for argument’s sake. One of them, Laowu, talks frankly with his girlfriend about how teenage love might affect their studies, while Laobao questions school’s value and relevance to real life.

Directed by Hongqi Li | Starring : Jinfeng Bai, Lei Bao, Hui Wang, Ying Xie, Naqi Zhang | Presented at Locarno Film Festival, Vancouver Film Festival, London Film Festival, Mar del Plata Film Festival, Thessaloniki Film Festival, Rotterdam Film Festival, Hong Kong Film Festival, Wisconsin Film Festival, Melbourne Film Festival, San Sebastian Film Festival

停车 | Parking

On Mother’s Day in Taipei, Chen Mo makes a date for dinner with his wife, hoping to bring their estranged relationship back together. While buying a cake on his way home, a car unexpectedly double parks next to his car, preventing his exit. For the entire night, Chen Mo searches the floors of a nearby apartment building for the owner of the illegally parked car, and encounters a succession of strange events and eccentric characters: an old couple living with their precocious granddaughter who have lost their only son, a one-armed barbershop owner cooking fish head soup, a mainland Chinese prostitute trying to escape her pimp’s cruel clutches, and a Hong Kong tailor embroiled in debt and captured by underground loan sharks. After many hardships, Chen Mo finally gets his car out of the parking space, and, with new friends riding beside him, advances toward a new horizon in life.

Directed by Mong-Hong Chung | Starring : Chen Chang, Gwei Lun-Mei, Leon Dai, Chapman To, Jack Kao | Presented at Cannes Film Festival, Ghent Film Festival, Thessaloniki Film Festival, Stockholm Film Festival, Oslo Film Festival, Taipei Film Festival, Wisconsin Film Festival

红色康拜因 | The Red Awn

Whenever the wheat becomes golden, thousands of floaters will leave their homes and migrate from one place to another to make a living by working in the wheat fields. A 50-year-old father leaves his wife and son in their hometown and, in order to make money, goes to the city for five years. The 17–year-old son grows up in the countryside alone. At summer’s end, the father returns and decides to drive the red combine during the harvest with his son. On their way, an irresponsible father and a resentful son try to rebuild their bond, to face their destiny.

Directed by Shangjun Cai | Starring : Lu Huang, Yulai Lu, Jianbin Chen, Shi Junhui, Hong Wang | Presented at Pusan Film Festival, Thessaloniki Film Festival, Seattle Film Festival, Melbourne Film Festival, Chicago Film Festival

出埃及记 | Exodus

After the artistic breakthrough and acclaim of Isabella, maverick director Edmond Pang Ho Cheung returns to black comedy territory with his new film Exodus. From Men Suddenly in Black, Beyond Our Ken, You shoot I shoot, Pang’s films often spin gender issues into wry commentary, and he takes this “battle of the sexes” concept to the next level with Exodus. Black comedy, suspense thriller, and male mid-life crisis drama all rolled into one, Exodus throws out a seemingly ridiculous premise – women are conspiring to kill men! – and challenges both the protagonist and the audience into amused belief. A low-ranking cop often relegated to desk duty, middle-aged Tsim Kin Yip lives a stable, mundane life with his young yoga instructor wife Ann. The monotony is broken one day when he interrogates Kwan Ping Man, a nervous, profanity-spouting man caught spying in the women’s bathroom. Kwan, who seems to have more than a few screws loose, confides to Tsim a shocking secret: a ring of women conspiring to murder men. Everyday, plans are whispered in restrooms and deaths are carefully engineered, so that men die unnoticeable from “accidents” that are anything but. Tsim initially dismisses Kwan’s conspiracy theory, but then clues crop up suggesting there is something fishy at work. Both his marriage and life could be at stake as Tsim becomes increasingly obsessed with cracking the case.

Directed by Ho-Cheung Pang | Starring : Simon Yam, Annie Liu, Nick Cheung, Irene Wan, Maggie Siu | Presented at Toronto Film Festival, San Sebastian Film Festival, Thessaloniki Film Festival, Locarno Film Festival

另一半 | The Other Half

Xiaofen works as a clerk in a law office in the industrial city of Zigong. Her unending daily routine is to record clients’ claims, complaints and arguments in cases ranging from divorces and spousal abuse to medical malpractice and industrial accidents. Xiaofen’s life has its own crises: her boyfriend, Deng Gang, is released from prison but quickly gives in to the gambling bug that put him there; her mother pressures her into a date with a suitor whose main interest is showing her bland business photos on his laptop computer; and she finally meets her estranged father. All these incidents build to a momentum when Deng Gang is suspected of murder and disappears, and the city is threatened by toxic pollution after an explosion in a chemical plant. In the ensuing evacuation, many people go missing. Uncertain of her future, Xiafen walks down empty streets while a public address system intones the names of the missing. The enigmatic end sequence seems to plead for a reverse of this erosion and loss of community, and suggests that some good may come from all this misfortune. With deadpan humor, deeply felt sensitivity and social commentary, director Ying Liang establishes the authorial voice promised in his short films and first feature, Taking Father Home. Here, he cleverly mixes major and minor crises, personal and political dilemmas, to create a chilling reflection on life today.

Directed by Liang Ying | Starring : Xiaofei Zeng, Gang Deng, Ke Zhao, Xigui Chen, Huibin Liu | Presented at Jeonju Film Festival, Singapore Film Festival, San Francisco Film Festival, Munich Film Festival, Chicago Film Festival, Thessaloniki Film Festival, San Sebastian Film Festival

黑眼圈 | I Don’t Want to Sleep Alone

Forest fires burn in Sumatra; a smoke covers Kuala Lumpur. Grifters beat an immigrant day laborer and leave him on the streets. Rawang, a young man, finds him, carries him home, cares for him, and sleeps next to him. In a loft above lives a waitress. She sometimes provides care and attention. More violence seems a constant possibility. They find another man abandoned on the street, paralyzed. They carry him. While no one speaks to each other, sounds dominate: coughing, cooking, coupling, opening bags; music and news reports on a radio, the rattle and buzz of a restaurant. It’s dark in the city at night. We see down hallways, through doors, down alleys. Who sleeps with whom?

Directed by Ming-liang Tsai | Starring : Kang-sheng Lee, Shiang-chyi Chen, Norman Atun, Pearlly Chu, Azman Hassan | Presented at Venice Film Festival, Toronto Film Festival, Vancouver Film Festival, Pusan Film Festival, Sao Paulo Film Festival, London Film Festival, Thessaloniki Film Festival, Nantes Film Festival, Mar del Plata Film Festival, Hong Kong Film Festival, Rio de Janeiro Film Festival

梦想照进现实 | Dreams May Come

Actress-turned-director and first-time producer Xu Jinglei presents her third feature film, titled Dreams May Come. Like her widely acclaimed directorial piece Letter From An Unknown Woman, Dreams May Come also stars Xu as the female lead. Written by top Chinese novelist Wang Shuo, witty dialogues between a TV actress and a TV director occupy over 90% of the film’s running time. The actress is tired of good-girl roles in TV dramas and wants to quit, but the director persuades her not to… As a director and actress, Xu Jinglei has woven in certain autobiographical elements, especially about the struggles of an actress and a director

Directed by Jinglei Xu | Starring : Jinglei Xu, Tongsheng Han | Presented at Thessaloniki Film Festival

芳香之旅 | The Road

Aboard a bus in the rural mountains of China, a naïve young girl name Li Chunfen attends to passengers’ needs, all the while speaking of the virtues of the Communist Party. The always loyal Li is happy to serve the driver, Old Cui, a kind of father figure to her who also acts as the consoling voice of the party. When she develops an acute case of puppy love for a frequent passenger — an emotion that leads to a chased kiss and a rape report, she learns all too well that her party and driver might not always have her best interests in mind. But how big of hand will the Cultural Revolution play in Li’s life? How much control will she have over her own fate? Spanning five decades of Li’s life, The Road is a coming-of-age tale of epic proportions. Heartbreakingly beautiful — the countryside cinematography is jaw-dropping — and tragically timely, the film stands out as a masterful work from a powerful new Chinese voice, director Zhang Jiarui, reminding us of a painful history and warning us never to repeat it.

Directed by Jiarui Zhang | Starring : Jingchu Zhang, Wei Fan, Yuan Nie, Lu Huang, Xiaomei Jiang | Presented at Thessaloniki Film Festival, Cairo Film Festival

最好的时光 | Three Times

Three stories of women and men: in 1966, “A Time for Love,” a soldier searches for a young woman he met one afternoon playing pool; “A Time for Freedom,” set in a bordello in 1911, revolves around a singer’s longing to escape her surroundings; in 2005 in Taipei, “A Time for Youth” dramatizes a triangle in which a singer has an affair with a photographer while her partner suffers. In the first two stories, letters are crucial to the outcome; in the third, it’s cell-phone calls, text messages, and a computer file. Over the years between the tales, as sexual intimacy becomes more likely and words more free, communication recedes.

Directed by Hsiao-hsien Hou | Starring : Qi Shu, Chen Chang, Shi-Zheng Chen, Fang Mei, Lawrence Ko | Presented at Cannes Film Festival, Taipei Film Festival, Telluride Film Festival, Toronto Film Festival, New York Film Festival, London Film Festival, Thessaloniki Film Festival, Rotterdam Film Festival, San Francisco Film Festival, Istanbul Film Festival, Indianapolis Film Festival, Yerevan Film Festival, Helsinki Film Festival

世界 | The World

Set in World Park—a Beijing theme park featuring replicas of 106 must-see sites from 14 countries—The World is a deeply-affecting story of love, spectacle and social injustice set against a backdrop of intensifying globalisation. Here the pretty young dancer Tao lives out her dreams, performing hourly for the amusement of the tourists. Behind the glittering costumes the dancers’ lives are a finely-tuned choreography of changing personal relationships. Amid the opportunities of a rapidly-urbanising ‘new China’ where assurance is only a text-message away, hopes and dreams flourish. But disappointment stalks, and Tao realises the isolated theme park is not immune to the harsh realities of life. One of the most important films by the leading director of the China’s Sixth Generation, The World is Jia’s first film to have offical sanction from the Chinese Government.

Directed by Zhang Ke Jia | Starring : Tao Zhao, Taisheng Chen, Hongwei Wang, Sanming Han, Jing Dong Liang | Presented at Venice Film Festival, Toronto Film Festival, New York Film Festival, London Film Festival, Thessaloniki Film Festival, Las Palmas Film Festival, Wisconsin Film Festival, Hong Kong Film Festival, Buenos Aires Film Festival, Seattle Film Festival, Rio de Janeiro Film Festival, Reykjavik Film Festival, Sao Paulo Film Festival

茉莉花开 | Jasmine Women

Jasmine Women is adapted from the novel Women’s Life by the famous writer Su Tong, whose literary works have been turned into many films, among them Zhang Yimou’s Raise the Red Lantern. Jasmine Women follows a family whose female members from three different generations all experience frustration in marriage, as if the family is cursed. In the 1930s, Mo, brought up by her single mother, develops a romance with the studio manager and is dumped after she gets pregnant. She blames her daughter Li for all her miseries. In the 1960s, Li can no longer put up with her mother Mo and marries a construction worker. Being impotent, Li adopts a child from the orphan named Hua. In the 1980s, Li suspects that her husband has an incestuous affair with Hua. Her husband commits suicide and Li becomes schizophrenic. Hua’s marriage is no better than her mother’s or grandmother’s – her husband finds a mistress and she decides to divorce him although she has already conceived his child…

Directed by Yong Hou | Starring : Ziyi Zhang, Joan Chen, Wen Jiang, Ye Liu, Yi Lu | Presented at Shanghai Film Festival, Tokyo Film Festival, Iceland Film Festival, Chicago Film Festival, Thessaloniki Film Festival

十面埋伏 | House of Flying Daggers

Towards the end of the Tang dynasty, the Emperor’s rule is waning and corruption is rife, and many groups are formed in society to challenge the authorities. Out of all the groups, the most powerful is The House Of Flying Daggers. The government decides to send Feng Tian County’s top captains Leo and Jin to capture the new leader within 10 days. Leo suspects that Mei, the beautiful new dancer at the Peony Pavilion, is the daughter of the old leader, and Leo decides to send Jin disguised as a warrior called Wind to rescue Mei, and to ensnare her trust so she’ll lead them to the secret headquarters of The House Of Flying Daggers. But as Jin and Mei spend more time together, they begin to develop feelings and desire for each other. However danger is lurking from all corners, and can Jin and Mei really love each other when there are secrets being hidden from both sides?

Directed by Yimou Zhang | Starring : Ziyi Zhang, Takeshi Kaneshiro, Andy Lau, Dandan Song, Jun Guo | Presented at Cannes Film Festival, Telluride Film Festival, Copenhagen Film Festival, Toronto Film Festival, San Sebastian Film Festival, New York Film Festival, Bergen Film Festival, Vienna Film Festival, London Film Festival, AFI Film Festival, Thessaloniki Film Festival, Dublin Film Festival, Iceland Film Festival, Cairo Film Festival, Istanbul Film Festival

恋爱中的宝贝 | Baober in Love

Liu Zhi, a young man living a depressed life from his marriage with a dominating girl, met Baober (an ageless young girl) on Beijing street one day. They fell in love and started to live a strange, mysterious life…

Directed by Shaohong Li | Starring : Xun Zhou, Kun Chen, Jue Huang, Fan Liao, Gang Wang | Presented at Telluride Film Festival, Ghent Film Festival, Pusan Film Festival, London Film Festival, Thessaloniki Film Festival

二弟 | Drifters

Would-be immigrant Er Di is back in China, expelled from the United States for working illegally. While in the U.S. he fathered a child, and when his American-born son comes to China for a visit, Er Di is barred from seeing him. At the same time, Er Di becomes involved with a beautiful member of a touring Shanghai opera company. Caught between his past and his future, his son’s culture and his own, Er Di seeks bonds with both.

Directed by Xiaoshuai Wang | Starring : Yihong Duan, Yan Shu, Yiwei Zhao, Yang Tang, Juyong Liu | Presented at Cannes Film Festival, Toronto Film Festival, Hawaii Film Festival, Thessaloniki Film Festival, Rotterdam Film Festival, Karlovy Vary Film Festival

我爱你 | I Love You

This story is based on a novel by Wang Shuo. A young couple have got together from first meet to marriage. DaoJi, she is very sensitive to her feeling and filled with aspiration to succeed and love…after honeymoon, they begin to go shopping at an agricultural market with basket as others. Jealousy, arguments are a relief of tedium in their insipid life. Conflicts, run away and frenzy are only ripples in dead pond.

Directed by Yuan Zhang | Starring : Jinglei Xu, Dawei Tong, Xuebing Wang, Peng Du, Juan Pan | Presented at Sundance Film Festival, Rotterdam Film Festival, Göteborg Film Festival, Fribourg Film Festival, Karlovy Vary Film Festival, Pusan Film Festival, Thessaloniki Film Festival

生活秀 | Life Show

With the aftermath of China’s Cultural Revolution as its backdrop, this drama showcases the resilience of a 30-something woman as she tries to pick up the pieces of her family’s life. After her mother’s death, Shuang Yang raises her brother, only to witness him fall into drug addiction, all as she runs a struggling restaurant in Chongqing. She lives day to day until a regular customer asks her out, igniting a spark of love, and hope.

Directed by Jianqi Huo | Starring : Höng Tao, Zeru Tao, Yueming Pan, Yang Yi, Deyuan Luo | Presented at Shanghai Film Festival,  Montréal Film Festival, Sundance Film Festival, Tokyo Film Festival, Thessaloniki Film Festival

开往春天的地铁 | Spring Subway

Director Zhang Yibai makes an impressive debut with Spring Subway, a stylish urban romance about the silent suffering of a modern Chinese couple. Geng Le is Jianbin, a recently unemployed Beijing urbanite whose marriage to designer Xiaohui is hitting a difficult patch after nearly seven years of matrimony. Xiaohui finds friendship – and possibly more – with a customer, while Jianbin keeps up appearances by going to work every morning and riding the Beijing subway all day. On the subway, life continues for him, as he views various couples falling in and out of love. He even becomes emotionally involved with a schoolteacher, and slowly the wall of silence between the married couple becomes ever more impenetrable. Zhang Yibai finds rich territory for exploration among these emotionally-stilted modern Chinese, who might be able to make their lives work if only they could communicate. Shot with stylish, enthralling cinematic panache, Spring Subway is an offbeat and stunning work from an important new voice in Chinese cinema.

Directed by Yibai Zhang | Starring : Geng Le, Jinglei Xu, Yuanyuan Gao, Yang Zhang, Lan Ke | Presented at Cannes Film Festival, Thessaloniki Film Festival

任逍遥 | Unknown Pleasures

Unknown Pleasures, sequel to the widely praised Platform, again focuses on a generation of Chinese kids. In fragmentary observations, Jia sketches a picture of the lethargy of today’s youth, a generation that has grown up with technological gadgets, advertising and Internet. Jia refers to moments in the eventful year 2001, when an unemployed man blew up a whole building and the Olympic Summer Games of 2008 were granted to Beijing. In as far as the scenes were not improvised, the script of the film was inspired by work of the philosopher Zhuangzi, a Taoist who argues in favour of enjoying the (unknown) pleasures of life. The two unemployed kids Xiao Ji and Bin Bin have plenty of time for pleasures like hanging out and falling in love. In the case of Xiao Ji the subject of his affections is Qiao Qiao, a dancer and model for an advertising campaign for a major Mongolian brand of drink. The fact that Qiao Qiao has a dangerous friend does not make much impression on Xiao Ji: he takes his inspiration from American crime films and most wants to die young. Bin Bin does not have much faith in the future either. His girlfriend is going to Beijing to study. She wants to become a businesswoman, while Bin Bin’s ambitions do not extend any further than karaoke and cartoons.

Directed by Zhang Ke Jia | Starring : Tao Zhao, Wei Wei Zhao, Qiong Wu, Hongwei Wang, Zhubin Li | Presented at Cannes Film Festival, Toronto Film Festival, New York Film Festival, Chicago Film Festival, Thessaloniki Film Festival, Rotterdam Film Festival, Belgrade Film Festival, Istanbul Film Festival, Singapore Film Festival, San Sebastian Film Festival

美丽时光 | The Best of Times

Chang Tso-Chi’s film begins like a comedy about an extended family but turns into a reflection on the tragedy that befalls cousins Ah Wei and Ah Jie, a funny but troubled youth whose first job puts him in touch with a gun. Family patriarch, Ah Wei’s dad, is goaded by granny about gambling away the family’s money while Ah Jei’s father repetitively recounts his dishonorable discharge from the army decades earlier. The two men spend their evenings getting drunk, suggesting that Ah Wei and Ah Jei’s fates may have been better met young. Tragedy also befalls Ah Wei’s twin sister who suffers from leukemia, but Chang uses expressionistic, slightly comic allegory to end his film on an up note.

Directed by Tso-chi Chang | Starring : Wing Fan, Meng-jie Gao, Wan-mei Yu, Mao-ying Tien, Yu-Chih Wu | Presented at Venice Film Festival, Toronto Film Festival, Chicago Film Festival, Thessaloniki Film Festival, Palm Springs Film Festival, Rotterdam Film Festival, Singapore Film Festival

蓝宇 | Lan Yu

Beijing, 1988. On the cusp of middle-age, Chen Handong has known little but success all his life. The eldest son of a senior government bureaucrat, he heads a fast-growing trading company and plays as hard as he works. His loyal lieutenant Liu Zheng is one of the few who know that Handong¿s tastes run to boys more than girls. Lan Yu is a country boy, newly arrived in Beijing to study architecture. More than most students, he is short of money and willing to try anything to earn some. He has run into Liu Zheng, who pragmatically suggests that he could prostitute himself for one night to a gay pool-hall and bar owner. But Handong happens to be in the pool-hall that evening, and he nixes the deal. He takes Lan Yu home himself, and gives the young man what turns out to be a life-changing sexual initiation.

Directed by Stanley Kwan | Starring : Ye Liu, Jun Hu, Jin Su, Yongning Zhang, Shuang Li | Presented at Cannes Film Festival, Brisbane Film Festival, Toronto Film Festival, Vancouver Film Festival, London Film Festival, Thessaloniki Film Festival, Sundance Film Festival, Rotterdam Film Festival, Singapore Film Festival, Buenos Aires Film Festival, Cinemanila Film Festival, Febio Film Festival

你那边几点 | What Time Is It Over There?

From acclaimed director Tsai Ming-Liang comes the quirky story of Hsiao Kang who sell watches in the street of Taipei for a living. A few Days after his father’s Death, he meet Shiang-Chyi, a young woman who leave for Paris the very next day. She persuades him to sell her his own watch, which has two dials, so that she can keep taipei time as well as local time, on her upcoming trip.Troubled y the behavior of this mother who prays constantly for the return of her late husband’s spirit, Hsiao Kang Take refuge in the memory of his brief encounter with Shiang-Chyi, In an effort to bridge the miles between them, he run around setting all the watches and clock in Taipei to Paris time. Meanwhile, in Paris, Shiang-Chyi confronts events that seem to be mysteriously connected with Hsiao Kang.

Directed by Ming-liang Tsai | Starring : Kang-sheng Lee, Shiang-chyi Chen, Yi-Ching Lu, Tien Miao, Cecilia Yip | Presented at Cannes Film Festival, Karlovy Vary Film Festival, Jerusalem Film Festival, Brisbane Film Festival, Edinburgh Film Festival, Montreal Film Festival, Toronto Film Festival, New York Film Festival, Vancouver Film Festival, Chicago Film Festival, Jakarta Film Festival, Tokyo Film Festival, AFI Film Festival, Pusan Film Festival, Thessaloniki Film Festival, Bangkok Film Festival, Hong Kong Film Festival, Buenos Aires Film Festival, Singapore Film Festival, Cinemanila Film Festival, Febio Film Festival

命带追逐 | Mirror Image

Pawnshop manager Lin Tung-Ching’s life has become too unpredictable since the lifeline of his left hand was damaged in a motorcycle accident. His girlfriend Eiko is desperate to find a way to help Tung-Ching retrieve his lifeline. She suggests they take customers palm prints, so she can practice her palm-reading. Even though Eiko is helping him, Lin feels attracted to a another girl, one who came to collect her pawned watch. He manages to meet her without Eiko knowing.

Directed by Ya-chuan Hsiao | Starring : Hsiao-fan Fan, Jiunn-jye Lee, Era Wang, Dei-yuan Chu, Li-wei Yang | Presented at Hong Kong Film Festival, Cannes Film Festival, Toronto Film Festival, Marrakech Film Festival, Chicago Film Festival, Vancouver Film Festival, London Film Festival, Thessaloniki Film Festival, Torino Film Festival, Buenos Aires Film Festival, Jeonju Film Festival

站台 | Platform

Platform, Jia Zhang-ke’s second feature, established Jia as a major player in world cinema, and “might be the greatest film to come out of Mainland China” (Jonathan Rosenbaum). Set in Jia’s native Fenyang in Shanxi Province, the film offers an epic social history of China in radical cultural and economic transformation from Maoism to market capitalism. This transition is charted through the trials and tribulations of a troupe of young performers who, in the years between 1979 and 1989, themselves transform from the Fenyang Peasant Cultural Group, performing rousing propaganda songs, into the All Star Rock and Breakdance Electronic Revue, playing cheesy ’80s synth pop. Jia’s narrative approach is episodic and elliptical; his visual style rigorous, distanced, and observant. “One of the richest films of the past decade …It’s Pop Art as history… Jia has a strong visual style (based on long fixed-camera ensemble takes) and a powerful set of concerns” (J. Hoberman). “Jia presents a startling precise definition of globalization” (Richard Brody).

Directed by Zhang Ke Jia | Starring : Tao Zhao, Hongwei Wang, Jing Dong Liang, Sanming Han, Bo Wang | Presented at Venice Film Festival, Toronto Film Festival, London Film Festival, New York Film Festival, Nantes Film Festival, Rotterdam Film Festival, Berlin Film Festival, Fribourg Film Festival, Hong Kong Film Festival, Buenos Aires Film Festival, Singapore Film Festival, Melbourne Film Festival, Brisbane Film Festival, Thessaloniki Film Festival, Seattle Film Festival

花样年华 | In the Mood for Love

Hong Kong, 1962. Chow Mo-wan and Su Li-zhen move into neighboring apartments on the same day. Their encounters are polite and formal—until a discovery about their respective spouses sparks an intimate bond. At once delicately mannered and visually stunning, Wong Kar-wai’s In the Mood for Love is a masterful evocation of romantic longing and fleeting moments in time.

Directed by Kar Wai Wong | Starring : Tony Leung Chiu Wai, Maggie Cheung, Ping Lam Siu, Tung Cho ‘Joe’ Cheung, Rebecca Pan | Presented at Cannes Film Festival, Edinburgh Film Festival, Toronto Film Festival, San Sebastian Film Festival, New York Film Festival, Reykjavik Film Festival, Hong Kong Film Festival, Rotterdam Film Festival, Mar del Plata Film Festival, Bangkok Film Festival, Cinemanila Film Festival, Thessaloniki Film Festival

月蚀 | Lunar Eclipse

A young newlywed has a chance encounter with an enigmatic minivan driver with a passion for photography. When the amateur photographer confesses to her a previous love affair with a woman who bears an uncanny resemblance to the newlywed, the young woman falls under the spell of this soft-spoken, unkempt, and seemingly hapless young man.

Directed by Quan’an Wang | Starring : Nan Yu, Chao Wu, Xiaoguang Hu, Desmond O’Neill | Presented at Shanghai Film Festival, Moscow Film Festival, Thessaloniki Film Festival

洗澡 | Shower

Shenzhen businessman, Da Ming, goes home to Beijing when he thinks his father has died. He finds his father hard at work at the family’s bathhouse (the false message was a ruse of Da’s mentally-handicapped, exuberant brother, Er Ming, to get Da home). Da stays a couple days, observing his father being social director, marriage counselor, and dispute mediator for his customers and a boon companion to Er. Da is caught between worlds: the decaying district of his childhood and the booming south where he now lives with a wife who’s not met his family. When Da realizes his father’s health is failing and the district is slated for razing, he must take stock of family and future.

Directed by Yang Zhang | Starring : Xu Zhu, Cunxin Pu, Wu Jiang, Ding Li, Bing He | Presented at Toronto Film Festival, San Sebastian Film Festival, Vancouver Film Festival, Thessaloniki Film Festival, Sundance Film Festival, Rotterdam Film Festival, Buenos Aires Film Festival, Seattle Film Festival, Changchun Film Festival, Calgary Film Festival, Jakarta Film Festival