最爱 | Til Death Do Us Part

The peacefulness of a rural village has been disrupted by an outbreak of a disease, which the locals call ‘a fever’. Villagers learn very quickly that there is no cure for the disease and refuse to have anything to do with the infected. Lao Zhuzhu is a teacher at the now-abandoned village school and the father of Zhao Qiquan, the blood merchant responsible for causing the outbreak. He decides to make amendments to the villagers on behalf of his unrepentant son by inviting all the infected villagers, including his younger son, Zhao Deyi, to live with him at the village school, where they will look after one another. One day, Shang Qinqin, donning a red jacket, arrives at the school compound to join the small community…

Directed by Changwei Gu | Starring : Ziyi Zhang, Aaron Kwok, Wenli Jiang, Zeru Tao, Cunxin Pu | Presented at Rome Film Festival

山楂树之恋 | Under the Hawthorn Tree

The People’s Republic of China during the Cultural Revolution. Jing, a college student from town, is sent to a remote mountain village for ‘reeducation’. Jing is the personification of innocence. But her father has been put behind bars for being a ‘counter-revolutionary’ and so now Jing’s mother must try to support her three children on her own. Jing knows that not only her own future but that of her family now depends on how the authorities judge her efforts to be ‘reeducated’. Jing’s careful and inconspicuous behaviour comes to an end, however, when she falls in love with Sun, the engaging son of a high ranking officer. Given their completely different backgrounds, their love is not only hopeless, it is also dangerous. But their mutual attraction proves to be stronger than any of these obstacles. At first Jing resists Sun’s advances, but he refuses to give up, even when she returns to town. Before long, the two young people are passionately – but secretly – in love. Nobody must find out – least of all Jing’s mother, who already fears for her daughter’s future. But then Sun suddenly disappears, and when he reappears, something about him has changed. Jing has to rethink her perception of love, honour and loyalty. And stand up for her real beliefs.

Directed by Yimou Zhang | Starring : Dongyu Zhou, Shawn Dou, Meijuan Xi, Xuejian Li, Taisheng Chen | Presented at Pusan Film Festival, Berlin Film Festival, Melbourne Film Festival, Rio de Janeiro Film Festival, Valladolid Film Festival, Tateshina Kogen Film Festival

落叶归根 | Getting Home

Zhao is an ageing worker who toils away in Shenzen in order to earn a living. When his friend and colleague Wang suddenly dies, Zhao decides to transport his body back to his native town. He purchases two tickets for the cross-country bus, and pretends that his silent travelling companion has drunk so much alcohol that he has fallen unconscious. Shortly afterwards, the bus is attacked by armed bandits. Zhao asks the bandits to kill him first, so that he can stay with his dead friend forever. Touched by this display of loyalty, the robbers decide to let the bus go. But instead of thanking Zhao, the other passengers throw him and his dead friend off the bus. Pretending that his friend is seriously ill and must be taken to hospital immediately, Zhao tries to flag down passing cars. After spending the night in a hotel, Zhao discovers that all his money has been stolen and begins to lose heart. But he refuses to be browbeaten. Whenever he needs money, he rearranges Wong so that he looks like a beggar. And whenever he is hungry, he joins a funeral party and bawls his eyes out so that he can enjoy the food served at the wake. During his odyssey across China Zhao is obliged to get along with all kinds of people. Just before he reaches his destination, the old man and his dead friend are caught in a torrential downpour, so that now Zhao finds himself engaged in a struggle against nature.

Directed by Yang Zhang | Starring : Benshan Zhao, Dandan Song, Degang Guo, Haiying Sun, Ma Wu | Presented at Berlin Film Festival, Bangkok Film Festival, Cinemanila Film Festival, Vladivostok Film Festival, Vancouver Film Festival, Chicago Film Festival, St. Louis Film Festival, Kerala Film Festival, Wisconsin Film Festival, Edmonton Film Festival

向日葵 | Sunflower

The tumultuous relationship between a father returning home after years in a labor camp and the nine-year-old son who doesn’t quite know what to make of this new man in his life lies at the heart of director Zhang Yang’s heartfelt drama addressing the nature of change and the importance of family in Chinese culture. Chairman Mao has died and the Gang of Four have fallen, leaving former painter Gengnian to return home to his wife, Xiuqing, and the pair’s nine-year-old son Xiangyang. His hands permanently damaged by the ravages of hard labor, Gengnian cannot return to painting, though his young son has shown an abundance of artistic promise. Troubled by the sudden presence of a father he has never known and rebelling against the path laid before him, Xiangyang ignites a firecracker in his hand in hopes that it may derail his artistic career. In the years that follow, Xiangyang’s reputation as a talented artist grows while his relationship with his father remains forever troubled.

Directed by Yang Zhang | Starring : Joan Chen, Haiying Sun, Zhang Fan, Zifeng Liu, Jing Liang | Presented at Toronto Film Festival, San Sebastian Film Festival, Chicago Film Festival, Bangkok Film Festival, Hong Kong Film Festival, Tokyo Film Festival

盲井 | Blind Shaft

Two Chinese coal miners have hit upon the perfect scam: murder one of their fellow mine workers, make the death look like an accident, and extort money from the boss to keep the incident hushed up. For their latest “mark,” they choose a naive teenager from a small village, and as they prepare to carry out their newest plan, things start to get complicated…

Directed by Yang Li | Starring : Qiang Li, Baoqiang Wang, Shuangbao Wang, Jing An, Zhenjiang Bao | Presented at Berlin Film Festival, Hong Kong Film Festival, Buenos Aires Film Festival, Tribeca Film Festival, Moscow Film Festival, Karlovy Vary Film Festival, Edinburgh Film Festival, Bergen Film Festival, Hawaii Film Festival, Bratislava Film Festival, Bangkok Film Festival, Febio Film Festival, Nashville Film Festival, Cairo Film Festival, Jakarta Film Festival

假装没感觉 | Shanghai Women

After Women’s Story, Peng returns to the most straightforward representation of women’s issues in Shanghai Women, a film about three rural women. As the first work in Peng’s Shanghai Trilogy, Shanghai Women describes the problem that women encounter trying to secure urban (residential) space through the story of women from three generations: a grandmother, mother and a daughter, Ah-xia. Fed up with her philandering husband, the mother decides to divorce and moves with Ah-xia to grandmother’s. The grandmother lives with her son, with his wedding on the horizon. Grandmother’s becomes too cramped for comfort because of the larger family. To secure their place, mother accepts a reluctant marriage arranged by the grandmother, with Li, who lives with his son. Li is nitpicking, stingy, and even violent and finally the mother and Ah-xia leave the place together. The mother considers a remarriage with her ex-husband but Ah-xia encourages her mother to make their own future together and find their own place. The film reveals the realities of an urban divorced woman and her insecure life if she leaves her husband’s house in a scene where mother and daughter ceaselessly wander about creek-side areas in Shanghai.

Directed by Xiaolian Peng | Starring : Liping Lü, Haiying Sun, Zhenyao Zheng, Wenqian Zhou, Jing-ming Shi | Presented at Cairo Film Festival, Nantes Film Festival

双旗镇刀客 | The Swordsman in Double Flag Town

Wuxia film production stopped on the Chinese mainland after 1949. In the wuxia blockbusters, made again on the mainland post-2000 (of which Zhang Yimou’s Hero is most well-known), there’s often an emphasis on heroes compromising with the authorities, traditional chivalry having disappeared without a trace. The Swordsman in Double Flag Town stands unique among mainland wuxia films, and it is certainly no coincidence that it was produced right after the Tiananmen crackdown. The vast, desert quality of the landscape has more than a little of the American Western about it, and the dangerous duels in which a single stroke decides which participant will live or die brings to mind the atmosphere of a Japanese samurai film. The unique characters and minimal dialogue accompanying these suggest the cinematic style favoured by the Fifth Generation directors, while retaining the suspense and the drama of the wuxia genre.

Directed by Ping He | Starring : Wei Gao, Mana Zhao, Jiang Chang, Haiying Sun, Gang Wang | Presented at Berlin Film Festival, Rotterdam Film Festival